Tag Archives: Foghorn Media

The Mezcaltones (AUS)

The Mezcaltones Mexican Hillbilly Surf Music

The Mezcaltones Mexican Hillbilly Surf Music
The band’s third album finds them at the top of their game with brilliantly written and played originals along with a tasteful selection of covers lifted from their live set. Recorded and mixed in just over a week at Damien Gerard’s new expanded studios on the Central Coast, the album stands as their most cohesively accessible and sonically pleasing to date.

Only released last Friday to coincide with the launch on Sydney’s Northern Beaches to their home crowd the Album is already garnering reviews such as
The third album from the enigmatic Mezcaltones is cranking, feelgood drinking music that crawls into your boots and drags you to the dance floor of any number of dusty roadside Mexican Saloons.” Redback Rock
“The good, the bad, the groovy, playing all things cool with a Tarantino and strong Mexican flavour.Blog

The band have also been invited to co host Ross Fear’s influential Australian Spectrum show this Tuesday March 3 (tonight).

The band will be playing over the next few weeks to promote the record, see dates below.

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And now to the band – Just what is it about the Mezcaltones-
Four guys dressed as cowboys and two women dressed like Spanish Mexican Senoritas that you might find in a Quentin Tarantino movie – two guitarists, a bassist, a drummer a Crazy front man and a beautiful dancer/percussionist.  Whilst their original songs have an alt country flavour with rich Cowboy guitar sounds reminiscent of another century the guitar tones also reach into the realms of 60’s surf instrumentals.

See them live at

Album – Out Now – Foghorn/MGM
CD on sale at Shows
Click below for DSP’s

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Connect with The Mezcaltones:

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For further information please contact:
Marshall Cullen at Foghorn Media
0416 143 030
marshall@foghornrecords.net


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Steve Kilbey and Gareth Koch New Album Chryse Planitia

New Reviews

Adam Jones Melbourne Writer

Redback Rock

Backseat Mafia

What unites the musical spheres of an Australian rock icon

and a Viennese-trained classical musician?

The answer lies in a shared aesthetic and approach to their craft. There is a wistful and haunting lilt to the Kilbey/Koch songs, as they float seamlessly through a narrative of fallen crowns, fatal hours, and enchanted gardens. To compliment the poignant lyrics is a delicious instrumentation, weaving and wafting, ghostly and waif-like, alternately brimming with rhythmic drive, present yet somehow elusive.

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Hot on the heels of two critically acclaimed singles, the debut album Chryse Planitiapulses with a strong and immediately recognisable musical identity. Kilbey and Koch have forged an entirely new sound characterised by a fluid and elegant movement across genres. Their partnership draws inspiration from medieval music to post-modern psychedelia, as if it were the most natural thing in the world, with every imaginable influence in between.

Steve Kilbey, also known as the frontman of veteran rock band The Church, has generated a lifetime of beautifully crafted songs. His subtly esoteric lyrics create an aura of mystery, posing questions and teasing the listener with riddle-like answers. Kilbey’s words evoke a succession of images, half-remembered whisperings at the edge of our consciousness. He is a poet-master of unsaid things whose writing arouses the dreamer within us.

Gareth Koch is a European-born classical guitarist and composer who has recorded most of the major repertoire. His compositional style reflects a lifelong engagement with classical, folk and flamenco music. Although not easy to define, Koch’s music is often characterised by medieval gestures, influenced by the unrequited longing style of the French Trouveres (singer-poets) of the 12thcentury.

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Expertly tracked by Andrew Beck and mixed by Russell Pilling of Damien Gerard Studios and superbly mastered by Grammy Awardwinning King Willy Sound, Chryse Planitiais a feast for the ears.

Out Now

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Connect with Steve Kilbey:



Connect with Gareth Koch:

 

For further information, and Interview requests please contact:
Marshall@foghornrecords.net
0416 143 030

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Diana Anaid – The Leaving Town Tour

Diana Anaid’s Leaving Home tour, presented by TheMusic, is now underway and the remaining dates are:

Nov Fri 2nd Nimbin, Nimbin Bush Theatre, NSWw/ Hannah & Cash, 7pm-9pm $10 https://nimbinbushtheatre.com/events

Nov Sat 3rd Bellingen, #5 Church StNSW 7.15-9pm $20 Tickets at the venue.

Nov Fri 9th-11th Airlie Beach, Airlie Beach Music Festival, QLD (Diana Anaid set 3pm Friday 9th) http://www.airliebeachfestivalofmusic.com.au/

Nov Thurs 15th Sydney, The Brass Monkey, Cronulla, NSW w/Maxine E Kay 7-10.40pm $15 http://www.brassmonkley.com.au/

Nov Fri 16th Canberra, Smiths Alternative, ACT w/ Heya Gosper, 10pm-12 $15 Tickets at the venue

Nov Sat 17th Healesville Music Festival, VIC 3pm Uniting Church Womens Concert(solo unplugged) and 7pm main stage Monda Muse(duo) $90 https://www.trybooking.com/book/event?eid=340366&

Dec Sat 8th, Brisbane, The Milk Factory, QLD w/Brendan the Bard and Candice Long  7.30-11pm Tickets at the venue

Diana Anaid

Her single, Leaving Town is the third track from the My Queen album and has a fantastic video to accompany it.

Click on the video link below to check it out at The Music website, or  you can also watch it at hellothematic.com.

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 Diana says, “The heartfelt music video by Northern Rivers artist Kerry Negus further highlights the emotive and courageous lyrical content of the album, focusing this time on climate change, the drought, corporate greed and personal inner peace. I am so humbled by the amazing creatives who have thrown their weight behind the new My Queen release, helping to make it one of my defining albums, emboldening and bolstering my personal and creative growth and inner strength.”

Leaving Town/My Queen Producer Steve James says,
“I’ve got a short list of 10 from the hundreds of records I have worked on, including The Screaming Jets, Monty Python, The Rutles, Toyah Wilcox, Weta, The Rumjacks and now My Queen has been added to that list. I would compare her to Alanis Morissette or Fiona Apple , more the attitude than the vocals.”

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The Leaving Town Single is OUT NOW on All Digital Platforms via MGM and features 3 intimate Acoustic Bonus Tracks “Better Girl”, “Into Your Heart”, “Leaving The Country” recorded earlier this year live in the studio for an Aussie Music Weekly Radio Special.

The Single is also available on CD as part of the current My Queen Full Length CD LP available at all good music stores.
Co-written with longtime guitarist Nathan Correy, produced and mixed by Aria Award-winning Steve James and mastered at Metropolis London, the album has earned high praise such as,
“Anaid’s luscious and rich vocals are tones for the soul. The excellent production and mastering makes this record stand out from the crowd.” (FVReviews August 2018)

“A gorgeous mixture of pop, indie rock, blues and folk…A timeless classic. My Queen possesses an intense array of color to it, proving Diana to be a master storyteller.” (Beach Sloth 2018)

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Fiona Joy - Story of Ghosts - Cover

Fiona Joy (Hawkins) – New Album – Story of Ghosts

Fiona Joy (Hawkins) – New Album – Story of Ghosts

Having won many awards for her two previous solo piano albums, Fiona is destined to do the same with Story of Ghosts.

Fiona’s third solo piano album takes her fans on her journey of the past year of her life as she deals with a harrowing year in 2017 and makes no attempts to sugarcoat the emotional’s. The year included many friends and family members getting seriously sick, dying or going insane.!!

She bares it all over the course of these mostly grey-toned melancholy and vulnerable pieces, that draw on her classical background and impressionistic modern yet melodic composition.
‘There is a little madness in the music I write, it only pops out of the calmness momentarily, but enough to know that there is uncertainty in everything we hear, feel and experience. It’s much more classical and very connected to my roots” says Fiona .

“There’s a lot of emotion in it, that part was challenging. But when I get feedback from my fans that I’m touching their lives, and in some way making a difference, that makes it worthwhile.”
She uses the piano to weave interconnected tales with similar motifs – She opens the album with the uplifting and just whimsical enough “Song for Dunnie,” which she wrote for the funeral of Annette (Dunnie) Crossley, one of her best friends and business partner in her company Little Hartley Music. The lushly flowing piece represents a life full of vibrant brightness, good humour and joy.
“Story of Angels” moody hypnosis that leads to attempts to dance and then sudden dream-dashing stops into “Story of Ghosts” the deepest tale is told by the third story song. The contemplative “Story of Insanity” which alternates shards of light and night in a romp of anger tempered by gentle understanding. “Contemplating (Solo) which find Fiona deep in thought, seeking answers in the high notes as tension builds. “Blue Dream” whose high and low dynamics indicate mood swings that shift on a dime during crises. “The White Light” perhaps a place between worlds where high and low notes battle it out for our mortal hearts.
Fiona ‘s  choice to work with producer Cookie Marenco reflects Fiona’s appreciation for high quality audio. “Even CD quality is unsatisfying when you’ve heard DSD or SACD, especially when played on a high-end system” says Fiona.
Fans of FLOW, the recently launched hit new age group featuring Fiona, Will Ackerman, Lawrence Blatt and Jeff Oster, will recognise the closing track “Before the Light” as the beautifully rendered foundation of “Arrival,” the opening track on FLOW’s self-titled debut. In the FLOW version, the darker edges of the piece get subsumed into a lighter hearted grooving vibe. Here it’s allowed to flourish in the shadows, exploring the heavy mysteries of life’s pain that occur before the healing – and wondering along the way if it will ever come.

Fiona recalls asking Ackerman once “What would happen if I ever got happy? Would the creativity dry up?” – since she’s built her artistry and fan base on her incredible musical embrace of sadness.
“No, Fiona, you will just start writing happier music.” He said, surprised at the answer “Maybe down the road, I’ll make a few happy songs”.

But for now, especially on Story of Ghosts we can enjoy the musical beauty and grace that she shares while working through the obstacles to make peace with the sorrow life has thrown her.

 

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