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Steve Kilbey and Gareth Koch New Album Chryse Planitia

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What unites the musical spheres of an Australian rock icon

and a Viennese-trained classical musician?

The answer lies in a shared aesthetic and approach to their craft. There is a wistful and haunting lilt to the Kilbey/Koch songs, as they float seamlessly through a narrative of fallen crowns, fatal hours, and enchanted gardens. To compliment the poignant lyrics is a delicious instrumentation, weaving and wafting, ghostly and waif-like, alternately brimming with rhythmic drive, present yet somehow elusive.

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Hot on the heels of two critically acclaimed singles, the debut album Chryse Planitiapulses with a strong and immediately recognisable musical identity. Kilbey and Koch have forged an entirely new sound characterised by a fluid and elegant movement across genres. Their partnership draws inspiration from medieval music to post-modern psychedelia, as if it were the most natural thing in the world, with every imaginable influence in between.

Steve Kilbey, also known as the frontman of veteran rock band The Church, has generated a lifetime of beautifully crafted songs. His subtly esoteric lyrics create an aura of mystery, posing questions and teasing the listener with riddle-like answers. Kilbey’s words evoke a succession of images, half-remembered whisperings at the edge of our consciousness. He is a poet-master of unsaid things whose writing arouses the dreamer within us.

Gareth Koch is a European-born classical guitarist and composer who has recorded most of the major repertoire. His compositional style reflects a lifelong engagement with classical, folk and flamenco music. Although not easy to define, Koch’s music is often characterised by medieval gestures, influenced by the unrequited longing style of the French Trouveres (singer-poets) of the 12thcentury.

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Expertly tracked by Andrew Beck and mixed by Russell Pilling of Damien Gerard Studios and superbly mastered by Grammy Awardwinning King Willy Sound, Chryse Planitiais a feast for the ears.

Out Now

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For further information, and Interview requests please contact:
Marshall@foghornrecords.net
0416 143 030

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The Insufferable Paul Scott – Surrender To Robots

Surrender to Robots is a solo album by the insufferable Paul Scott (The Likes of You, Montana, John Kennedy’s 68 Comeback Special and The Bad Machines. The album was written, recorded, performed and produced by Scott. “So really, there’s no-one else to blame,” he says.

The first single is Sheila and it’s at radio now.

The Insufferable Paul Scott

Song subjects include existential angst, co-habitation as a means of financial easement, optimism, missing people, mobile phone culture. Influences include a splash of Suicides’ keyboard sound, a hint of James Murphy’s indie crashes into dance music, a lick of Wren sand a dollop of the Dukes of Stratosphear vocal stylings.

Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix. Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping out a Window’ became a staple of New Zealand pop culture. Relocating to Australia Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville. Their first  release featured ‘Koolest Band’ which received national airplay and high rotation on Triple J. A USA Tour and  performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’. The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA. Scott has since plied bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House. More recently Scott has released an album on the Australian label ‘Half a Cow’ with his new power pop combo ‘The Likes of You’.

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