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Hussy Hicks Are Back – New Album On The Boundaries

New Review Just In – 16 November
“Review of Hussy Hicks new album On The Boundaries .  Another brilliant release for 2017.This great scorched land has birthed 3 remarkable albums this year & we are now joined by a 4th.Hussy Hicks join the elite company of Charles Jenkins , 19Twenty & Woodland Hunters with the delivery of On The Boundaries. You don’t lose sheer talent like you lose the flavour of chewing gum , and Leesa Gentz & Julz Parker are blossoming & blooming from album to album. Leesa’s soaring  voice of evocative, volcanic velvet is like honey for your soul & the fretwork of Julz is fire & brimstone one minute & yet the epitome of controlled restraint the next.  Co-conspirator Raph White adds the sonic soundtrack like an idiosyncratic Daniel Lanois or Mitchell Froom , and his brushstrokes are an embellishment to be revered.I first saw these ladies support Turin Brakes in Fremantle & my ears were converted & prised wonderfully wide open.Are they a cult secret ? I’m not certain , but we should all join hands , buy this stunning offering and make these ladies wealthy. It would only be justice for the riches this album conveys.

Cheers  Duncan Smith  Top Shelf Music 89.7FM    So much music so little time.”

With their new single Mutiny recently Premiered with repeat plays on Triple J Roots N All the Hussy Hicks are well pleased with their collaborative efforts on the new album. Teaming up with long time friend London based Producer Raphael White the girls have created a stunning new album that will surprise some but still maintains their folk and blues roots.They are currently on tour in the USA and head home this month to drop the record and head out for their Australian dates starting in WA (listed below)
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Almost 10 years after the release of their debut album Hussy Hicks
are back with their fifth full length offering, On the Boundaries. A
departure from their trademark live recordings, this album sees the
Hussy Hicks experiment with their sound and production to create
something familiar yet fresh. It’s the Hussy Hicks embracing a
creative approach and the results are nothing short of stunning.
The Gold Coast based band has made a name for themselves locally
and on the international stages the old fashioned way – not through a
Youtube video gone viral or a Facebook post shared thousands of
times, but by playing their music and connecting with audiences
one passionate performance at a time.
Julz Parker and Leesa Gentz possess a special connection and an
innate understanding of each other musically. Their unique sound
spans many genres from boisterous blues and roots, to
contemporary folk, alt country and power ballads.
For this album they joined forces with long time friend and musical
collaborator Raphael White. Their trust in him as a producer allowed
them to expand on their live sound and conduct some sonic
experiments in his London studio.
“Stylistically I guess the biggest difference between this and our
last albums would be the layering; more vocals, more guitars, more
time spent on production” says Julz. ““We tried not to be beholden to our live
sound, to keep the tracks open to be able to grow in any direction.
The way we found was best for that was to start each song by
Leesa laying down a couple of shaker tracks (as we do live) so that
we all had a solid foundation groove that we were all comfortable to build upon. We then sang
and played all the different ideas we had for each song and left
Raph with a bit of a sonic smorgasboard to play with.
 It’s not a folk album, its not a blues album, its
not an alt-country album but it still has bits of all our influences
wrapped up in there and we’re super happy with the result.”
On The Boundaries (Funk/Fauna)
Release Date November 10 All Platforms
Radio Amrap/Airit
The Hussy Hicks are also pleased to announce their upcoming Tour DatesNov 8 – WA  Redcliffe on the Murray
Nov 9 – WA Settlers Tavern
Nov 10-12 – WA Bridgetown Blues Festival
Nov 14 – WA Perth Blues Club
Nov 15 – WA Clancy’s Fremantle
Nov 17-19 – NSW Mullum Music Festival
Nov 25-27 – VIC Queenscliff Music Festival
Dec 1-3 –  NSW – Sydney Blues and Roots Festival Windsor
Dec 8 – NSW Tintenbar Hall
Dec 9 – QLD House with No Walls Eumundi
Dec 15 QLD Summertime Sessions in the Village – Gold Coast

Jan 19-21 – NSW Thredbo Blues Festival
Checkout the stripped back version of current single Mutiny (premiered on Triple J) captured live in the European Winter for Youtube
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Fearlessly independent, Hussy Hicks are making their own way in
the musical landscape. This album cements their reputation as
musicians who are dedicated passion, courage, creativity and a
distinct refusal to compromise their vision.
While the band have a tried and true formula for making amazing
music, they’re not afraid to change it up, challenge themselves and
try new things. Like the best artists, they are always looking for
ways to grow and this album represents a new and exciting chapter
in the good book of Hussy Hicks.

Aussie Blues Guitarist James Southwell close to a Grammy Nomination

NEWS FLASH! Aussie Blues Guitarist within a whisker of Grammy Nomination 

Recorded in Dockside Studios in Maurice, Louisiana with bass player and producer Charlie Wooton of Royal Southern Brotherhood fame, it’s just been announced that Australia’s own premier blues guitarist James Southwell’s latest album, The Dockside Sessions (Where The Wind Blows) is a strong contender for nomination in the forthcoming 60th Grammy Awards in the Best Contemporary Blues Album category!



Featuring some of America’s finest sidemen, among them keyboards player Michael Lemmler from the George Porter Jr Band, harmonica player Jason Ricci, Prince Percussionist Rafael Pereira and Doug Belote from The Eric Clapton and Tedeschi Trucks bands and mastered by six-time Grammy Award-winning engineer David Farrell, the album debuted at #1 on the Australian Blues Airplay Charts and has sat within the top 25 ever since.

Not bad for an album that Southwell, a finalist in both the 2014 and 2015 Memphis Blues Challenge, hadn’t even expected to make. He’d first met Wooton at the Narooma Blues Festival back in 2015 and immediately felt they’d found kindred musical spirits in each other. A few months later Wooton invited Southwell to come on over to record in the US.

“I was shocked and surprised and didn’t expect them to follow it up,” Wooton admits, “but they rang to say they’d booked the flight, Originally just to record a couple of songs that turned into a whole album. From nothing it went to being a full album in Dockside Studios”

“Best album I’ve ever been a part of,” is Wooton’s opinion, while on the subject of Southwell himself,
Riotact reckons  “James is not afraid to push his music past all previously existing boundaries and well past what most musicians consider the limits of what is safe.”

The Dockside Sessions(Where The Wind Blows)

OUT NOW(MGM) All Platforms

Released in June 2017, The Dockside Sessions (Where The Wind Blows) could just become the first album by an Australian blues musician to score a Grammy. The Recording Academy has added the album to the Contemporary Blues Album Category that voting members can vote for Grammy Award Nomination. So let’s all get behind it in whatever way we can and bring in the gold for Australia!

9th December NSW -The Day On The Grass – Wombat

19th-21st January NSW – with special guest Gail Page playing three full band shows, plus two solo acoustic shows at the 2018 Thredbo Blues Festival

 26th January NSW – SS & A Club Albury
28th January NSW – Waves – Towradgi Beach Hotel

10th February ACT – A Beer Day Out Rocks The George Canberra
james high-res-promo-1
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Carol Albert – New Album and a chat

Carol Albert releases her new album ‘ Fly Away Butterfly, a Jazzy, Soulful offering with some modern twists and talks to us about her early influences-

Tell us about the moment you decided to become a Songwriter and Performer?

It was never a conscious decision . I grew up with music in my church playing the Organ for Worship Services and Singing with the Oldschool southern “Singing Schools” of the South where we learned Solfege (shape-Do-Re-Mi ) notes which we sang to the music instead of lyrics to Gospel Songs. I took piano lessons as well while I was growing up. I didn’t decide to major in music/piano until my Sophomore year of College. It was after I graduated from College that I decided to play Pop Music in Clubs, Bars and Private Events as well as teaching private Piano Lessons.

How did my family feel about it?

My Dad publicly announced at a family gathering that he would give me 10 cents when I graduated from College because that is all my Degree would be worth. He always thought I should just be a school-teacher.                

Tell us a little about your music and what a crowd can expect at a live show?

 My music is a combination of Smooth Jazz, Ambient World and New Age Music. I intersperse Instrumental Piano and Vocals with other instruments like Saxophone, Guitar, Bass , Drums . With some really upbeat tunes mixed with more introspective Ballads that are Piano driven.

What is the first record you bought and why?

I bought the Album “Close To The Edge” by Yes because it was my 1st Concert to ever attend. I was blown away and listened to the record until the Grooves were worn down. Then Emerson, Lake and Palmer, The Moody Blues and Pink Floyd. The keyboards were so over my head I just listened over and over trying to figure it all out.

You are on stage with Hans Zimmer.   What do you say?

i would be awkward and speechless but, having seen him this summer in Atlanta, I think he would be very earthy and friendly. I wouldn’t know what to say except “ I’m in awe of your work! “

What is the one thing you want/need that you think will make you a successful artist? Why?

What is success? is it making enough money to retire and travel around the World or is it having the ability to create music that is so intrinsically satisfying that it doesn’t matter if you ever do anything else? Success for me is reaching as many ears as possible and have people contact me saying “Your music is beautiful . it really touched my soul. We want to hear more.” Of course , making it monetarily feasible is always a challenge and some people equate success with how much money you make/made. Recognition is always a nice validation that your work is successful with monetary rewards.

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