Loren Evarts newest album Home Again
Home Again is the 6th original album, of this amazing contemporary pianist. It revisits several pieces previously recorded by Loren in the 1980’s, and eight new ones. It was produced by Grammy award winner Will Ackerman (Windham Hill Records) at his Imaginary Road studio in West River valley, Windham County, Vermont and was engineered by Tom Eaton.
Featuring Grammy-winning artists and Grammy-nominated Artists Eugene Friesen on cello (Paul Winter, Trio Globo), Rhonda Larson on many types of flutes (Paul Winter, Ventus) and Jeff Haynes on percussion (Pat Metheny, Pete Seeger), bassist Tony Levin (Peter Gabriel and King Crimson).
Besides Piano, Loren Evarts has been known to perform by singing, trombone, hammered dulcimer and organ.
Loren has performed professionally in the Connecticut area of USA in a variety of musical situations for over 40 years. He has been grateful to have been involved in performances with artists such as Dave Weckl (Chick Corea), Gerry Neiwood (Chuck Mangione), Everett Silver (Chuck Mangione), Mike Davis (Rolling Stones), Danny Stiles (Bill Watrous), Fred Vigdor (Average White Band), Rhonda Larson (Paul Winter Consort).
About Loren Evarts:
I was in first grade when I heard a fellow classmate play the piano, and I said, “Hey, I want to do that, too.” Of course, I had no idea that you had to practice, which made me think twice about my choice. But due to frequent beatings from my mom, I persisted, Partially kidding!
I started playing classical piano at age 7, but like a lot of kids, I started listening to pop radio in middle school. Fortunately, I was allowed to stick in a few popular tunes in my lessons along with the serious music. In high school I started to get influenced by jazz. My biggest influences were bands like Chicago and Tower of Power, Elton John, James Taylor, Carole King, Jazz singer Al Jarreau, and jazz pianists like Chick Corea, Herbie Hancock and Liz Story.
What can a crowd expect at a live show?
My music is probably best described as a mix of new age, jazz, classical and world. It’s piano-based but sometimes I will add a percussionist, bassist or woodwind player for concerts.
What are your future plans for 2018/2019?
Well, I am an American so, like many of my fellow citizens, I am looking to survive until 2020(enough on politics). But otherwise, At my stage of the game, I just want to put out a good product, and I hope to write some new material now that my newest album has been released. And that means I have to sit down at the piano and start! I am always gratified when people enjoy my music. I no longer crave being a big star. It’s nice being in this place.
- Hi Andy Iorio,
- Tell us about the moment you decided to become a composer. What did your family have to say about it?
When I was very young, the moment that I really connected with music was when I saw the film “The Neverending Story”. I fell in love with the movie instantly and more importantly I was drawn into the music that went with the moving images. Shortly after seeing that movie, my parents bought me a keyboard – my state of the art Casio SK-1, (equivelent to a Fisher-Price “plunk and plop”) and I started creating my own little pieces and experimenting with sounds. I would set up my keyboard in front of my tv and mute the sound and create my own music for what I was watching. It was in that moment that I knew I wanted to be a composer and score a film of my own one day.
- Who are your early influences?
There are so many artists that have inspired me throughout my life! I was around 10 years old when I found my parents vinyl collection and started listening to the records I thought had the most interresting artwork on their album covers. Early influences included Pink Floyd, Billy Joel, Elton John and George Winston. As I got older, Ludovico Einaudi, Max Richter, Philip Glass, Yann Tiersen, Abel Korzeniowski and Hans Zimmer were at the forefront of my most inspirational composers. Simple tonality, beautiful melodies and soaring strings made for some of my strongest musical influences.
- What current Australian acts inspire you and why? What international acts?
I really like Sia; I think she has a great voice. I have been a fan ever since I heard her track “Breathe Me” in the final scene of the HBO show “Six Feet Under.” I have always been drawn to instrumental music most. So when I think of international artists, Ludovico Einaudi and Max Richter are the first two that come to mind. Both have unique musical signatures unlike any others.
- What is the first record you bought and why?
The first album I bought was Counting Crows “August and Everything After”. I loved Adam Duritz’s lyrics and the organic sound of the band. The instrumention was so unique for the early 90’s. The phrasing of Adam’s voice was also very different from anything else I had heard up to that point. I still listen to that album in it’s entirety today.
- Favourite artists of all time?
Billy Joel, Pink Floyd, Dream Theater, Ludovcio Einaudi, Max Richter, Philip Glass, Yann Tiersen, George Winston, Abel Korzeniowski and Hans Zimmer.
- Fave food or drink and is there a story associated with that?
I would have to say my favorite drink is tea. Hot or cold, it is the best to calm and relax me. I can’t pick a favorite one, but there is nothing I enjoy drinking more. I actually have a 5′ long tea station at home with over a dozen international artisan teas, tea sets and tea accessories displayed on it.
- Tell us a little about the new record and what a crowd can expect at a live show?
My music is mainly piano driven, with a cinematic and lush vibrant string section. It carries simple tonality with controlled harmony. Recently, I have been playing all of my concerts as solo piano performances. I feel it is more intimate this way and the audience can really connect with the music the way I composed each piece – always on the piano first, then with orchestrations built around the piano. Over the next year, I want to add a string quartet to bring the pieces to the live audiences the way they hear them on the album. My performances will then be a mix of piano and strings along with the intimate setting of solo piano.