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Drawing Arrows Release EP ‘Pinch Me’

Powderfinger, Radiohead, Arctic Monkeys, Nothing But Thieves and Queens of the Stoneage all inspire an authentic live sound from Drawing Arrows that sits as well on stage as it does in your headphones.

With influences of jazz, alternative rock, punk, Spanish flamenco and pop, Drawing Arrows stay focused on crafting music that makes you want to press rewind and listen again.

This is the second EP that Drawing Arrows have put together and it holds a lot of importance for the band.

The first track, ‘Pinch Me’, has been a work-in-progress since the boys first started playing together. Despite the fact that it changed format a number of times, it remained a favourite of Sidney’s. With its soulful lyrics and cool groove you can understand why.

‘Lights Out’ provides a little light chaos and fits in well with the energy you’d see in their live shows. The driving bass and drums keep the crowd going as the post-punk guitars keep them inspired.

‘Good Grief’ explores the ideas of dealing with things that you just can’t change. Instead of a melancholic ballad this track hits all the big notes. Another huge, live-sounding song.

Drawing Arrows is a love letter to rock music. Not one band, not one decade, but the whole effect. With multiple influences – from Australian rock’n’roll, US grunge and flamenco guitar to Britpop rock and amped-up punk.

With band members from Spain, the UK and right here in Australia, each member brings their own unique influences. Sidney (vocals) and David (bass/guitar) have previously worked on an experimental dubstep project (Milo Firewater). Drawing Arrows is a creative outlet – a way to channel all their experiences – not just musically. The aim – to create music that feels good to play and to listen too.

Song Descriptions

Pinch me
The most chilled of this 3-song offering from the boys. This is a mid-tempo cruise with clean guitars and a lighter touch on the drums. You can really hear the song writing skills of the band on this one, as well as some superb background vocals and guitar work throughout.

Lights Out
Drawing Arrows have come up with a modern up-tempo rock formula that really works on this tune. There’s plenty to like early on with a great ear catching intro, then Sid’s distinctive vocals and the snare popping chorus. A total winner.

Good Grief
Arpeggio electric guitars along with fast and furious drums and bass start this song off before the vocals kick in.  Some very Radiohead sounds pervade this song in a great way. Up-tempo, hooky and technically challenging but the band get away with it no problems.

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Daxton Releases New Album ‘50% Grit’

A long-time friend asked Daxton to produce a stripped back, raw but lively and psychedelic dirty blues song. ‘Just something I can really get into as I drink my bourbon to late at night please mate’.

Dax took on the job with gusto and was so engrossed that before he knew it 7 new tunes were born. The song, Rise Above, fulfilled the original request and opens the album. The rest of the tunes don’t disappoint and range from dirty, stompy, bluesy slide pieces to slightly more grungy but poppy tunes with some snare and percussion added in.

Song Descriptions
Rise Above
Dirty scratchy psychedelic harp and cigar box guitar feature in this mid-tempo track from Daxton’s new offering.  Distorted, rough and ready vocals set the tone for the next six tracks on this mini album.

Nothing to lose
A more up-tempo blues tune. Bass, slide cigar box guitar and some simple drums flesh out this one with his life-worn vocals and lyrics filling in the story.

Right On time
Guitar riffs and electric slide stabs plus some nifty catchy vocal lines abound in this mid-tempo song. There’s some stomp box keeping time and enough changes and interesting sounds to keep you rocking all the way through.

Producing and playing music since his early teens, Daxton’s passion has kept him continually creating new material both for his band and solo career. On stage, Daxton comes across like he was born to play, his unique guitar style blending perfectly with heart-warming vocals.

Daxton has appeared at major festivals including the Sydney Blues & Roots and Tamworth Country Music Festival where he supported artists such as Kasey Chambers and Beccy Cole. He also has had one of his tracks ‘Moody Liz’ featured in the popular American TV series Doll House.

Based in Sydney, Daxton is best described as a blues/rock artist with a twist of pop and rock. He plays slide guitar rock/blues songs with a fresh and innovative sound.

Daxton – 50% Grit is out NOW September 23rd
Foghorn/MGM

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Kalen Hogan Releases Debut Single ‘Help Me I’m Dying’

 A guitarist at heart, the process for Kalen is always the music first, layered secondly by the melody for the lyrics to lastly follow. The track has a dream-like quality, filled with melancholy, which sings of a knowing that not all can be saved. Kalen wrote the song after seeing a story of a young person dying in the arms of their parents. It’s a song about wanting to be saved but equally wanting to leave a pained broken body.

Kalen Hogan is a 17 year old solo guitarist singer songwriter, living a very chilled out life an hour north of Sydney, near Wamberal Beach.

Influenced by his musical uncle, Kalen started out jamming on a ukulele as a toddler, before advancing to his first acoustic guitar in primary school. Now in high school, Kalen is composing songs and recently recorded his first track at Damien Gerard Studios, in Gosford.

Kalen’s upcoming debut gig is planned for this summer at Wamberal Beach Surf Club. Kalen will be showcasing a couple of tracks he has recorded to release in 2022 and playing some of the new upcoming tunes, planned for future recording and distribution in early 2023.

Kalen Hogan – Help Me I’m Dying is out NOW (September 23rd)
Foghorn/MGM

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FB CJ Shaw Lonely Rd

CJ Shaw releases single ‘Lonely Road’

Lonely Road is the latest single from ARIA Award nominee CJ Shaw and is an exciting collaboration with international film and television composer Allyson Newman (The L Word: Generation Q, Kusama: Infinity).

A chance meeting on Newman’s return to Australia in 2020, saw her generously lend her expertise to an orchestral vision for the song. This original score, featuring four violin and four cello parts, brings an emotive depth to a poignant song of solitude. Her composition was brought to life by members of the Canberra Symphony orchestra (Alex Voorhoeve and Timothy Wickham) with backing vocals from Hannah Czaban.

This moving and beautiful song is a highlight of CJ’s latest album ‘All Sorts’. The song was written as a parable for CJ’s experience of the music world and the sensation of falling short. Shot in the heart of winter on the Monaro Plains, south of Canberra, the Lonely Road music video clip sees CJ Shaw taking on the persona of a train guard, walking deserted railway carriages, waiting for passengers that never arrive. With the Canberra Railway Museum and the Michelago Railway Station in the backdrop, this beautifully crafted video clip visually plays on the haunting emotive nuances of the song, leading the audience on his journey of fulfillment.

“‘Lonely Road’ is proof that Shaw is a poignant singer-songwriter” Michael Smith (Rhythms
Magazine 24/2/2022).

Song Description

Lonely Road starts out with soft picked guitar and whistling! Strings, piano and female background vocals add to the magic feeling of this mid-tempo folk tune from CJ. The chorus is truly haunting with violins playing a ghostly counter melody which is reflected in the keys and strings. A timeless classic.

Armed with a guitar and a swag full of harmonicas, singer-songwriter CJ Shaw’s intricate finger-picking, word play and storytelling never fails to captivate his audiences. CJ Shaw’s music is distinctly Australian in style, influenced by Paul Kelly and Slim Dusty. His lyrical storytelling and musicality lends itself to audiences of all ages.

In 2020, CJ Shaw was nominated for an ARIA Award for ‘Music Teacher of the Year’ with Jimmy Barnes as his official ambassador presenting him with the nomination. This prestigious music industry acknowledgement recognised his dynamic and poignant songwriting for primary-aged children. These celebrated songs are woven through his performances and albums, played alongside satirical and storytelling Australiana folk songs.

In 2021 CJ Shaw released his album ‘All Sorts’. Combining the best of his children’s songs with his unique brand of contemporary Australiana, Shaw has dubbed ‘All Sorts’ “the ultimate Family Album”. With over a decade’s experience touring and performing at music festivals in Australia and Timor-Leste, CJ Shaw is an exciting Canberra musician at the top of his game.

CJ Shaw – Lonely Rd is out NOW September 2nd through Foghorn/MGM
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The Burley Griffin Releases Music Video for ‘Being Alive’

Video Premiere On Scenestr

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Upcoming Shows

4th September 3pm at Yulli’s in Sydney with Hedy Blaazer – Free entry, table bookings recommended
https://www.facebook.com/events/s/hedy-blaazer-the-burley-griffi/2215326415283870/

24th September at Grace Emily Hotel in Adelaide with Bromham – Tickets on sale now
https://www.facebook.com/events/s/the-burley-griffin-act-w-bromh/872445094159479/

28th September at Shotkickers in Melbourne with Final Final, James Fahy, & Jim Dusty

‘Being Alive’ 

Being Alive is a song that finds beauty in despair and reflects on lessons learned in defeat. Written in the wake of a relationship breakdown, Being Alive takes place directly after Hong Kong, the preceding single from The Burley Griffin’s latest record, Lost Limbs. Whereas Hong Kong tells the tale of separation, Being Alive sits in the realisation that everything has changed, and not necessarily for the better.

Being Alive was recorded by Louis Montgomery at Infidel and Myall Street studios and produced by Louis Montgomery and Evan Buckley. Electric guitars were played by Samuel McNair with Steve Paillas on bass and Steve Fitzgerald on drums, as well as additional vocals by Cathy Diver.
Mastered at Studios 301 by Andrew Edgson.

Video

Premiered on Scenestr
Filmed on Ngunnawal and Gundungurra land, on locations of Lake George, an abandoned orphanage in Goulburn and a secret patch of roadside gravel, director Tim Kent aka Stackhat and songwriter Evan Buckley captured the visual world elicited by Being Alive, in all its tragic absurdity.

The decaying walls and collapsed floors of the old orphanage mirror the burden of grief, fallen structures that once held so many stories, now mostly forgotten. The broad vista of Lake George echoes the stark internal landscape that remains when shared courses are abandoned and direction loses its meaning.

Yet in its final scenes Being Alive offers a wry smile and nod to the audience, acknowledging how little we can control and how much still lies ahead, joy and pain, hope and loss, all part of the ride.

Stackhat – Tim Kent Video Director BIO
Stackhat is an award-winning Director/Producer currently based in Sydney, but originally hailing from the small town of Queanbeyan. Having worked with an impressive roster of artists including Sampa the Great, L-Fresh the Lion and Flying Lotus, Stackhat is an artistic tour de force constantly searching for new challenges both locally and abroad.

About The Burley Griffin
Evan Buckley (The Burley Griffin) grew up in Canberra, homeschooled in a religious fundamentalist cult, and has since hitch hiked and toured through 37 American states, exorcising and befriending his demons along the way.  His most recent US tour took place during the 2016 election and his newest songs reflect the absurdity of the American dream.

The third Burley Griffin album, Lost Limbs, was launched with a twelve piece, beefed up band on June 26th 2021 to a sold out theatre at The Street, celebrating a vinyl packed with moving songs of loss and joy.

Long-time members Evan Buckley and Sam McNair are now joined on stage by “Reverend” Michael Bones, Hannah Beasley and featuring an energetic new rhythm section in Ben Cumming and Somesh Putcha. The Burley Griffin has seen Evan’s songs accompanied and interpreted by some of both Australia’s and the USA’s most intuitive musicians.

Watch the Music Video for ‘Being Alive’ here

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Daxton Releases Music Video for Single ‘End of the Road’

Daxton’s latest music video is for his new single ‘End of the Road‘ lifted from his current ‘Electric Satellite‘ album.

With a green screen now part of his home garage studio and a tonne of spare cardboard boxes lying about it’s amazing to see what Dax has managed to create with nothing but his imagination and time on his hands.

End of the Road’ Official Music Video:

The video and song is reminiscent of Beck’s ‘Loser’ and is a bit of a nod to that era although the slide blues element (a signature of Daxton’s) gives it a timeless quality as well and could fit any era from right now to way back.

The album has also just started to garner warm reviews internationally, here are some of the most recent:

“Although it’s blues-based, Daxton plays these songs with an alternative rocker’s edge.” – Dan MacIntosh
https://www.curiousformusic.com/post/daxton-s-new-album-electric-satellite

“A wild, animalistic energy ties together “Electric Satellite” revealing Daxton’s uncanny ability to craft a truly timeless sound.”
https://beachsloth.tumblr.com/post/689331784743272448/daxton-electric-satellite

“Electric Satellite is another blast of electric and eclectic blues, taking in the grunt and groove of rock and the accessibility and melody of pop and using this to forge his own southern fried take on the genre.” – Dave Franklin
https://dancing-about-architecture.com/electric-satellite-daxton-reviewed-by-dave-franklin/

Daxton released his new album ‘Electric Satellite’ earlier this year, a twelve-track slide blues album with up-tempo spacious songs produced by Pat Dow and Marshall Cullen. Daxton has worked with Pat on many projects – someone who has a keen ear for Daxton’s rustic blues mixed with psychedelic pop/rock sounds.

The album is Daxton’s seventh following the release in 2018 of ‘In Verses’ which features songs covering his favourite themes: life and death, the yin and yang of life, love and loss, while still keeping his always positive and up-tempo vibe.

Producing and playing music since his early teens, Daxton’s passion has kept him continually creating new material both for his band and solo career. On stage, Daxton comes across like he was born to play, his unique guitar style blending perfectly with heart-warming vocals.

Daxton has appeared at major festivals including the Sydney Blues & Roots and Tamworth Country Music Festival where he supported artists such as Kasey Chambers and Beccy Cole. He also has had one of his tracks ‘Moody Liz’ featured in the popular American TV series Doll House.

Based in Sydney, Daxton is best described as a blues/rock artist with a twist of pop and rock. He plays slide guitar rock/blues songs with a fresh and innovative sound. His latest album ‘Electric Satellite is a heavy, rustic blues rock album with psychedelic pop/rock sounds.

‘End of the Road’ Official Music Video:

Listen to ‘End of the Road’ on Spotify:

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PG Naylor Releases Latest Single ‘Move Like That’

“The song is based on my memories of my first visit to a strip club in Kings Cross in the mid 60s (the Pink Pussy cat – not Chinatown as mentioned in the song – Chinatown just seemed to work better musically).  There was a well known ‘dancer’ there who attracted much interest for her ‘moves’.  The verse about me being hauled onto the stage is entirely imaginary!!” – PG Naylor

A nod to the 60’s rocker with some modern brass and vocal touches make this mid-tempo song from PG Naylor instantly accessible.  Right from the get-go its hooky, rhythmic and very sing along.  There’s a cheeky element to the lyrics and vocals to set it all off too.

PG Naylor brings a new original visit to 60s classic rock music. All songs are written and performed by PG – who was there then in the 60s and is still here now! Although all the songs are new, they slot perfectly into a 60s rock playlist. PG has been playing in rock bands based in Sydney, Australia since the 60s, and after a life in the corporate world he has returned to his first love – 60s rock music. The title track to his album, Sanctuary, was announced as a semi finalist in the 2019 International Songwriting Competition, based in Nashville, USA; the tracks Sanctuary and Hollywood Road were both announced as semi finalists in the 2020 Voyager International Songwriting Competition based in Melbourne, Australia as well.
Demonstrating that there is still great interest in ‘old rockers’, since 2020 his songs have attracted over 80,00 listeners and just under 160,000 streams on Spotify (and still growing every day!)

Official Video:

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 Stream on Spotify:

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Luke Escombe Releases Single ‘Sacred River’

“Sacred River” is the pulsating second single from Luke Escombe’s forthcoming album “Whale Beach Road”. Starting with some very funky catchy bass (Tina Weymouth style), then once Luke’s vocals start this could be a Talking Heads song for sure. Up-tempo, hooky, and immediate, this one is a winner for radio. Written around the hypnotic bass and drum loop, played live on the recording by bassist Zoe Hauptmann and drummer Evan Mannell, the track builds a suspenseful narrative of a man on the edge.

Luke says: “The song was inspired by certain characters I would see on small flights up to Mackay, the FIFO workers leaving their young families for weeks on end to disappear into the company of other men, working in deserted places.”

Musically, “Sacred River” draws on one of Luke’s deepest musical influences: “One of my earliest memories is going to see Pink Floyd’s ‘The Wall’ live in concert at Earl’s Court in London when I was 4 years old. My Dad was working on the tour and showed me around the stage on the day of the show. I remember being really excited but then running out in terror as soon as the lights went down.”

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Luke plays the lead guitar part on the track, recorded in one take at Damien Gerard Studios in Gosford through an old Fender Bassman amp that was, as Luke recalls, “cranked so loud I thought it was going to explode. I was sitting right next to it trying to manipulate the sound so it didn’t incinerate me with feedback.  It was totally instinctive.”

Clayton Doley adds extra layers of swirling tension on the Hammond organ, and the epic choruses feature backing vocals by Sarah Belkner, Darren Percival, Alice Terry and Daniel Mifsud. It was recorded by Andrew Beck and Richie Belkner, mixed by Richie at Free Energy Device Studios in Newtown and mastered by Grammy-winning engineer William Bowden, who declared it his favourite track on the album: “hypnotic and awesome”.

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About Luke Escombe

“Luke Escombe is a rock-soul singer, raconteur, blistering blues guitarist, comedian and songwriter, and very good at them all” – Sydney Morning Herald

Luke Escombe is an ARIA-nominated singer-songwriter who combines his blues, rock and soul influences with subversive humour, poetic lyrics and heartfelt storytelling. He is the creator of the internationally acclaimed one-man show “Chronic” and the writer and front man of multi award-winning Aussie kids band The Vegetable Plot.

Luke has released numerous albums and EPs with his band Luke Escombe and the Corporation and one album solely under his own name, 2017’s Skeleton Blues. The album was recorded direct to tape in a three-hour session at Damien Gerard Studios, featuring his smoky-voiced cover of Bob Dylan’s “Man in the Long Black Coat” alongside distinctive originals like Punctuation Blues and The Lipsi. A new Luke Escombe studio album, Whale Beach Road, recorded in between lockdowns with some of Sydney’s most in-demand session players, is set for release in 2022.

Luke received his early musical education in London, where his father’s job in the rock and roll industry enabled him to see hundreds of legendary performances by artists like Freddie Mercury, Prince and Bruce Springsteen while he was just a boy. When he’s not channelling his childhood idols, Luke is an ambassador for a number of health charities, a member of the NSW Arts Advisory Panel, a teaching artist with the Sydney Opera House’s Creative Leadership in Learning Program. He is also a song writing mentor with the Sydney Children’s Hospital’s Chronic Illness Peer Support program [ChIPS] with whom he wrote and recorded the track “Wake up Call” in 2021. He believes strongly that music and storytelling can play a transformative role in health, education and society. Among his more obscure awards is the title of “Sydney’s Sexiest man voice”, which he won in a competition on a once-popular Sydney radio station.

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Throwing Shapes Releases Single ‘Into The Void’

The track begins slowly and builds with a fat bass line and fast beat. There is a duality between the slower chords and melodies, and the busy drums, that makes this track interesting and a little unique. This track is about meditation, diving deep ‘Into The Void’ of your own mind and soul.

Some slow piano begins this track with an almost ambient flavour, but wait. Full arpeggio keys, drums and bass hit hard creating a dance floor smash. There’s a breakdown back to the chilled vibe before stretching back into the frenetic uptempo vibe that is Throwing Shapes’ signature.

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About Throwing Shapes 

Throwing Shapes is Fox Shannon: a musician, DJ and producer from Perth, Western Australia.  Unique and forward thinking electronic music.  With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5. Pink Floyd and David Bowie.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilation and won growing interest from community radio, with air play around the country and some US stations.

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Throwing Shapes Releases Single ‘Mind Filter’

An up-tempo drum & bass track with an edge. A heavier rock vibe to this track with soaring synth lead lines and pumping rhythms – a fusion of rock and dance music. It’s about how we tell ourselves certain stories about our own lives, which aren’t always true. Sometimes they become an observation of life through a tinted glass or a ‘Filter’ for the ‘Mind’, distorting our view of the world and preventing us from seeing the truth of our own lives.

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About Throwing Shapes

Throwing Shapes is Fox Shannon: a musician, DJ and producer from Perth, Western Australia.  Unique and forward thinking electronic music.  With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5. Pink Floyd and David Bowie.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilation and won growing interest from community radio, with air play around the country and some US stations.

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