Big Merino – New Single – Black Cockatoos
The second single to be lifted from the current Surburban Wildlife album (MGM) is called Black Cockatoos. Released in a 3-track format, the lead song is accompanied by another album track “Sometimes” as well as a brand new, previously unreleased tune “A Day Without You” held over from the album sessions earlier this year.
The stunning brand new video for “Black Cockatoos”(see pics) shot by Director Alan Harca will be launched at the Black Cockatoos Launch at Django Bar Camelot on December 2, following a warm up show Sunday November 11 at the Botany View Hotel, Newtown.(this weekend)
For a sneak peak of the ‘look’ of the forthcoming video here’s the completed clip for B Side ‘Sometimes’ shot in the same space
Just click here or image below
Formed a little over two years ago, Big Merino play original songs that blur the lines between rock, country, blues, roots, soul, funk and grunge, while occasionally making forays into lesser known genres such as New Orleans 2nd Line.
Citing their major influences as Glen Hansard, The Frames, Jackson Browne and The Rolling Stones, songwriters Alex Craig and Stuart Davis write socially and politically-charged songs that are sometimes gentle and nostalgic and at other times nothing less than a fierce cry for revolution.
Lead singer/guitarist Stuart Davis cut his teeth singing Gospel with Tony Backhouse in Cafe at the Gates of Salvation, and brings that soulful Gospel feel to everything he does. He is joined by Alex Craig on guitar, Peter Richardson on bass and Colin Sevitt on drums.
The Suburban Wildlife album was recorded by Russell Pilling over three weeks at Damien Gerard Studios. Russell also remixed “Black Cockatoos” specially for this single release, adding some timpani tracks that weren’t on the album mix.
The album features guest performances from some of the cream of Australia’s musical talent including-
Living legend James Greening on trombone, souzaphone, euphonium, trombone, trumpet, flugelhorn and pocket cornet (the main feature of previously unreleased song ‘A Day Without You”)
Jonathan Zwartz - Double Bass
Johnny G - from Johnny G and the E-Types on piano, organ and accordion
Jess Ciampa - Australia’s most sought after percussionist
Michel Rose - pedal steel (The Catholics) and
finally a string quartet from the Sydney Chamber Orchestra.
Michael Smith – Rhythms
“‘Sometimes’ with its soaring backing vocals is one of the most powerful rock songs I’ve heard in many years. ‘Black Cockatoos’ with the string quartet and a brilliant guitar work by Alex Craig is destined to become an Australian classic.”
Black Cockatoos Single
Official Release All Digital Platforms via MGM
November 2 2018
Click below to download or stream.
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In 2001, John Kennedy compiled the early vinyl singles and album selections from his bands JFK and the Cuban Crisis, Love Gone Wrong and the Honeymooners.
17 years later, its follow-up retrospective collection is out now in all good record stores.
Leading music journalist and former Sydney Morning Herald writer Bernard Zuel has reviewed the set known as “Second Best: Greatest Bits Vol. 2″.
“Well of course John Kennedy would call the second set of his career songs collections “second best”. If he’d called it something like “the other bits”, “warmed up leftovers” or “oh no, not me again”, none of us would have been surprised,” Zuel writes. “This way he gets a play on words, a dig at himself, and a reminder he’s been around long enough to warrant at least two sets of favourite songs before we have stopped laughing: result.”
Kennedy and his band (with the current line-up of Love Gone Wrong drummer Peter Timmerman, ex-Wiggle Murray Cook on guitar and former Pop Mechanics’ leader Paul Scott on bass) blend pop, rock, folk and country, all topped with the uniqueness of Kennedy’s vocal and lyrics.
Zuel says, “Some of his lines have the double dose pleasure of being funny on first hearing and rather telling on second, an effect which is enhanced with a voice that sometimes just seems to be taking the piss. Even when it’s not. Speaking of his voice, yes, when he is not dropping down to a Johnny Cash-ish timbre he has always sounded a fair bit like Elvis Costello – which is what caught the ears of some of us way back when he first appeared as the presidential JFK & The Cuban Crisis.”
Read the entire review here at Bernard’s website: https://www.bernardzuel.net/single-post/2018/11/04/JOHN-KENNEDY-–-SECOND-BEST-REVIEW
Available on CD and digital platforms.
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