Tag Archives: Jazz

Extra Time Receives Extra Accolades in Europe

February 5, 2024 Marshall Cullen

Extra Time Receives Extra Accolades in Europe with their Video Now in the Berlin Film Festival

The brand new release ‘Where Is The Light’ from Brendan McNamara’s project, Extra Time, is already scoring goals since its release on 22 January. The first single from the second album, ‘Songs With Long Titles’, is beautifully supported by an animated film clip created by renowned Sydney based Brazilian artist, Gabriel Gareso. The film clip has just been officially selected for the Berlin Lift Off Film Festival, screening in Berlin, Germany between 15 and 25 February.

‘Where Is The Light’ speaks of the Japanese ‘Hikikomori’ – a severe social withdrawal most prevalent in young adolescent males whereby they isolate themselves in their rooms for months on end. A highly relatable concept in today’s modern era and especially apt given Brendan’s day job as a video game creator and director.

The clip is the freelance 2D animator and illustrator’s first music video, so he has certainly made his mark being included in the international film festival.

“My goal was to delve into the emotional aspects of loneliness, highlighting that despite being more virtually connected than ever, loneliness and depression also seem stronger than ever. The main challenge of this project was to create an engaging visual interpretation of the song while keeping it within budget. 4 minutes of animation is a LOT. The band’s creative freedom was crucial, making the entire process exceptionally smooth.”

To date the video has amassed over 84,000 views! A unique opportunity to be part of the interactive release of Extra Time’s latest album is to look out for billboards featuring the album cover art created by German artist Lucas Zimmerman popping up worldwide. Extra Time invite you to take a selfie with one of the billboards and post it on social media tagging @extra_time_music in your post.

The vinyl release is available now for preorder – a beautiful gatefold presentation released globally on Foghorn Records, recorded and mixed at one of the industry’s leading spaces Damien Gerard Studios at West Gosford, featuring ex Los Angeles engineer Andrew Beck and mastered by Grammy Award Winner William Bowden.

WATCH THE FULL MUSIC VIDEO FOR ‘WHERE IS THE LIGHT’

Stream/download here

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Extra Time Releases New Album ‘Songs With Long Titles’

January 22, 2024 Marshall Cullen

So it has been four years since our last album. We have been winnowing down the stories that we would like to tell and twelve new tunes made the cut. Taking badly recorded demos and some wildly inaccurate charts to Damien Gerard Studios in Gosford, Australia, we spent four days recording and knocking together arrangements into some kind of shape. Many of the musicians who played on the first record kindly agreed to go around again and try and make sense of what we had.

We had a few base principles. No samples, no Click, no Grid and no Autotune. Everything on the album was performed live by a musician. Our drummer was our click track. The whole album was recorded to 2” tape and then digitized into Pro Tools. The whole process was a lot of fun and hopefully that comes across in the music and the performance and in the behind the scenes videos that we will be releasing. We were looking for a high fi, harmonically interesting sound that would live up to all of the great records made by our heroes. Its up to you to decide whether we succeeded.

‘Songs With Long Titles’, the second album for Extra Time is a journey through intriguing stories of life, death, delusion, joy, passion and dreams in classic rock album format along with just enough jazz and blues influences to keep it interesting. Think Steely Dan meets Supertramp if you like references.

Lyricist, composer and singer Brendan McNamara has been honing his craft over many years and for this record teamed up with ex Los Angeles co producer and engineer Andrew Beck at Damien Gerard Studios in West Gosford. A veritable A List of session musicians were called in through the 20 plus days of recording and mixing.

The record was mixed at the same facility by Brendan and Andrew and Mastered by Grammy Winner William Bowden. Now released to the world in double gatefold vinyl – 3 songs per side for maximum quality, and digitally across all platforms on 22 January 2024.

About Extra Time
When you think of classic albums names like Sting, Pink Floyd, Steely Dan and Supertramp spring to mind. You might be surprised to know there is a Sydney based band that has been toiling away for some years creating some truly classic sounds and songs with a similar aesthetic and instrumentation.

The guys met at school and hit it off as a young band and writing team, but ever since have been involved in other projects and built careers locally and internationally. Extra Time became a creative outlet to record and release music they love.

The first album came out pre-covid, scoring some decent streaming figures and TV sync activity.

MUSICIAN CREDITS

Tim Firth                  Drums
Brett Hirst                Bass
Aaron Blakey            Keyboards
Peter Koopman        Guitar
Amanda Easton        Vocals
Sarina Jennings        Vocals
Paul Murchison        Trumpet
Matthew Keegan      Trombone
Bridget Darby           French Horn
Luke Bartley             Tuba
Jane Stanley             Strings
Andrew Beck            Tubular Bells

Songs With Long Titles is OUT NOW

MUSIC VIDEO FOR SINGLE ‘WHERE IS THE LIGHT’

Stream/download here

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Videos

Extra Time – ‘Where Is The Light’ (Official Music Video)

Video January 22, 2024 Marshall Cullen

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Foghorn Christmas Releases

December 6, 2023 Marshall Cullen

Get Into The Christmas Spirit With Gareth Koch’s Instrumental Album & Daxton’s Homegrown Blues/Jazz Album

‘Exquisite & ancient music reimagined with a shimmer of jangle. An audiophile recording.’

Imagine timeless European Christmas music played instrumentally, as if upon a choir of lutes. Ancient & exquisite songs, deep within the human psyche, are now newly arranged by ARIA Award winning guitarist Gareth Koch. The interpretations reveal his signature blend of contemporary flair laced with medieval sensibilities.

The arrangements are both elegant & appealing, sidestepping any notion of commercialised Christmas clichés. Re-imagined as troubadour-like ballads or tender Austrian folk songs, each carol receives a unique treatment. The listener is invited into an array of soundworlds, ranging from the early medieval to English folk-revival.

The music of this album leads us away from the bustle of many modern realities. Instead, we are drawn into a gentler universe, filled with subtlety & nuance. In any year, at any time, this album presents a Christmas message we all need to hear.

Song Descriptions
Little Drummer Boy
This timeless mid-tempo classic Christmas carol is dealt with not just using multiple classical guitar parts but with hand percussion and rice shakers.

God Rest Ye Merry Gentlemen
A very old piece, dated to the 16th century and referred to in Charles Dickens ‘A Christmas Carol’. Gareth recreates the vocal melody perfectly and becomes a terrific hum along piece. Bass guitar rounds out the arrangement featuring multiple guitars: acoustic, nylon string and electric creating a lush sonic tapestry.

About Gareth Koch
Gareth Koch is an ARIA Award winning recording artist, guitar soloist, composer & songwriter. He has recorded a diverse repertory across multiple albums spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects & song writing.
Gareth is involved with many cross genre projects. Over recent years he has released two collaborative albums with ARIA Hall of Fame inductee Steve Kilbey (The Church).

All DSP’s and CD’s from official store below

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Daxton ‘On The Eve Of Christmas’

There is a good chance in any Christmas album you will hear the well known traditional songs about mistletoe, stockings and large jolly gentlemen in red suits. Many artists have been there but not all write their own songs. Daxton Monaghan has just released his own unique jazz style Xmas album for 2023.

After deciding last Christmas that there wasn’t an album of Christmas songs that suited him, Daxton has spent the past year slowly crafting a tasty array of melodic songs for his own special Christmas album. Entitled ‘On The Eve Of Christmas’, the nine tracks include some well-known and Daxton family favourites: White Christmas, Little Drummer Boy and of course, Jingle Bells. The rest of the album is made up of Daxton’s own songs. These compositions have been inspired by Daxton’s family Christmas gatherings. Bouncy rhythms, heart warming lyrics, sing along harmonies, strings, brass and Daxton’s familiar vocals all feature.

Let The Carols Sing
A classic sing along Xmas tune from bluesman Daxton. Some fine holiday vibes from the sax, beach boys style ‘ooh aah’ backing vocals and keys.

Little Drummer Boy
This timeless tune gets fine reworking by Daxton. Programmed drums and keys give the song a modern edge with Luke Gallen’s sax the icing on the cake.

About Daxton
Daxton has appeared at major festivals including the Sydney Blues & Roots and Tamworth Country Music Festival where he supported artists such as Kasey Chambers and Beccy Cole. He also has had one of his tracks ‘Moody Liz’ featured in the popular American TV series Doll House.

Based on the Central Coast, Daxton is best described as a blues/rock artist with a twist of pop and rock. He plays slide guitar rock/blues songs with a fresh and innovative sound. His last album, ‘Electric Satellite’ was released in 2022 and featured his signature heavy and rustic blues rock sound.

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Levi X Live at the Gallery

November 25, 2020 Marshall Cullen

Levi-X Live at The Gallery
Iconic Live Jazz Covers and an original with Levi’s startling voice

Release Date: November 20 (Foghorn/MGM) ALL Digital Platforms

At only 12 years old, Levi-X performs his first original composition “I Need to be Me”, in a live session set at the MerchWorx Galley Session. Recorded on Oct 17^th2020, the session lets listeners share Levi-X’s young passionate approach to music and cross over style between contemporary and easy jazz that is rarely seen in someone so young. Supported by piano, bass, drums, and guitar, he also brings an emotional take on John Hiatt’s “Have a little faith”, freely working with his fellow musicians to create the rich delivery of the song’s roots. He then picks up the saxophone on what can only be described as an extraordinary performance of Grover Washington’s “Winelight”.

I Need to Be Me – Levi-X
I Need to Be Meis Levi-X’s first song written wholly by himself, aged 12, lyrics and music. The magic of this song is not only the way the song melodically flows and sweeps its listeners into an emotional centre but is also about the strength and depth of the how the lyrics speak to people of all ages.

“To be the person I need to be….I need to be me”. A simple truism relevant to young and old, whatever your walk of life. Aim to be truthful to yourself – who you are – what you stand for. Then comes the matching counterbalance in the song – the recognition that to really be yourself, is never a path without failure, but it is a worthwhile goal to keep reaching for. “I know I’m trying again…I gotta get back up then.”

It sometimes takes a young mind to remind us that being real to ourselves is a struggle for all, not just youth. I Need to be Me, is a song that wholeheartedly delivers a message of compassion and encouragement to everyone.
Considering that “I Need to be Me” is Levi-X’s first debut into song writing, it is going to be very exciting to see where this Australian musician and performer takes us next.

Levi-X, live at the Gallery Sessions, is a fearless delivery of youthful talent on many levels that should not be overlooked.

Watch the Live Set Video Here

Levi X – Live at the Gallery is OUT NOW – via MGM

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Levi-X Releases Debut Single Amazing Grace (Grace Amazing)

October 30, 2020 Marshall Cullen

Levi-X is a young singer/saxophonist (12 yo), based in Queensland. Levi has been performing at several markets in North Brisbane with his father since he was 11 years old, entertaining crowds with his saxophone and singing. He plays all genres of music but has a style that is rooted in light Jazz improvisation. His debut song, Amazing Grace (Grace Amazing) was recorded when he was 12 years old and is the first of a number of songs he is working on.

Watch The Video

Amazing Grace (Grace Amazing) is a new interpretation of the well know traditional song, and digs into the song’s history and meaning with the rawness and innocence of the 12 year old singer, Levi-X. The songs uncomplicated composition aims to delicately remind us of the youthful simplicity where we start life; a place that we often seek to return to along the tumultuous journey that life often unknowingly takes us. Amazing Grace (Grace Amazing) is Levi-X’s debut song, which he worked on with his father, and is played with his older brother (aged 15) on guitar. Levi-X both sings and plays saxophone on this single. With his young voice soaring in all the right places and carrying the heartfelt lyrics with feeling beyond his years this is a beautiful rendition of the timeless classic.

Amazing Grace (Grace Amazing) is OUT NOW – via MGM

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Loren Evarts- Newest album Home Again

May 15, 2018 Marshall Cullen

Loren Evarts newest album Home Again

Home Again is the 6th original album, of this amazing contemporary pianist. It revisits several pieces previously recorded by Loren in the 1980’s, and eight new ones. It was produced by Grammy award winner Will Ackerman (Windham Hill Records) at his Imaginary Road studio in West River valley, Windham County, Vermont and was engineered by Tom Eaton.

Featuring Grammy-winning artists and Grammy-nominated Artists Eugene Friesen on cello (Paul Winter, Trio Globo), Rhonda Larson on many types of flutes (Paul Winter, Ventus) and Jeff Haynes on percussion (Pat Metheny, Pete Seeger), bassist Tony Levin (Peter Gabriel and King Crimson).

Besides Piano, Loren Evarts has been known to perform by singing, trombone, hammered dulcimer and organ.

Loren has performed professionally in the Connecticut area of USA in a variety of musical situations for over 40 years. He has been grateful to have been involved in performances with artists such as Dave Weckl (Chick Corea), Gerry Neiwood (Chuck Mangione), Everett Silver (Chuck Mangione), Mike Davis (Rolling Stones), Danny Stiles (Bill Watrous), Fred Vigdor (Average White Band), Rhonda Larson (Paul Winter Consort).

About Loren Evarts:

I was in first grade when I heard a fellow classmate play the piano, and I said, “Hey, I want to do that, too.” Of course, I had no idea that you had to practice, which made me think twice about my choice. But due to frequent beatings from my mom, I persisted, Partially kidding!

I started playing classical piano at age 7, but like a lot of kids, I started listening to pop radio in middle school. Fortunately, I was allowed to stick in a few popular tunes in my lessons along with the serious music. In high school I started to get influenced by jazz. My biggest influences were bands like Chicago and Tower of Power, Elton John, James Taylor, Carole King, Jazz singer Al Jarreau, and jazz pianists like Chick Corea, Herbie Hancock and Liz Story.

What can a crowd expect at a live show?

My music is probably best described as a mix of new age, jazz, classical and world. It’s piano-based but sometimes I will add a percussionist, bassist or woodwind player for concerts.

What are your future plans for 2018/2019?

Well, I am an American so, like many of my fellow citizens, I am looking to survive until 2020(enough on politics). But otherwise, At my stage of the game, I just want to put out a good product, and I hope to write some new material now that my newest album has been released. And that means I have to sit down at the piano and start! I am always gratified when people enjoy my music. I no longer crave being a big star. It’s nice being in this place.

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Website Link:

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Flow with their self titled Debut Album

Link March 14, 2018 Marshall Cullen

FLOW: A DYNAMIC NEW AGE IN MUSIC

Will Ackerman, Fiona Joy Hawkins, Lawrence Blatt and Jeff Oster Take a Open Approach to Musical Discovery, Embracing Friendship While Building Organic Songs for their eponymous new release–FLOW.

Forty years after Windham Hill became a catalyst for the global musical phenomenon, its bountiful legacy of best-selling solo works (George Winston, Liz Story, Alex DeGrassi, Michael Hedges) and Grammy-winning ensembles (Shadowfax)–extends into a truly new age with FLOW–a new four-piece ensemble comprised of Ackerman and three of today’s most acclaimed independent artists, Australian pianist Fiona Joy Hawkins, acoustic guitarist Lawrence Blatt and flugelhorn master Jeff Oster. All in, FLOW members have accumulated literally dozens of accolades, from GRAMMY® Awards, ZMRs, IMAs, IAMAs and a catalog of #1 albums in the genre.

FLOW, on Blatt’s LMB Music label, came together to record deep in the West River Valley in Southern Vermont, at Imaginary Road Studios, the longtime creative home base of legendary Grammy-winning acoustic guitarist Will Ackerman, the original founder of Windham Hill; the 282-acre property in Windham County has become a hotbed of acoustic excellence over the past 25 years.

Ackerman shared his thoughts on the process of recording with FLOW, saying – “There was a moment in the process of making FLOW with Fiona, Lawrence and Jeff when I felt a hint of panic that my pieces were being altered and transformed into something very different from what I would have done with them on a Will Ackerman record. It was in the moment just after this thought that I realized that FLOW was actually working… that I was experiencing real synergy. The group had become a creative entity unto itself and four dear friends had gathered to create something beyond anything they could have created on their own.Experiments don’t always work. This one worked!?”

As officially announced, the concept of FLOW had its origins in 2015, when Blatt invited Fiona and Oster to join him at Imaginary Road to create an album inspired by the iconic Windham Hill sound and ensembles. Ackerman had already produced several of Fiona Joy Hawkin’s and Oster’s albums plus Blatt’s recordings The Color of Sunshine, Emergence, and Latitudes and Longitudes featuring Oster on horn; Blatt and Fiona met while recording a special project on Blue Coast Music.

Oster remembers that each of them brought two or three songs to the project to which they added their parts under the guidance of Ackerman’s longtime production partner at Imaginary Road, Tom Eaton. The group likens Eaton’s multi-faceted role in the success of the project as that of The Fifth Beatle.

Reflecting on FLOW’s debut project, Oster says, “If you look back into any time of human existence, this need for peaceful breathing and listening has always and will always be deeply important. It’s not only New Age music, it is EVERY AGE music!”

FLOW made their official debut with an album release celebration at Carnegie Hall’s Weill Recital Hall on October 6, 2017. The group is booking concert dates this Spring, including a featured performance at the Zone Music Awards on Saturday May 12th at Roussell Hall in New Orleans; they are nominated for both Album of the Year and Best Contemporary Instrumental Album.

AXS Review

“By Sari Cohen”

“These are four musicians who are all self-sufficient in their talents. They’re brilliant at making albums that are unique and musically successful as soloists. The lovely surprise is that they, we, all managed with grace and ease to come together and create something new and different from anything any of us had ever done before,” Grammy-winner Will Ackerman explains.

World Music Central Review

“By Angel Romero”

Flow is a supergroup of musicians who have been involved with New Age music for many years. The term New Age is used to describe a wide range of genres, from easy listening acoustic music to electronic meditation music. In this case, Flow performs peaceful and ethereal instrumental music with smooth jazz, folk, gliding ambient sounds and classical music elements.

Website Link

https://www.flowthegroup.com/

Link to USA Tour Dates and Tickets

FLOW hope to tour Australia at select locations in 2019

News and Touring

Carol Albert – New Album and a chat

November 6, 2017 Marshall Cullen

Carol Albert releases her new album ‘ Fly Away Butterfly, a Jazzy, Soulful offering with some modern twists and talks to us about her early influences-

Tell us about the moment you decided to become a Songwriter and Performer?

It was never a conscious decision . I grew up with music in my church playing the Organ for Worship Services and Singing with the Oldschool southern “Singing Schools” of the South where we learned Solfege (shape-Do-Re-Mi ) notes which we sang to the music instead of lyrics to Gospel Songs. I took piano lessons as well while I was growing up. I didn’t decide to major in music/piano until my Sophomore year of College. It was after I graduated from College that I decided to play Pop Music in Clubs, Bars and Private Events as well as teaching private Piano Lessons.

How did my family feel about it?

My Dad publicly announced at a family gathering that he would give me 10 cents when I graduated from College because that is all my Degree would be worth. He always thought I should just be a school-teacher.

Tell us a little about your music and what a crowd can expect at a live show?

My music is a combination of Smooth Jazz, Ambient World and New Age Music. I intersperse Instrumental Piano and Vocals with other instruments like Saxophone, Guitar, Bass , Drums . With some really upbeat tunes mixed with more introspective Ballads that are Piano driven.

What is the first record you bought and why?

I bought the Album “Close To The Edge” by Yes because it was my 1st Concert to ever attend. I was blown away and listened to the record until the Grooves were worn down. Then Emerson, Lake and Palmer, The Moody Blues and Pink Floyd. The keyboards were so over my head I just listened over and over trying to figure it all out.

You are on stage with Hans Zimmer. What do you say?

i would be awkward and speechless but, having seen him this summer in Atlanta, I think he would be very earthy and friendly. I wouldn’t know what to say except “ I’m in awe of your work! “

What is the one thing you want/need that you think will make you a successful artist? Why?

What is success? is it making enough money to retire and travel around the World or is it having the ability to create music that is so intrinsically satisfying that it doesn’t matter if you ever do anything else? Success for me is reaching as many ears as possible and have people contact me saying “Your music is beautiful . it really touched my soul. We want to hear more.” Of course , making it monetarily feasible is always a challenge and some people equate success with how much money you make/made. Recognition is always a nice validation that your work is successful with monetary rewards.

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Joel Sena – QnA with Foghorn Media

September 16, 2016 Marshall Cullen

Joel Sena is a Sydney saxophonist and producer with his debut self-titled EP expected for release 11 November, 2016. The first single off the EP, “Be With You,”Featuring Female Vocals from Phoebe will be available 7 October, 2016.

Listen to previews of the EP here: joelsena.com/music

Foghorn Media: What inspired you to become a musician? Who

are your early influences?

Joel Sena: I’ve been playing and writing music from a very young age. It has always been a great emotional outlet for me, being someone who is quite shy and reserved. Sharing an emotional connection with others through music is something really special and that’s why I try and write songs that are honest and direct. I’ve always thought the saxophone to be a uniquely lyrical and compelling instrument when played well. Mastering that instrument and its potential has been a long term pursuit of mine!

FM: Tell us a little about how you write; how do the songs come? What gets you going creatively?

JS: I write songs in the strangest of places. More often than not I’ll have an idea in the car or on the train. I’ve learnt to jot down ideas quickly and then unpack them when I have some time to be more creative. I produce my own music and the pre-production phase of putting songs together is really helpful in developing them further. I love finding something compelling – whether it be a melody, groove, or set of chords – to expand upon bit by bit. I’ve always found that experience drives creativity. Travel, relationships, and life’s struggles have all spurred me on to create more and more music.

FM: What is the first record you bought and why?

JS: Miles Davis – “Kind of Blue,” I bought it because my sax teacher told me to! It took me more than a decade to really appreciate all of the nuances of that album but it inspired me from the start. It has remained one of my favourite albums of all time.

FM: What current OZ acts inspire you? International acts?

JS: I’m loving the current resurgence of soul inspired music in Australia. Artists like Hiatus Kaiyote, Daniel Merriweather, and Chet Faker are pushing the boundaries and creating some incredible stuff. I’m inspired by international acts that are fusing the spontaneity of jazz and soul with modern production and contemporary songwriting. Artists like Robert Glasper, Kendrick Lamar, and Jill Scott have been huge inspirations to me. I’m also a sucker for a great female vocalist – Melody Gardot and Lianne La Havas come to mind.

FM: Tell us a little about your music and what a crowd can expect

at a live show?

JS: The music is groovy and engaging. It’s for people who love a well written song and a great sax sound. It’s music with an infectious groove. Those coming to a live show can expect a fair bit of spontaneity within a seriously tight sounding band. They can expect soaring instrumentals with wailing solos to soft, delicate and contemplative ballads. There may or may not be a dose of my dry sense of humour in there too! I always feature at least one world class vocalist at my live shows to sing several of my songs.

FM: Favourite artists of all time?

JS: Miles Davis, Jill Scott, Robert Glasper, Kenny Garrett, Michael

Brecker/Brecker Bros, Toto, Earth Wind and Fire, Stevie Wonder,

Chaka Khan.

FM: Favourite film? Favourite Book? Favourite place?

JS:

Film: Lord of the Rings.

Book: The war of art (Steven Pressfield) – helped me

so much with getting over myself and making the music happen!

Place:I love the hustle and bustle of big cities like NYC. When I was there I met and jammed with some killer musicians who were some of the most welcoming people I’ve met. I turned up unannounced to a funk jam run by one of Lauryn Hill’s horn players. I had a play and slotted right in. It was a great experience. They value music there and are so accepting of people from any walk of life. It’s a great place for art to thrive.

FM: Favourite food or drink and is there a story associated with that?

JS: I’ll go to great lengths to find a perfect coffee. Whenever I’m traveling I’ll be sure to suss out where the best coffee spots are with a little help from Google Maps. Unfortunately this obsession has oft taken me on wild goose chases and long detours.

FM: You are backstage with Miles Davis; what do you say?

JS: I don’t think I would have to say much. From what I hear, Miles had a knack for imparting years of wisdom in a single phrase. I’d be quite happy to be on the receiving end of an MD one liner!

FM: Where do you see Aussie music heading?

JS: There are a bunch of highly motivated and talented artists that have been a little late to the self promotional internet age we’re in now. I think as more and more of these artists start coming to terms with the new tools we have to connect with fans we’ll start to see some really special stuff. I think that really well crafted songs and a high level of musicality will come to the forefront somewhat again.

FM: What are your future plans for 2016/2017

JS: After releasing my own EP, I plan to get playing live regularly. Live shows are where my music will really shine and inspire people. I love playing live and creating special moments with an audience. I’m really excited to return to the studio in 2017 and follow up my EP with another release. I’ve learnt an unbelievable amount over the past year and I can’t wait to put all of that new knowledge to use!

Website
joelsena.com
Facebook
facebook.com/joelsenamusic
Instagram
instagram.com/joelsenamusic
Twitter
twitter.com/joelsenamusic
YouTube
youtube.com/user/joeltsena