Tag Archives: Foghorn

Gareth Koch releases new single ‘Zambra Flamenca’

March 3, 2022 Marshall Cullen

Gareth’s second flamenco single for 2022 is the Zambra Flamenca – an upbeat, high adrenaline, skirt-swirling flamenco guitar solo. The track was recorded in a single take on a beautiful Ignacio Rozas flamenco guitar, hand-built in Madrid.

The Zambra is a style of flamenco dance, typical of the Gypsies of the provinces of Granada and Almería in Andalusia. It was often danced during wedding ceremonies, although nowadays it is frequently performed in the caves of Sacromonte in Granada and in the caves of Almería. It is danced barefoot with finger cymbals; the blouse is tied under the bust and the skirt is very tight around the hips, then flares out and has a ruffle at the end.

Song Description

Gareth’s Zambra Flamenca shows the mid-tempo side of Spanish flamenco nylon string guitar. This allows for more intricate finger picking and a deeper emotional message from the music. Gareth’s delivery is nothing short of astounding and the sounds capture you straight away. Highly recommended.

About Gareth Koch
Gareth Koch is an ARIA Award winning recording artist, guitar soloist, composer & songwriter. He has recorded a diverse repertory across multiple albums spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects & songwriting. He has appeared at major festivals within Australia, Europe, Asia and North America.
Born in Milan, Koch began his musical studies on piano and clarinet, and at age 12 was accepted into the Mozarteum in Salzburg. He received his Bachelor of Music degree at the Sydney Conservatorium of Music before winning a scholarship for advanced guitar study at the Vienna Academy of Music. He holds a PhD in Music.
In 2002 Koch formed what might be termed the first guitar supergroup. Saffire – The Australian Guitar Quartet soared to number 1 on the classical music charts and appeared on the pop charts. The quartet released a total of 3 best-selling albums.
Gareth is involved with many cross genre projects & in 2020 released two collaborative albums with ARIA Hall of Fame inductee Steve Kilbey (The Church).

Zambra Flamenca is OUT NOW – via MGM
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Daxton Releases New Album ‘Electric Satellite’

February 18, 2022 Marshall Cullen

Long Awaited New Electric Blues album from slide and blues man Daxton out today February 18

Daxton releases his new album ‘Electric Satellite’, a twelve-track slide blues album with up-tempo spacious songs produced by Pat Dow and Marshall Cullen. Daxton has worked with Pat on many projects – someone who has a keen ear for Daxton’s rustic blues mixed with psychedelic pop/rock sounds.

The new album is Daxton’s seventh following the release in 2018 of ‘In Verses’ which features songs covering his favourite themes: life and death, the yin and yang of life, love and loss, while still keeping his always positive and up-tempo vibe.

Producing and playing music since his early teens, Daxton’s passion has kept him continually creating new material both for his band and solo career. On stage, Daxton comes across like he was born to play, his unique guitar style blending perfectly with heart-warming vocals.

Daxton has appeared at major festivals including the Sydney Blues & Roots and Tamworth Country Music Festival where he supported artists such as Kasey Chambers and Beccy Cole. He also has had one of his tracks ‘Moody Liz’ featured in the popular American TV series Doll House.

Based in Sydney, Daxton is best described as a blues/rock artist with a twist of pop and rock. He plays slide guitar rock/blues songs with a fresh and innovative sound. The new album ‘Electric Satellite is a heavy, rustic blues rock album with psychedelic pop/rock sounds.

Song Descriptions

Electric Satellite
The title track to the new album is a frenetic up-tempo post punk folk blues anthem. A full band and all the rocking bells and whistles to make it work.

High As A Kite
Bluesy slide guitar starts this classic Daxton tune. Catchy backing vocal ‘ooh ahs’ and full band including the classic Hammond organ, complete this mid-tempo tune.

Bad Tmes
Down and dirty blues from Daxton, featuring blues harp, slide guitar. Mid-tempo drums and bass, snappy guitar licks and riffs and the whole thing comes in at a rockin’ 2mins 47seconds.

Daxton – Electric Satellite is out NOW February 18th
Foghorn/MGM

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Thirty Three Degrees Release New Single ‘Drinking On My Own’

February 4, 2022 Marshall Cullen

Something many of us can relate to coming out of lockdown – the brand new single from Thirty Three degrees – “Drinking On My Own”

Shane Romeyn lead singer and principal writer talks about the new single – : “This song came about in an instant when Chris started playing a Johnny Cash type rolling drum beat. From the outset it felt like a fun song which didn’t need over thinking in its structure or anything to take away its light heartedness. The cords just instantly came and before I knew it the theme was going to be a light hearted crack at falling out with your loved one and nothing you say or do gets you back in the good books. You end up drinking on your own! I’m sure many people have been there before.”

Thirty Three Degrees are an original rock band with a strong groove and some rootsy vibes, from the Central Coast of New South Wales, Australia.

After a brief hiatus from the music scene, Shane decided to re-enter the music world and search for like-minded musicians to write and perform with. At this same time, Chris was re-entering Australia from Los Angeles with the same goal. Thanks to musician classifieds on social media, the two met up and at the end of January 2020, Shane Romeyn and Chris Roberts formed the band.

The good vibes and good songs flowed out immediately. Due to COVID-19 gigs were off the table for the most part, so with the temporary assistance and amazing bass work of Chris’ brother Mike, the band decided to instead enter the studio and recorded their debut album.

Song Description

Drinking On My Own
Up-tempo snappy drums start this rocking new single from Thirty Three Degrees. The band kick in and with the song being all about ‘drinking’, the vocals, guitar licks and solo are appropriately gauged. You certainly get the vibe pretty quickly.

Out Now Feb 4 On Foghorn/MGM

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Gareth Koch Releases New Single ‘Rumba Latina’

January 27, 2022 Marshall Cullen

Andalcia Spain, 1975. A young boy sits enthralled at the feet of a flamenco guitarist, feeling the addictive power of this music for the first time. The spirit of flamenco enters his soul forever. Since then Gareth Koch has woven a diverse life in music. In a career spanning over 20 albums he holds a PhD, has won an ARIA, is a multi-instrumentalist & writes across diverse genres.

In its purest form flamenco combines elements of song, dance, percussion & guitar playing. As early as the 4th century B.C, Roman chroniclers praised the dancers of Andalucia. From then on the history of the region saw a succession of invasions & immigrations by Romans, Jews, Vandals, Celts, Arabs, Berbers & Gypsies.

During Islamic rule (711) the exiled Gypsies created a unique music which retained strong Eastern & Moorish characteristics. The guitar put in a relatively late appearance in this musical epic. Its most direct ancestor arrived on the scene in the 17th century in the Christian courts of Spain, before it spread to folk music to such an extent that it has become a national symbol of Spain.

The ‘Rumba’ is now one of the most popular styles in the flamenco genre.

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Gareth Koch New Reviews

January 25, 2022 Marshall Cullen

GARETH KOCH

ELIZABETHAN JANGLE

A CHRISTMAS ALBUM

Foghorn Records

The past couple of years has seen the recorded output of classically trained guitarist Gareth Koch rise exponentially to match (almost) that of his most recent musical collaborator, Steve Kilbey, releasing two solo albums, an EP, Code Blue, and now a second EP, Elizabethan Jangle – really a mini-album, its seven pieces succinctly and elegantly arranged and performed – all instrumental, as well as two albums with Kilbey within the past 20 months. This time around, Koch has returned to familiar territory, the music for lute composed by John Dowland (1563-1626), some of whose catalogue he’s recorded for ABC Classical. This time around he’s “reimagined” some Dowland, as well as Henry VIII’s ‘Greensleeves’, and rearranged some pieces from the Elizabethan era for a contemporary audience, the solo lute replaced by flamenco, classical and steel-string guitars, occasionally accompanied by Hofner and Rickenbacker basses as well as the odd bit of bodhran (I think), the additional instrumentation, all played by Koch, never overwhelming the central melodies, which drift between feisty and celebratory and liltingly romantic. ‘Tis pity ‘tis so short a time one gets to share with this remarkable minstrel in this context. Another dozen pieces please! Ensuring some sort of continuity with his even more prolific collaborator, the pastel portrait of Koch gracing the CD’s cover is by Steve Kilbey. Just for good measure, Koch released a third solo album just before Christmas 2021, his take on a variety of Christmas music from medieval through traditional to ‘Little Drummer Boy’, again all beautifully arranged and performed, nothing saccharine, so keen readers might want to grab a copy of A Christmas Album to put away for Christmas 2022.

MICHAEL SMITH

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CJ Shaw Releases Single ‘Ain’t Many Like Lennie’ with Animation Video

December 3, 2021 Marshall Cullen

NEW REVIEW For CJ Shaw’s Album ‘ALL SORTS’

Nominated for a 2020 Music Teacher of the Year ARIA, CJ Shaw is an unadulterated, unashamedly Australiana rather than Americana singer-songwriter, sort of Shane Howard meets Fred Smith if you will. Shaw keeps it all pretty simple too, two and three chords at most as he spins his stories, some aimed at younger listeners – as you’d expect from a teacher – rambling, cheeky ditties full of whimsy – others serving more mature musical tastes with tales that ponder life as it’s lived in this wide brown land. “We would all do a lot less harm,” he suggests in ‘Choose to Chew’, “If we ate our Coat of Arms” – which makes sense of the recipe card for CJ Shaw’s Fair Dinkum ‘Roo Bolognese included! Obviously one of his children’s songs, but hey, we all need a bit of fun once in a while. ‘Werewolves’ straddles the generations, delivered straight-faced yet obviously not to be imbibed in that spirit. The seraphic Hannah Czaben takes the vocal spotlight on ‘Full on Heart’, another gentle two-chord stroll, a rumination on separate lives that could have been more lived more happily together that, along with songs like ‘Lonely Road’, is proof that when he allows himself, Shaw is quite the poignant singer-songwriter.

MICHAEL SMITH

Truth is often stranger than fiction and Lennie Gwyther’s story is no exception. A 9 year old boy who, along with his horse Ginger Mick, traversed 1000 kilometres of Australian wilderness to arrive in Sydney for the opening of the Harbour Bridge in 1932.

Along the way he became a celebrity, admired for his bravery and determination. He even met with the Prime Minister of the time on the ride north. This was during the depression years and heroes were in demand. This unassuming boy was an unlikely icon that united the country as a symbol of hope.

This song was written to teach Australian history to primary aged students (and curious adults alike). The storytelling lyrics allow students, the same age as Lennie, to imagine his courageous three month journey to witness a momentous moment in Australian history. One taken without parents, cars, electricity and, most unbelievably, mobile phones.

The stop-motion music video to accompany the song is made by award-winning animators ‘Eleanor & Giovanni’ and features 3D felted puppets who play out the historical story of Lennie Gwyther. These meticulously hand-made puppets and backdrops create a child-like physicality to captivate the audience – drawing them into this inspiring Australian story.

As the song says – “There ain’t many like Lennie”.

Checkout the Video on todays excellent Premiere courtesy of Scenestr Magazine

Song Description
Ain’t Many Like Lennie
Back to folk with this true to life story song. Mid-tempo, acoustics, banjo, mandolin, drums and bass.

Armed with a guitar and a swag full of harmonicas, singer-songwriter CJ Shaw’s intricate finger-picking, word play and storytelling never fails to captivate his audiences. CJ Shaw’s music is distinctly Australian in style, influenced by Paul Kelly and Slim Dusty. His lyrical storytelling and musicality lends itself to audiences of all ages.

In 2020, CJ Shaw was nominated for an ARIA Award for ‘Music Teacher of the Year’ with Jimmy Barnes as his official ambassador presenting him with the nomination. This prestigious music industry acknowledgement recognised his dynamic and poignant songwriting for primary-aged children. These celebrated songs are woven through his performances and albums, played alongside satirical and storytelling Australiana folk songs.

In 2021 CJ Shaw released his album ‘All Sorts’. Combining the best of his children’s songs with his unique brand of contemporary Australiana, Shaw has dubbed ‘All Sorts’ “the ultimate Family Album”. With over a decade experience touring and performing at music festivals in Australia and Timor-Leste, CJ Shaw is an exciting Canberra musician at the top of his game.

CJ Shaw – Ain’t Many Like Lennie is out NOW December 3rd through Foghorn/MGM
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Gareth Koch Releases ‘A Christmas Album’

November 19, 2021 Marshall Cullen

Imagine timeless European Christmas music played instrumentally, as if upon a choir of lutes. Ancient & exquisite songs, deep within the human psyche, are now newly arranged by ARIA Award winning guitarist Gareth Koch. The interpretations reveal his signature blend of contemporary flair laced with medieval sensibilities.

The arrangements are both elegant & appealing, sidestepping any notion of commercialised Christmas clichés. Re-imagined as troubadour-like ballads or tender Austrian folk songs, each carol receives a unique treatment. The listener is invited into an array of soundworlds, ranging from the early medieval to English folk-revival.

The music of this album leads us away from the bustle of many modern realities. Instead, we are drawn into a gentler universe, filled with subtlety & nuance. In any year, at any time, this album presents a Christmas message we all need to hear.

Song Description
Little Drummer Boy
This timeless mid-tempo classic Christmas carol is dealt with not just using multiple classical guitar parts but with hand percussion and rice shakers.

Ding Dong Merrily On High
An up-tempo and superbly played Christmas piece dating right back to the 1800’s. Even some 12 string electric features in Gareth’s new arrangement.

God Rest Ye Merry Gentlemen
A very old piece, dated to the 16th century and referred to in Charles Dickens ‘A Christmas Carol’. Gareth recreates the vocal melody perfectly and becomes a terrific hum along piece. Bass guitar rounds out the arrangement featuring multiple guitars: acoustic, nylon string and electric creating a lush sonic tapestry.

A Christmas Album is OUT NOW November 26th – via MGM
Pre order CDs in shrink wrapped double gatefold package below

Order CD from the Official Store or stream/download below

CD’s Also available at good retail record stores across Australia

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Daxton Releases New Single Otherside

November 12, 2021 Marshall Cullen

Based in Sydney, Daxton is best described as a blues/rock artist with a twist of pop and rock. He plays slide guitar rock/blues songs with a fresh and innovative sound. The new album ‘Electric Satellite’ is a heavy, rustic blues rock album with psychedelic pop/rock sounds scheduled for release in 2022.

Daxton’s raw and bluesy acoustic guitar and harmonica begin this laid-back mid-tempo blues tune. The drums and bass come in from the chorus to fill out the mix and some subtle guitar riffs add to the hooks. Daxton’s vocal delivery is heartfelt and real, a perfect match to the music.

The song was recorded at home during the recent lockdown. Daxton and his collaborator guitarist Pat Dow, both working in isolation, found a new musician friendly digital recording software system which they both downloaded and were able to swap files back and forwards. The entire album was recorded in this way and just shows how far technology has come as the end result speaks for itself.

Daxton – Otherside is out NOW
Foghorn/MGM

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Halfway Homebuoy Release New Single The River

November 4, 2021 Marshall Cullen

It’s been a strange path for Halfway Homebuoy to finally end up as ‘based’ on the NSW Central Coast, an hour north of Sydney. The band was formed almost 10 years ago on the ski slopes of Switzerland where all of the (then) members were working the season and playing shows at night.

With three Englishmen and one Aussie the band moved out here and were recommended to Foghorn Records where they quickly found a home. As things happen after a few years the visa’s ran out, the Aussie moved back to Europe and the sole remaining member, principal writer and singer, Jack Davison, married an Aussie and stayed here. Unfortunately, he was left without a band.

Not to be deterred, Jack found local musicians, new songs were written, live shows booked, a new album released, the band continued on. With Eps, Albums and live recordings released, airplay on national radio including Triple M the boys were well received from the start.

Now based on the coast and with a new record almost finished the guys are ready to reboot post lockdown into 2022.

All the Homebuoy recordings have been made at Damien Gerard Studios, first in Balmain and now, the new album at the new facility in West Gosford. With Andrew Beck engineering and co-producing, Jack says, “DG’s has always made us sound magical, and the new spot is no exception, not to mention close to home”. The new record features new material, some penned by Jack and others written by the whole band in preparation for the recording session. The new songs continue the bands’ own UK/Euro/Aussie rock style with the additions of extra guitar and keys adding interesting layers. Russell Pilling is the mixing engineer and has just finished these two songs mastered by Andrew Beck – the first taste of the new album.

Song Descriptions
The River
The first single from Halfway Homebuoy for 2021 features a powerful guitar and drum intro along with some Chilli Pepper’s like bass runs. Jack’s power vocals soar over the mix and the solo guitar has some brilliant hooky riffs. An up-tempo rock song, closes out with some strong backing vocals.

Kick Me Out
Acoustic guitar and vocals begin this mid-tempo song that carries till the band kick in with a strong rhythm and guitar bed. The chorus is truly anthemic with backing vocal and keyboard layers intermingling to create a very catchy and memorable tune.

The River is OUT NOW – November 5th via MGM

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Steve Williams -New Album Surrey Road

October 26, 2021 Marshall Cullen

Steve Williams
Surrey Road
Collaborative Album
OUT NOW

Surrey Road is the culmination of over 20 years song writing and came from Steve’s desire to do an album of his own songs with various great singers that he knew or had worked with previously. Shelter Me was written by Steve and Pat Powell and features the smooth vocals of young up and coming Melbourne singer, Nic MC. Many of the other songs on the album are sung by Pat Powel himself, lending his legendary voice to the mix and pat also co write a number of the tunes.
Steve Played all instruments on the album himself other than guest appearances by Victor Rounds on bass and John prior on drums (selected songs). Steve produced, engineered and mixed the album at his studio in Melbourne with the exception of “when I see you dancing” which was mixed by John Prior at Unity Gain studios in Sydney.

The album is clocking strong metrics on digital platforms and the main single SHELTER ME is heading to radio via Play MPE

Steve Williams came to prominence as the lead guitarist in the 80’s pop group Wa Wa Nee, who had top 5 hits and ARIA Nominations in Australia and chart action in Europe and the USA. This prompted Steve to relocate to Europe after working with James Freud and Richard Clapton following Wa Wa Nee’s breakup. After working as a session musician in the UK and Europe he returned to Australia in 2005 and continued session and production work including musical theatre and television appearances. He has played in bands alongside Jon Lord from Deep Purple, Choirboys, Matt Finish, Ray Parker Jr, Real Life, and many more.

The Surry Road album was recorded in Steve’s Melbourne studio. Steve co-wrote all the tracks with musicians that he has worked with over many years of touring and recording :

Tracks feature guest vocals from Pat Powell(Melbourne Ska Orchestra and many more) and other well known vocalists such as: John Kenny (Rockmelons), Tim Watson(Taxiride), Vince Contarino, Terry Slesser(UK) and Louise Person as well up-coming Melbourne singer Nic MC.

The songs were co written with a host of writers including Mark Gable(Choriboys), Scott Smith and many of the singers above.

With the worldwide release of Surrey Road marking off this long span of writing and recording Steve’s new album for 2022 is already underway with a much more personalized and singular approach.

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Out Now Feb 4 On Foghorn/MGM

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Daxton – Otherside is out NOW Foghorn/MGM

Daxton – Otherside is out NOW
Foghorn/MGM