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CB Ghost Releases Single ‘Beautiful Middle Finger’

Que catchy guitar riff, add harmonica, then a swinging beat, leads us to CB Ghost’s signature and original vocal style and we are away with Beautiful Middle Finger.

From the first line, images and themes are subconsciously drip fed into your mind and the folk-rock rhythm and country-like sway moves your hips. While the chorus is simply an elevated version of the same guitar riff it certainly lifts you and adds that needed meat to the musical bones.

Beautiful Middle Finger is a good time song, with a silly title from a serious song writer who obviously loves to have fun and not take things too seriously while putting his heart and soul out there.

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CB Ghost, a songwriter with an honest simple folk-rock style that captures the essence of a complicated existence with singalong tunes and poetic lyrics and sometimes a banger beat. He has emerged from a close-nit coastal surfing village in Australia. His background provides him with a deep connection to toe tapping Celtic, country and straight-ahead heartfelt rock music mixed with salt water from the ocean.

A former pro surfer, CB Ghost is driven, bold and dedicated to his evolving sound and a deep love of blue-collar folk stories and sensibility – and most importantly playing live to crowds who love to drink, dance, sing and have fun.

Having recently toured Northern NSW and Queensland with Sydney band Pinky Ring, The Ghost is finding his feet live and now incorporating a full band at most shows (his solo shows are still a must see for that intimate intensity). His first single ‘Hollywood Hills’ was followed by ‘Hold Down Hymn’ and gives a strong idea of what is to come later this year.

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Gareth Koch Releases Single ‘Satie’

 The Gnossienne No. 1 by Satie (originally for piano) has a ghostly and ethereal quality, with the melody floating above a hypnotic chordal texture. The rhythm is almost dance-like, yet there are no bar lines in the score. The resultant swaying effect almost feels like an exotic waltz. The overall effect of the music is surreal & mysterious.

 Satie is often credited as the pioneer of ambient music, a genre which allows the listener space for contemplation & reflection.  Gareth’s transcription for classical guitar lends an intimate quality to the piece while adding a unique and plaintive soulfulness.

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About Gareth

Gareth Koch is an ARIA Award winning multi-instrumentalist, recording artist, guitar soloist, composer & songwriter.  He has recorded a sizeable repertory across multiple genres spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects, rock & songwriting. He has appeared at major festivals within Australia, Europe, Asia and North America.

Gareth is involved with many cross genre projects & has released a succession of collaborative albums with Martin Kennedy & with ARIA Hall of Fame inductee Steve Kilbey (The Church). His recent release ‘The Guitar Player’ received a coveted 5 star review from The Sydney Morning Herald. Gareth’s current output has a strong rock bias with classical overtones & his writing is increasingly focussed on the ethereal nature of music.

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Extra Time Releases ‘The Boy Who Dreamed Of The Stars’

The third single, with accompanying video, from Extra Time’s critically acclaimed album Songs With Long Titles is the thought provoking track The Boy Who Dreamed of the Stars. Extra Time strives to produce cinematic, harmonically complex pop music.

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The song deals with the difficult subject of child abuse and reveals how predators target and lure young children. In this case with a telescope and an offer to see the stars. The sensitivity needed to address such a traumatic topic is skilfully handled by Brendan who draws on firsthand experience from his own childhood.

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The accompanying film clip from renowned Animation Director Nikita Kibirev (based in Portland Oregon), tells the story beautifully with a digital collage that combines stunning 2D backgrounds with a stylized and expressionistic approach to 3D and inspired by German Expressionism. The visual interpretation speaks of turning a traumatic experience into something positive and healing through finding a group of people that can truly understand your experience.

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Paul Scott Releases Single ‘It Shouldn’t Sound Like That’

Insufferable Paul Scott: ‘It’s a love song through and through. A pean to the unreliable angels. The sirens of suburbia. Glowing golden and more than a little worse for wear. I saw a fox in the countryside, and it made me think of that kind of love, glimpsed, then gone, but unforgettable. Hence the memories. You can dance to this one. My handsome brother Kieran plays the lead guitar and the dashing Steve Melville made it sing.’

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Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix. Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.

Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville. Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ. A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’. The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.

Scott has since plied bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House. Teaming up with Steve Melville (ex Mr Blonde and Montana) Paul and Steve have established a studio production relationship, playing on each other’s tracks (Stewart and Melville, The Likes of You) and coproducing The Insufferable Paul Scott’s well received 2021 album ‘Tea and Medals’ (which Melville also mixed).

Their most recent project is a closer collaboration with Melville adding drums, percussion and keyboards to Scott’s voice, guitar and bass, a line up very close in sound and feel to their youthful unit ‘Montana’. “I was looking for the kind of pop thrill I used to get from great Aussie indie bands such as The Falling Joys, Smudge, The Hummingbirds, pop thrills… you know?” says Scott.  An album has been completed and tracks will be released over the next few months on Foghorn, home to most of their releases to date.

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BLJ Feat. LOZ C Releases Single ‘If You Don’t Know Me By Now’

 If You Don’t Know Me by Now exudes romance, love, and connection. First released by Philadelphia Soul band Harold Melvin & the Blue Notes in 1972, and then covered by Simply Red in 1989, who brought a more romantic softness to the track. LOZ C brings a whole new feminine perspective to the song. Her dynamic emotionally charged performance fashions overtones of gospel at times.

The BLJ restomod pays homage to the soul roots of the original and leans into the romance with a big strings section, and his signature grande finale. We hope it plucks your heart strings.

The avatar of an unidentified Music Producer, Burger Legs Joe is on a mission to restomod (restore and modernise) outstanding retro songs for your grooving pleasure.

Treasuring the essence of what makes each track so fabulous, they’re re-energized to a modern perspective; weaving rhythms and melodies in BLJ’s distinctive ear grabbing style, that lingers in your head and puts beats in your feet. Burger Legs Joe is with Foghorn Records, and when he’s not arranging restomods, he focuses on original and collaborative music projects.

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