Tag Archives: New releases

News and Touring

The Insufferable Paul Scott Releases Single ‘Extinct’

NEW REVIEW

“‘Extinct’ is a slice of pure indie pop with a sparkle… There is a melancholic fairground feel to the music as he repeats the line fail to adapt when extinct with a romantic twist to the lyrics – no-one can sparkle like you do.” – Arun Kendall

https://www.backseatmafia.com/track-its-not-over-for-the-insufferable-paul-scott-ex-pop-mechanix-as-he-releases-sparkling-new-single-extinct/

Scott’s recent release EXTINCT (2025), continues his tradition of combining sharp, introspective lyrics with innovative soundscapes. His music is characterised by its melodic structures, layered instrumentation, and a penchant for exploring themes of modernity and human experience.

Describing himself with a series of tongue-in-cheek adjectives—“Inedible, Incorrigible, Indescribable…”—Scott embraces his “Insufferable” moniker with humour and self-awareness. His work continues to resonate with audiences seeking music that is both thought-provoking and sonically rich.

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The Insufferable Paul Scott is a Sydney-based singer-songwriter and multi-instrumentalist known for his sharp wit, eclectic sound, and prolific output. Emerging from Australia’s indie scene, Scott has played bass and guitar for numerous acts, including The Likes of You, Montana, The Kingdom of Jones and Bad Machines, performing everywhere from community halls to the Sydney Opera House, from Australia and New Zealand to Europe and the USA.

In 2019, he launched his solo career with the debut album Surrender to Robots, a lo-fi, genre-blending collection that drew favourable comparisons to art rock acts such as Of Montreal and The Notwist. This was followed by a string of EPs and albums that showcased his evolving sound and lyrical prowess. Notable releases include Radio Station (2020), Tea and Medals (2021), and Dopamine Mining (2024).

Tea and Medals, recorded during the COVID-19 lockdowns, stands out as a 12-track album featuring collaborations with producers like Steve Melville (The Tea Party, Regurgitator) and Tim Powles (The Church). The album blends indie rock, synth-pop, and jangle pop, reflecting Scott’s diverse musical influences.

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Steve Kilbey & Gareth Koch Release Album ‘Songs From Atlantis’

In their latest album, Songs from Atlantis, Steve Kilbey & Gareth Koch re-imagine deities and figures from antiquity. Their album creates an esoteric impression of an ancient mythical kingdom, when Poseidon ruled the undersea and the Augur interpreted the will of the gods.

The music on Songs from Atlantis is in turn mystical, powerful and reflective. The textures range from glistening harmonics to diving liquid slides. Some of the music is almost aqueous, with resonator guitars producing a type of whale song while lyres evoke an idea of Ancient Greece.

Kilbey and Koch have created a highly contrasting collection of songs and moods, ranging from the haunting tenderness of Calliope’s Song to the grinding majesty of Hyperion’s Oar. Shimmering and water-like, the music and lyrics evoke the lives of ancient gods, servant girls and soothsayers.

Atlantis, an island mentioned in Plato’s works, is described as an empire that ruled all parts of the world. After falling out of favour with the deities the city is subsumed into the Atlantic Ocean.

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What unites the musical spheres of an Australian rock icon and a Viennese-trained classical musician?

The answer lies in a shared aesthetic and approach to their craft. There is a wistful and haunting lilt to the Kilbey/Koch songs, as they float seamlessly through a narrative of fallen crowns and enchanted gardens.  To compliment the poignant lyrics is a delicious instrumentation, weaving and waif-like, alternately brimming with rhythmic drive.

Steve Kilbey, also known as the frontman of veteran rock band The Church, has generated a lifetime of beautifully crafted songs. His subtly esoteric lyrics create an aura of mystery, posing questions and teasing the listener with riddle-like answers.

Gareth Koch is a European-born classical guitarist and composer who has recorded most of the major repertoire. His compositional style reflects a lifelong engagement with classical, folk, rock and flamenco music. Although not easy to define, Koch’s music is often characterised by medieval gestures, influenced by the unrequited longing style of the French Trouveres (singer-poets) of the 12th century.

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The Mezcaltones Score #2 Place on ABARAC Charts!!

Congratulations to The Mezcaltones for scoring the #2 debut spot for the new album on the Australian Blues and Roots Airplay Chart

View the Chart HERE: http://abarac.com.au/australian-charts-2025.php

“They’re baaaaaack!! Hell, they never left. Australian surf-cowboy-Country-Rockers The Mezcaltones just released their fifth album entitled Big Hat, No Cattle. While the phrase describes someone who dresses the part without doin’ any of the work, it sure as hell ain’t a self-descriptor. If anything, this band wears their big hats and herds the cattle, then fixes dinner at the chuck wagon for the whole damn posse.”
– Wiley Koepp
“Big Hat No Cattle fuses twangy outlaw country, surf rock energy and cinematic storytelling, delivering a high octane listening experience from start to finish”
https://www.wokechimp.com/music/the-mezcaltones-big-hat-no-cattle
“Original, extraordinary, genuine, distinctive, and proves to create an attractive world of its own”
“A blistering collection of songs that wander across a landscape that is both nostalgic and celebratory while continuing to make such music relevant and revered in the modern age”
– Dave Franklin
“An electrifying, genre-defying masterpiece, proving that The Mezcaltones are not just keeping the spirit of Hillbilly Surf Music alive—they’re reinventing it for a whole new generation”
– Jacob Aiden
“Another milestone in their impressive career, an album that promises to be a fan favorite and a staple in the alt-country panorama. Whether you’re a longtime fan or new to their sound, The Mezcaltones’ latest album is a must-listen”
– Grant Williamson

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Northern Beaches Band The Mezcaltones perform regularly at Sydney venues – The Orient (The Rocks), Marrickville Bowlo, Collaroy Beach Club, Brighton RSL to name a few. They have also performed at eight Tamworth Country Music Festivals; Groundwater CMF; Blues on Broadbeach; Sydney Blues & Roots Festival; Dashville Skyline Festival; and Greazefest.

Their sound can be difficult to describe – mixing original songs with rare tracks you might find on Robert Rodriguez/Tarantino movies or B-Grade 60’s Sci-Fi Flicks the guitars are richly infused with surf tones and 60’s Twang served up with a healthy dose of Cowpunk brashness. One booker described them as “Mexican Hillbilly Surf Music”. One punter said “lf Johnny Cash surfed he’d have sounded like you guys”.

Their antics are captivating. The band is fronted by vocalist Col Padre (who engages in tongue in cheek choreography) and dancer/singer/percussionist Mimi. Mimi is renowned for her routines involving gymnastic ribbons used as whips, hula hoops, fans and whatever else she can lay her hands on.

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CB Ghost Releases Single ‘High On Elm And Vine’

UPCOMING SHOW DATES!

Friday June 6th – Dickson Taphouse, Canberra

Saturday June 14th – Gracelands, Forresters Beach NSW

CB Ghost’s latest single, ‘High on Elm & Vine’, is a deeply personal and evocative track inspired by an unforgettable encounter in Los Angeles. A psychedelic like rock song with an almost unhinged drum beat, written in a sudden burst of inspiration, explores themes of displacement, mental health struggles, and personal reflection.

While spending time in Los Angeles with his girlfriend—before the devastating fires—CB Ghost was struck by the stark reality of homelessness and the lack of mental health care in the city.

The emotions that surfaced at that time poured out in the form of ‘High on Elm & Vine’, written in a near-mystical rush of creativity. The song came together in just 20 minutes, its lyrics and melody flowing almost effortlessly. He chose to preserve that spontaneous energy in the final recording, keeping the song as close to its original essence as possible.

The studio recording process brought the track to life with the full band. Garrick Blow’s progressive rock-inspired drumming adds an intense rhythmic drive, while Murray Dilger’s hypnotic bass groove anchors the song. Geoff Nicol contributes a psychedelic, trippy lead guitar that elevates the track’s mystical quality. The result is a song that is both unsettling and mesmerizing, pushing CB Ghost out of his comfort zone.

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CB Ghost, a songwriter with an honest simple folk-rock style that captures the essence of a complicated existence with singalong tunes and poetic lyrics and sometimes a banger beat.  CB Ghost has emerged from a close-nit coastal surfing village in Australia. His background provides him with a deep connection to toe tapping Celtic, country and straight-ahead heartfelt rock music mixed with salt water from the ocean.

A former pro surfer, CB Ghost is driven, bold and dedicated to his evolving sound and a deep love of blue-collar folk stories and sensibility – and most importantly playing live to crowds who love to drink, dance, sing and have fun.

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The Mezcaltones Release Album ‘Big Hat No Cattle’

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Big Hat, No Cattle is the fifth studio album from the Mezcaltones and it comes together for an early 2025 release.

The Mezcaltones’ songs are mined from the rich seam of Alt Country, Roots, Rockin’ Blues and Surf Guitar with a nod to two of their favourite artists; and it’s all wrapped up in their inimitable Mezcaltones Hillbilly Surf Music Style.

Big Hat, No Cattle was recorded at Damien Gerard studios in West Gosford with Andrew Beck at the engineering controls; mixed by Russell Pilling; mastered by William Bowden; produced by the Mezcaltones; and artwork by Stephen Awdry & Melinda Nassif.

The CD is available for purchase at gigs and The Mezcaltones website or can be streamed via your favourite online format.

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Northern Beaches Band The Mezcaltones perform regularly at Sydney venues – The Orient (The Rocks), Marrickville Bowlo, Collaroy Beach Club, Brighton RSL to name a few. They have also performed at eight Tamworth Country Music Festivals; Groundwater CMF; Blues on Broadbeach; Sydney Blues & Roots Festival; Dashville Skyline Festival; and Greazefest.

Their last album ‘Agave Soirée’ entered the Australian Blues and Roots airplay charts at #7 before spending five months embedded in the Top 20.

Their sound can be difficult to describe – mixing original songs with rare tracks you might find on Robert Rodriguez/Tarantino movies or B-Grade 60’s Sci-Fi Flicks the guitars are richly infused with surf tones and 60’s Twang served up with a healthy dose of Cowpunk brashness. One booker described them as “Mexican Hillbilly Surf Music”. One punter said “lf Johnny Cash surfed he’d have sounded like you guys”.

Their antics are captivating. The band is fronted by vocalist Col Padre (who engages in tongue in cheek choreography) and dancer/singer/percussionist Mimi. Mimi is renowned for her routines involving gymnastic ribbons used as whips, hula hoops, fans and whatever else she can lay her hands on. Big Daddy K from 2RRR’S Sydney Sounds show described the Mezcaltones as the best live band in Sydney.

The costumes make for an outstanding visual – four guys dressed as party hire Cowboys and two girls dressed as Spanish gunslingers with several minor costume changes throughout the show involving masks, veils and mirror shades. Sounds corny… sure is.

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Steve Kilbey & The Winged Heels Release Album ‘The Road To Tibooburra’

Steve Kilbey: During the early days of Covid 19, I met a guy called Julian who asked me to be in a short silent film he was making called ‘Space Junk’. ‘Space Junk’ was about a stranger (moi) who comes to a remote-ish Australian town during the pandemic and has a number of adventures including aliens and angry villagers and other various kinds of weirdness.

The film got kinda finished and had a couple of screenings in a room but then seemed to be abandoned and never properly completed. Julian then repurposed it for a musical about a washed-up and ageing rockstar called Lord Jim (moi again) who takes a strange crew off to Tibooburra searching for his comeback.

Julian asked me to write all of the songs for the musical, which I did and enjoyed doing too. I recorded them all with a wonderful band of players who also appear on my albums 11 Women and The Hall of Counterfeits, whom I dubbed the Winged Heels.

Well then after sitting in the can for ages I have decided to release this weird collection of tunes. They are in no particular order so you’ll just have to figure it all out for yourself. Or just make up your own plot and story and sit back and enjoy. I have also thrown into the mix some contemporaneous songs I was working on with the Heels at the time but I now look upon them as perhaps part of the musical and let you try to make some sense of all this.

Steve Kilbey, band singer, songwriter, bassist, painter, writer, poet, actor, sage, dispenser of
arcane wisdom is one of Australia’s most loved artists.

The popular song “Under the Milky Way” won the “Best Single of the Year” award at the
Australian Recording Industry Association (ARIA) awards event in 1989. For his work with
The Church, Kilbey then accepted, together with his bandmates, an induction into the ARIA
Hall of Fame.

Steve got his first bass guitar at age 16, joined a band at 18 and went on to form a number of different groups before forming The Church in 1980. He has gone on to release many solo albums and collaborations with recording artists from around the globe.

“Kilbey’s solo recordings are challenging and evocative. . . joyous and dreamy to saturnine
and sardonic” – Ian McFarlane.

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Gareth Koch and All India Radio Release ‘Song For Philip Glass’

Philip Glass looms large as a pioneer & exponent of the minimalist movement in 20th century music. In ‘Song for Philip Glass’ Gareth recorded a series of repeated sequences to emulate the Glass style, gradually adding layers of classical guitar, acoustic guitar & bass. Each of the sequences is preserved throughout the track & the layering of new motifs, or ‘riffs’, generates the evolution of the track. ‘Song for Philip Glass’ seeks to evoke the spirit of the composer’s work, while integrating pop, folk & ambient music styles.

Gareth Koch is an ARIA Award winning multi-instrumentalist, recording artist, guitar soloist, composer & songwriter. He has recorded a sizeable repertory across multiple genres spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects, rock & songwriting. He has appeared at major festivals within Australia, Europe, Asia and North America.

All India Radio have created shimmering aural edifices that cross genres across 30+ releases since the late 1990s. All India Radio albums have featured cameos from many of Kennedy’s favourites: Steve Kilbey (The Church), prog metal legend Devin Townsend, Ed Kuepper (The Saints), Graham Lee (The Triffids), and David Bridie (Not Drowning Waving).  Martin’s music has featured in CSI, One Tree Hill, The Lying Game, Emmerdale, Bondi Rescue and many more.

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The Mezcaltones Release Single ‘City Lights’

Don’t worry if you missed their sell out run at Tamworth Music Festival last month , you can catch The Mighty Mezcaltones at any of the following dates:

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The latest single ‘City Lights’ from The Mezcaltones’ fifth studio album is Chapter One of ‘The Trials of Don and Jenny’. This swampy tune about north coast surfers visiting the emerald city is a cautionary tale about moths and flames.

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Northern Beaches Band The Mezcaltones perform regularly at Sydney venues – The Orient (The Rocks), Marrickville Bowlo, Collaroy Beach Club, Brighton RSL to name a few. They have also performed at eight Tamworth Country Music Festivals; Groundwater CMF; Blues on Broadbeach; Sydney Blues & Roots Festival; Dashville Skyline Festival; and Greazefest.

Their last album ‘Agave Soirée’ entered the Australian Blues and Roots airplay charts at #7 before spending five months embedded in the Top 20. The band are putting the finishing touches to their fifth album ‘Big Hat No Cattle’, scheduled for release in March.

Their sound can be difficult to describe – mixing original songs with rare tracks you might find on Robert Rodriguez/Tarantino movies or B-Grade 60’s Sci-Fi Flicks the guitars are richly infused with surf tones and 60’s Twang served up with a healthy dose of Cowpunk brashness. One booker described them as “Mexican Hillbilly Surf Music”. One punter said “lf Johnny Cash surfed he’d have sounded like you guys”.

Their atics are captivating. The band is fronted by vocalist Col Padre (who engages in tongue in cheek choreography) and dancer/singer/percussionist Mimi. Mimi is renowned for her routines involving gymnastic ribbons used as whips, hula hoops, fans and whatever else she can lay her hands on. Big Daddy K from 2RRR’S Sydney Sounds show described the Mezcaltones as the best live band in Sydney.

 The costumes make for an outstanding visual – four guys dressed as party hire Cowboys and two girls dressed as Spanish gunslingers with several minor costume changes throughout the show involving masks, veils and mirror shades. Sounds corny… sure is.

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The Mezcaltones Release Single ‘Big Hat No Cattle’

Don’t worry if you missed their sell out run at Tamworth Music Festival last month , you can catch The Mighty Mezcaltones at any of the following dates:

pdf mez

Big Hat No Cattle is a song about that boss that we all had/have. He (generally a he) is not the owner or the manager, maybe a supervisor, but probably not, just been there longer than you – so he’s your BOSS. Definitely a big hat and for sure – no cattle!

Northern Beaches Band The Mezcaltones perform regularly at Sydney venues – The Orient (The Rocks), Marrickville Bowlo, Collaroy Beach Club, Brighton RSL to name a few. They have also performed at eight Tamworth Country Music Festivals; Groundwater CMF; Blues on Broadbeach; Sydney Blues & Roots Festival; Dashville Skyline Festival; and Greazefest.

 Their last album ‘Agave Soirée’ entered the Australian Blues and Roots airplay charts at #7 before spending five months embedded in the Top 20. The band are putting the finishing touches to their fifth album ‘Big Hat No Cattle’, scheduled for release in March. The title track is the first single released on 17 January to coincide with their shows at this years Tamworth County Music Festival.

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 Their sound can be difficult to describe – mixing original songs with rare tracks you might find on Robert Rodriguez/Tarantino movies or B-Grade 60’s Sci-Fi Flicks. The guitars are richly infused with surf tones and 60’s Twang served up with a healthy dose of Cowpunk brashness. One booker described them as “Mexican Hillbilly Surf Music”. One punter said “If Johnny Cash surfed he’d have sounded like you guys”.

Their atics are captivating. The band is fronted by vocalist Col Padre (who engages in tongue in cheek choreography) and dancer/singer/percussionist Mimi. Mimi is renowned for her routines involving gymnastic ribbons used as whips, hula hoops, fans and whatever else she can lay her hands on. Big Daddy K from 2RRR’S Sydney Sounds show described the Mezcaltones as the best live band in Sydney.

The costumes make for an outstanding visual – four guys dressed as party hire Cowboys and two girls dressed as Spanish gunslingers with several minor costume changes throughout the show involving masks, veils and mirror shades. Sounds corny… sure is.

TOUR DATES

Date Venue Location
Saturday, 18 January 2025 West Diggers Club Tamworth
Friday, 19 January 2024 West Diggers Club Tamworth
Saturday, 20 January 2024 West Diggers Club Tamworth
Saturday, 18 January 2025 West Diggers Club Tamworth
Friday, 19 January 2024 West Diggers Club Tamworth
Saturday, 20 January 2024 West Diggers Club Tamworth
Saturday, 18 January 2025 West Diggers Club Tamworth
Friday, 19 January 2024 West Diggers Club Tamworth
Sunday, 16 February 2025 Orient Hotel The Rocks
Sunday, 9 March 2025 Marrickville Bowlo Marrickville
Saturday, 15 March 2025 Railway Hotel Hornsby
Sunday, 23 March 2025 Orient Hotel The Rocks

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