Australia’s very own Contemporary Instrumental success story Fiona Joy will release her new Audiophile Album ‘Into The Mist’ as part of both the LA Audiophile Show (including The Sony-sponsored Hi-Resolution Magic Bus) next month and The Australian HiFi Show where she will perform live at The Intercontinental Sydney in late July.
Into the mist epitomizes the art of contemporary solo piano recording in today’s market.
This is Fiona’s second album to be released on Blue Coast Records where once again she teams up with Cookie Marenko, Producer and Engineer, who is well known for her contributions to the world of Audiophile recordings ever since her early years at Windham Hill under the watchful eye of Will Ackerman.
Fiona brings calm, sensual and delightful sensations to her unique compositions on “Into The Mist’ .Performing on an 1885 Steinway Grand Fiona’s talent is evident in her control of the instrument.
Her previous solo piano album Signature –Solo received critical acclaim by topping ZMR’s radio chart in 2016 and winning the Award the ‘Best Piano Album’ in the same year.
Into The Mist was recorded in the Highest Fidelity Possible, a new format DSD (Direct Stream Digital). Her choice to make the album in this format and utilize new recording technologies makes her both a pioneer and role model for other musicians to follow.
Producer Cookie Marenko said “Not all artists are as easy as Fiona to work with. One of the reasons I enjoy her so much is because she let’s me do my job…. produce a great record filled with passion and emotion.” Fiona Joy said “It was truly an amazing experience working with Cookie again and her label Blue Coast Records (content Partners with Sony for Hi-Res) plans to officially launch Into the Mist with a customized event for our friends and supporters. We will have exclusive access to Sony-sponsored Hi-Resolution Magic Bus - built by Jon Whitledge, its known as the world’s best car stereo. I can’t wait….”
Click the images below to Checkout two of the tunes/videos from the album
The feel of Into the Mist brings back to my mind…immediately…the wonderful years of Windham Hill, when I could buy an LP (or later, a CD) with complete confidence that I was going to love it. Fiona’s piano, recorded to Quad DSD, is simply there, and Cookie’s mastery in the audio arts is no less than Fiona’s on piano. Together they give us a quiet tour of creative force, without sonic compromise. Dr David Robinson- Editor in Chief Positive Feedback Mag
Tell us about the moment you decided to become a singer/writer? What did your family have to say about it?
I actually got into music from a very early age. I did the obligatory recorder and piano lessons, and my older sister and I used to make up songs and put on shows for our parents. However, the turning point for me was when my sister started taking guitar lessons when I was 8 years old (she was 11 at the time) and because I wanted to be just like her I begged my mom to let me go as well. I did acoustic lessons for 4 years and then went on to learn electric with another teacher, who encouraged me to record my first EP at the age of 12. My parents have both been extremely supportive of me throughout, driving me to gigs when I was a teen and coming along to cheer me on.
What inspired you to become an artist and who are your early influences?
I was very lucky to grow up with parents who loved music. My mother has always been into her rock music like the Stones, Led Zeppelin and Deep Purple, while my dad loves his soul music. I loved the classics like Etta James and Dusty Springfield but my passion always lay in rock music. I greatly admire Joan Jett, I’m a huge fan of Jefferson Airplane and Fleetwood Mac are an all time favourite of mine.
Tell us a little about your writing process, how does a song come along? What gets you going creatively?
When I’m writing solo stuff I usually start from the vocal melody up. I find a phrase or a line that really speaks to me and then I write around it. While in the band however it’s a lot more collaborative. Either Raff has a really good idea and fleshes it out or he gives it to me to do the vocal lines, as well as some great tunes that were born out of a jam session and a killer riff that we’ve just run with, much like Cheating Heart our current single (LISTEN HERE)
What current Local acts inspire you and why? What international acts?
I love Alpine because they’re quirky and fun. They mirror a lot of the attitude that I loved so much in No Doubt so it’s a throwback to my teens. Internationally I’m heavily influenced by The Donnas and Adele.
What are your future plans for 2017/2018?
At the moment we’re focussing on Aurora and getting some good mileage out of it because to be honest it’s a pretty solid album. We have already started tentatively looking at some new songs for the next album but we’re also bringing some old songs from Ascendancy and Autonomic out for our sets to keep things new and exciting for our fans.
If you haven’t yet, read through a QnA with the boys to kick off their latest EP The Door –
Q & A with Jack and Curtis………
What inspired you to become a singer in a band?
The meticulous strain of learning covers and not playing them perfect and or well. If it’s your own song you get to decide what’s perfect and what’s right. It’s a pretty good feeling playing your own music and seeing people in the crowd enjoying themselves as much as you do. Kinda if we get you off then we’ll get off kinda thing.
My old man played guitar when I was young and I always wanted to play. He got me a nylon string and off I went (he still has that guitar). Dad loved James Taylor, Paul Simon, Dylan, and all of those singer song writers, so I guess that is where it started. My teen years in the 90’s in the UK started the band/rock music for me. It was a great time to be around the music scene in England: Oasis, Blur, The Verve even The Spice Girls – ha ha.
Who are your early influences?
As I came to the understanding that I wanted to be a musician I really liked musicians that were unique and matter what they were doing you kinda knew it was them. Early on I was influenced by a lot of bands. I try and steal something from everybody. I am a bit of a guitar pedal addict so if they are using some sort of effect they are an influence. It’s my way of hiding that I actually have no idea what I am doing.
Tell us a little about how you write, how do the songs come? What gets you going creatively?
Usually Jack or someone would come in with an idea, then we try to flip it on its head and make it good, ha ha. No, we jam it out in the room with the boys try new and interesting ideas over the old ones. Really the songs only come together with us pushing each other to be different. I work really hard on them on my own, but no matter how hard you plan and think your idea is right everyone else’s is usually better. That’s the great thing about a band its amalgamation of lots of ideas.
What gets us going is being in that room together, when everything clicks and we all get a little smirk knowing this feels right; probably the beers as well.
Sometimes they just happen. The good ones just flow. It’s usually something I’m angry about. I get some chords going but the melody and lyric is what I find most important. Someone once told me to write what I know and feel don t try to fake it. Which is so true and the best tip I ever heard.
After that I take it to the band. Then they make some noises and change some parts and boom we have a new song. I would say one in every three we write makes it to the live set. One in four get recorded.
Your bio mentions “newsworthy angle/funny story or event’ tell us what went on there.
The Gibson Guitar endorsement was amazing. We had finished pre-production on our album ‘Burning In The Sun’ and we are hanging out in the studio. Marshall, our Publisher & Label) and all round Legend said ‘You guys need anything else for recording?’ Yeah some good guitars, we said and laughed it off. Next day phone rings, it’s Marshall – ‘Go down to the pro shop, they’ve got some GIBOs for you to use’. I jump in the car, the exhaust pipe falls off on the way over, get to the shop meet the Rep, top bloke, we walk out with a Thunderbird Bass, Nikki Sixx Signiture (took it out of the display case for us) an SG and a Vintage Les Paul.
Put about 15 grands worth of guitars in the back of my 1000 dollar car next to the broken exhaust I recovered from the road. A few months after that I was added to the Gibson Artists list. Now I put my fancy guitar into the back of my 1000 dollar car next to the broken exhaust.
What is the first record you bought and why?
It was a Wiggles tape, I was 7.
The one and only, Chesney Hawks, went halves with my brother it was a vinyl single, I have no idea why.
What current OZ acts inspire you? Ditto for international acts?
I am inspired by a lot of bands and artist we play with. The hard work they put in and the amazing talent that goes mostly unnoticed. Australia has a massive music community waiting to be heard. Tune into some community radio is my advice. International acts – at the moment I can’t stop listening to Jason Isbell’s last two albums.
Tell us a little about your music and what a crowd can expect at a live show?
I like to think or music is always evolving, I’m pretty sure we don’t play anything the same twice, we kinda feel each other out and hope that us having a good time shines through. We can get pretty loud but we love it that’s why we do it.
We really enjoy the live shows and I hope people see that when we play. As for the crowd we will take anyone who shows up, ha ha
Favourite artists of all time?
For me, it’s Radiohead , NIN, Queens of The Stone Age, Tool and the two Jimmys’ (Page and Hendrix) with a notable mention to Dave Gilmore. It’s hard though, I’ve been influenced by a heap of bands that I still listen to today. I could be hear all day naming people. Once you find an artist you go and find out who influenced them, it’ a never ending cycle.
Van Gogh. Can’t pick just one for music
You are backstage with ‘insert artist you adore or hate’, what do you say?
Kanye West can you please shut the fuck up
Where do you see Aussie music heading?
I’m really not sure, I’m hoping away from the computer. Hopefully, more performers and lesson button pushers. Don’t get me wrong there is a lot of talent in some of them and I enjoy it, wish more of them would use it as an instrument and less of a cheat.
I think we might be on the bottom of a cycle. The music industry is playing catch up with the internet and more home production and electronic music is flying around. We also have the reality music TV shows that are finally loosing their appeal. I believe that one band will come along and start up a big music movement again like Oasis did for the UK in the 90 s. Maybe it’s time for the smaller independent labels to rise as the big ones struggle. It’s music so you just have to wait and let it do its thing.
What are your future plans for 2016/2017
We are looking at playing as many shows as possible, doing what we love. Work on new material continue to work on us as band and just do what we do.
Tour Drink Sleep Repeat. Play shows keep writing and most importantly, enjoy it.
The Dirty Earth Release New Music Video and Announce New Singer
The Dirty Earth welcome new singer Tenille Rogers to the line up. Tenille brings new dynamics to the band and a youthful enthusiasm! Her powerhouse vocals and world class delivery are set to take The Dirty Earth to another planet. She has sung in cover bands, stage musicals, prog rock bands, and everything in between and sounds as comfortable belting out gritty rock anthems as she does steamy blues numbers.