Tag Archives: australian music

harvey CD

MrHarvey-New EP-It’s Kool to be Kind

MrHarvey New Ep It’s Kool to Be Kind

Release Date: October 23 (Foghorn/MGM) ALL Digital Platforms

MrHarvey is the stage name of singer-songwriter Nathan Harvey. Having only picked up a guitar in 2015 at 44 years old, his music is as interesting and diverse as his life! A blend of blues, folk, country and rock, Nathan’s music is very lyrics focused as he draws on a myriad of musical and life experiences.

Former Channel V host and media personality in the 90’s, Nathan retreated from the spotlight leaving his hometown of Sydney for the Gold Coast working as a show announcer and FOH mixer at SeaWorld. It was here that he literally learnt the ropes from scratch after befriending the Ski Captain to become a professional water skier.

In 2010 a near fatal water-skiing accident in Canada whilst skiing with old SeaWorld buddies saw Nathan return to Sydney with a titanium plate and 4 screws holding his neck together. Always loving music and being a drummer in his teens, Nathan played in a fun “pisstake” band during his V days called “The Velvet Underpants” alongside Ken Stewart from Mr Blonde and Anthony Ousback former MTV host. His debut single “Brand New Day” was played nationally on the Triple M / Austereo Network and reached No 3 on the overall Triple J Unearthed Charts.

1500_mrharvey-pr1

Arranged and produced by Nathan Harvey with Magnus as co-producer the EP features Nathan on vocals, guitar, some keyboards and various other instruments, Magnus on Clarinet, BVs and lead keyboards along with Catrina Bargwanna, Tara Resch on Violin / BVs, Alex Gresley on lead and bass guitar, Luke Spies on drums and Brett Chapman on Harmonica.

It’s Kool to Be Kind is OUT NOW –  via MGM

 

Connect with MrHarvey: 

FOG512 The Entirely Unremarkable World Of The Jimmy C front 3000px

Jimmy C’s New Album The Entirely Unremarkable World of The Jimmy C

Melbourne one-man-band Releases his New Album – The Entirely Unremarkable World of The Jimmy C

Jamie Coghill is a musician and songwriter based in Melbourne, Australia, who has been recording solo under the moniker of ‘The Jimmy C’ since 2005. A multi-instrumentalist, The Jimmy C is Jamie’s primary creative outlet, in which he writes, records, engineers, produces, mixes and masters everything himself in his home studio, Casa de Kensington. Originally recording to four-track tape, and gradually moving to digital, Jamie’s ability to make his lo-fi gear produce hi-fi quality sound is part of The Jimmy C’s charm.

Playing primarily as a drummer in The Devilrock Four, Fez Perez and Luxedo prior to 2005, The Jimmy C was Jamie’s opportunity to showcase his unique style and abilities, and quickly became his main musical project. While still touring with Devilrock, including a tour of Europe in 2008, Jamie was working on what would end up being 2009’s Glamour and Fame. Recorded over two years “in lunch breaks and on weekends”, Glamour and Fame was a sprawling 20 track loose concept album, which established Jamie’s talent – as well as his penchant for genre hopping and very short songs.

Screen Shot 2020-10-16 at 2.55.53 pm

The Jimmy C has since released three albums: 2014’s Orbital Debris, 2016’s Un Homme Orchestra (released as three EPs but spiritually one record) and 2018’s Songs For The Species; as well as recording original music for two American web series: The Adventures of Superseven and The Sandra West Diaries; and a feature film. He also released several EPs, a Christmas single, and produced a live album with The Jimmy C Group, out of which formed his latest side project: Lava Fangs.

2020 is shaping up to be a huge year for Jamie, with The Jimmy C releasing his latest album, The Entirely Unremarkable World of The Jimmy C, as well as Lava Fangs releasing their debut, self-titled long player.

Step into “The Entirely Unremarkable World of The Jimmy C” – a fantasy land of catchy pop songs, self-deprecation, and the struggle for normalcy in a world gone completely bonkers.

The Jimmy C returns with an album that surprised even himself. Despite featuring a few guest contributions from Jamie’s Lava Fangs bandmates: Wesley Fahey and Andrew Horne, and Stu Thomas (The Stu Thomas Paradox, Kim Salmon/Surrealists, Dave Graney), the vast majority of instruments on the record, as always, are performed by Jamie.

As Melbourne headed into lockdown in early 2020, Jamie found himself stuck at home: which conveniently also houses his home studio. With the studio becoming a place of therapy, “The Entirely Unremarkable World of The Jimmy C” became an album borne out of boredom. Continuing the DIY journey started with “Project E.G.O.” in 2005, “The Entirely Unremarkable World of The Jimmy C” is The Jimmy C’s most accomplished and fastest finished album to date with Stage 3 Coronavirus restrictions unexpectedly giving Jamie much more time to spend working on new songs.

While The Jimmy C’s previous releases have all spanned genres, “The Entirely Unremarkable World of The Jimmy C” showcases Jamie’s creativity and musical diversity on another level. No stranger to straight up rock’n’roll, he delivers that on ‘Standing in Doorways’, a track written for and about the Coghill family’s cats and kittens, while ‘Where Was She’ is perhaps the most straightforward pop jangle on any The Jimmy C record to date and melancholy album closer ‘Kings of the Earth’ departs from Jamie’s usual wheelhouse and introduces strings and a trumpet to The Jimmy C’s ever-expanding sound palate.

The Entirely Unremarkable World of The Jimmy C is out now on Foghorn/MGM. 

RADIO DOWNLOADS/Stream

 jimy c streams

Connect with The Jimmy C:

ABarnum-Dear Ancestor-Album-iTunes-3000

Andrew Barnum’s New Album Dear Ancestor

Andrew Barnum’s New Album Dear Ancestor

Andrew Barnum is a singer-songwriter, whose music is a modern take on folk-blues based alt-rock. He has been recording and releasing his own original songs as a solo artist in Australia since the 1990s. With long-time collaborator Boris Hunt, they’ve now produced 8 albums. Their sound is a blend of the acoustic and electronic arcane – forgotten analogue technologies, merging with digital interfaces and an array of musicians. Boris and Andrew call it ‘Homefolktronics.’

The song-writing-performance duo of Andrew & Lissa Barnum, aka Vitabeats, had a national hit with ‘Boom Box’ (Hot/EMI) in 1985. This was followed by singles ‘Audrey’ and ‘Build it Right’ from the album ‘Spot the Spanner.’ YouTube clips: https://bit.ly/2Ctb1qo. The band stopped recording and touring in 1988. Andrew has never stopped writing, recording and performing his own songs since then.

Dear Ancestor is a letter to our past, asking for directions for the future. The songs have a dark smoky quality to them, musically they speak volumes, and have a sense of longing, lingering and meandering that is full of romance. There is a continual dark, menacing feel to the tracks that really captures the zeitgeist of today’s isolation.

The tracks were recorded live at Black Rabbit Big Room in Kanimbla NSW, Australia with Boris, Lucius Culliton (drums), Andy Gordon (bass) and Andrew (vocals guitar). Boris added more bass, keyboards and pedal steel, Andrew recorded the final vocals at home on the South Coast of NSW. 27 tracks were recorded, 11 made the cut, 9 released.

This album is part of a continuum of albums that began between Andrew and Boris starting in 1993. Dear Ancestor is their 8th album. The unique process required recording the initial 27 songs over 2 days. The final version of the album was mixed by Boris and mastered by Nat Love. Recorded before the Australian bushfires and then finalized during the arrival of the Pandemic.

Stream the new album here:
Screen Shot 2020-10-23 at 12.31.10 PM
FOG506 Mr Blonde In A Faze

Mr Blonde New Single In a Faze

MR BLONDE – IN A FAZE

Mr Blonde have come to the airwaves with this power pop epic, reminiscent of their Triple J ruling days. Sugar coated lyrics disguise a super well produced catchy tune, think Blur, Oasis, Brit Pop in general and coming in at 2mins42secs this is a winner.

The track is about the way we humans get caught up in the complicated maze we inhabit.  From social media interaction through to rapid changes in technology. Our cultural norms are bombarded with aggressively targeted consumerism.  That’s the verse, the chorus is a call to arms, to “stick it where the sun don’t shine.”

Complete with the signature Mr Blonde sound: jangly pop guitars, groovy bass, swirling hammond keyboards and a melodic vocal to sing to the stars.  The song wasn’t so much “written” but was an ear worm without guitars.  Ken couldn’t stop singing it, so finished the track to save his sanity.

Recorded at Big Studios in Crows Nest Sydney with tracking and mixing completed at Burning Boat Studios in Melbourne. Mixed by Steve Melville. Mastered by King Willy in Launceston.

Forget all the Mr Blonde “burst onto the scene” rhetoric there is a real story of how this band formed out of a dodgy terrace in Woolloomooloo.  Two true believers in English Indie music decided to have a crack, spending evenings and weekends fine tuning raucous, pop driven riffs with motor-beat drumming, and guitars laden with distortion and reverb.

Songs were written, relentless rehearsals, early gigs at The Sando, The Hoey, Metro then interstate and beyond to touring mayhem, festivals, music videos and TV shows.

Perhaps the infamous line from Spinal Tap: “have a good time all the time” resonated a little too strongly for Mr Blonde. Their first single Sunday swung into high rotation at Triple J and set the band up for what was to follow. Relentless touring and ridiculous surreal moments spaced out between hundreds of amazing gigs and the best time of our lives. Fall off a cliff… fast forward to the first Mr Blonde single for 25 years “In a Faze”.

Video

In A Faze is OUT NOW – September 18th via MGM
All DSP’s

 

Connect with Mr Blonde

For further information, Files, CD and Interview Requests please contact:
Marshall Cullen at Foghorn Media
0416 143 030
marshall@foghornrecords.net

3000pixsomething to hide large

Big Merino’s New Single Something to Hide

Big Merino’s new single is OUT NOW.
Recorded in just one day at the new Damien Gerard Studios just out of Sydney,
this tune is a fine example of the bands songwriting ability.

Plus there’s a live show to support the release.

The official launch is on Sunday October 25 at Camelot
Due to COVID the venue is limiting numbers
so you have to book in groups of 2, 4 or 8.

 ‘Something To Hide was written after we heard about the destruction of the Juukan rock shelters in the Pilbara.  It’s a little like blowing up the Sistine Chapel except the Sistine Chapel is less significant but at least we get to sell some iron ore, cheap, to the Chinese’ – Big Merino

Big Merino play songs that blur the lines between rock, blues, roots, and soul.  Despite their passion for Americana their music also sounds quintessentially Australian, shaped by landscape and stories.

Despite an obvious passion for what’s often called ‘Americana’, Big Merino somehow still sound quintessentially Australian – the lyrics and sound shaped by the landscape and their own stories.  The live sound is a classic combination of acoustic and electric guitars, vocals, bass and drums.  But the album is fleshed out with multiple guitar layers, gospel style harmonies, Hammond organ, piano, horns and percussion.

In 2018 the newly formed Sydney-based band released their debut album ‘Suburban Wildlife’ thru the Foghorn label, made two cinematic film clips with director Alan Harca, and performed all around Sydney.

Screen Shot 2020-10-06 at 2.22.25 pm

The band has done numerous Interviews & live-to-air performances including ABC 702 & RN, 2SER Dirt Music, Radio Skid Row, Eastside Radio, Aussie Music Weekly and 2BBB.  The single ‘Black Cockatoos’ was top 10 on AMRAP Metro and Regional playlists in 2018.

To follow their well-received debut the band started work on the follow up early in 2019.  ‘Sweet Little Angel’ was released in mid-year and the band toured and performed various festivals around the country, starting with Murringo and Quandialla in June.

Something to Hide is their newest single for 2020 and includes a home recorded B Side ‘Tell Me Something’

Something  to Hide hits in quick with guitars and then band and vocals catching your attention.  The Beatles-esque chorus features a 6 part harmony from gospel master Stu Davis.  With hooks, riffs and even catchy bass and drums this one is a winner.

Something to Hide is out today September 25
on Foghorn Records through MGM. 

Stream or Download:

Connect with Big Merino:

For further information, Cd’s and Interview requests please contact:
Marshall Cullen at Foghorn Media
0416 143 030
marshall@foghornrecords.net

unnamed-4

Steve Kilbey New Solo Album – Eleven Women

 Steve Kilbey New Solo Album- Eleven Women

Update

Steve’s Next Live Venue  show

‘STEVE KILBEY (THE CHURCH), AND HIS WINGED HEELS- GARETH KOCH (SAFFIRE) & ROGER MASON (ICEHOUSE) PERFORM
“SONGS FROM ANOTHER LIFE
LIVE AT BRASS MONKEY CRONULLA

FRIDAY  25 SEPTEMBER 2020

Get tickets for the early session at 530pm DINNER AND SHOW
or the late session at 8:30pm DINNER AND SHOW

Steve Kilbey has created a fine new album for 2020. His first solo release for an astoundingly creative year reveals a dazzling array of songs brimming with ideas, personality & effervescence. The collection is at once whimsical yet personal, and in a masterful sleight of hand Kilbey’s Eleven Women are not quite as one might expect.

Eleven Women is full of melodic invention & lyrical surprises. Singling out tracks for special mention is frankly impossible since this album consists entirely of highlights. Amongst these bijous however the timelessly beautiful Think of You shines brightly. This song has the unmistakeable stamp of eternity & evokes a sense of having existed since music began.

September 4 Foghorn/MGM

Hear it now

sk new slaes

 

Read the Rolling Stone Review

Screen Shot 2020-09-04 at 4.51.36 PM

Plus the RS Interview

Screen Shot 2020-09-04 at 4.53.13 PM

Watch the Zoom Interview with WhatsMyScene

sk-wms-iv

and for some insights into #thechurch as well read this great interview from backseat mafia

Screen Shot 2020-09-04 at 4.53.43 PM

Wanna see Steve play Sheba Chiba Live Acoustic- just click here

happy sheba live

Connect with Steve

https://www.facebook.com/TheMezcaltones/

unnamed-2

Margaret Anne and The Rock It Man Don’t Look Back

After releasing the inspiring and amazing Americana song and video clip ‘Soul Laid Bare’ at the end of last year, Margaret Anne and The Rock It Man have released two exciting new songs. ‘Don’t Look Back’ co-written with Shane Nicholson and ‘My Mumma’ written while watching the passing of her mother 2 years ago.

Just 2 months after leaving a 20-year marriage, ‘Don’t Look Back’ was written with country artist Shane Nicholson at The Dag Sheep Station in Nundle, near Tamworth.  While sitting on the porch of a farmhouse, Shane helped Margaret Anne peel back the layers to look deep within. Doug Weaver (aka the Rock It Man) produced and played not one but all of instruments on the song.
The result is a song that examines the essence of her marriage, the struggle to get it right, the decision to move on from the wreckage and not look back.

‘My Mumma’ was written on the back of a bereavement envelope in about 10 minutes.  When faced with the death of her mother, Margaret fell back into childhood, writing this emotional ballad of grief while waiting and watching her pass away.  Played by her brother, the accompanying guitar forms the song into both a collection of vulnerable memories and a haunting goodbye.

unnamed-3

Connect with Margaret Anne:

worldwideweb
                                                      logo

 facebook-f-logo-transparent-facebook-f-22

Twitter logo

Instagram
                                                      logo

1000pixI hope I'm wrong cover

A chat with Adam Blacksmith

On the eve of the first single ‘I Hope I’m Wrong’  from his forthcoming album ‘Blind to the Sea’ we sat down (via zoom) to chat with Adam about all things musical -

 Photo: Matt Weddis www.instagram.com/mattweddis

Tell us about the moment you decided to become a song writer? What did your family/friends have to say about it?

I was driving in my car In 1999 when I heard”Asleep in Perfection” by Augie March on JJJ. I had to stop the car to take it all in. I had loved folk music for years but had lost faith in the radio to play bands with the lyrical substance of Dylan, Joni and The Tea Party until that moment. Hearing it renewed my faith in radio and music at the same time and it gave me the hope that I could transform my poetry into music.

All my  friends at the time were in metal bands and were very supportive of my direction and my family felt the same, however, If I am honest, I don’t think they believed I’d stick with it.

Who are your early influences?

I tend to have an “all or nothing” approach to most things, not excluding music. I grew up listening to heavy metal (and still do). I was always drawn to death metal bands such as Carcass and Morbid Angel because they combined lyricism with aggression and technical mastery. I harbored a dream to either sing or play guitar in a grindcore band however didn’t really have the dexterity or disposition. I was simulaltaneously drawn to folk artists, such as Dylan, Joni Mitchel, George Harrison, Nick Drake and later Augie March as they sang about philosophy and expressed emotions through their music that I had trouble expressing myself.

Tell us a little about your writing process, how does a song come along? What gets you going creatively?

I always have a guitar with me in my loungeroom. Mostly I just muck around with chords and sounds and record anything that I like on my phone, about one in fifty ideas stick. When I’m stretched for ideas I attempt to learn a cover song and usually get some ideas from there.

Lyrically, I am inspired by my work in the jail system, from borrowed words I have jotted from Dickens novels or Audio books and from documentaries. I have a phone full of ideas and musings that may or may not find their way into a song. My latest album features two songs inspired from the plight of Aboriginal Austrlians which have a particular significance to me after learning of my own Aboriginality in more recent years. 

What is the first record you bought and why?

Dr. Feelgood by Motley Crew. I had just started earning money with my first casual job at Target while I was still in high-school. I couldn’t afford the $26 for the CD so I convinced my sister to go halves. Given she was listening to U2 at the time, I always knew it was going to be mine. Technically I still owe my sister $13

 What current/new Artists/Bands inspire you and why?

Augie March, The Drones, Marlon Williams, Julia Jacklin, CW Stoneking, Ben Howard and High Tension.

I absolutely love the lyrics of Glen Richards and Augie March and the Raw unapologetic energy replete with Australiana that the Drones bring to the table. I guess the commonality of all these artists is their brilliant lyricism. High Tension on the other hand are just phenominal live and a must see…

Stream the new single here – out Friday August 21 via MGM

blacksmith-sales

Connect with Adam

https://www.facebook.com/TheMezcaltones/