Tag Archives: spotify

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News and Touring

Bec Taylor and The Lyrebirds Release New Single ‘Photograph’

The second single from the forthcoming album following the success of ‘Anchor’ last year.

‘Photograph’ is a delicate and broody alt-folk song full of melodic hooks and echo harmonies, featuring introspective verses, and soaring choruses. The Lyrebirds’ ethereal harmonies combine with Bec’s lead vocal to create a haunting effect, meditating on how hard it can be to forgive and forget in a relationship.

The Video for single was just premiered on Scenestr

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Bec Taylor and the Lyrebirds are a five-piece alt-country pop band from Canberra. Described as Seeker-Lover-Keeper-meets-Nashville-the-TV-show, their “twangy, Australiana” sound combines with “charming melodies and lyrics brimming with heart” (Scenstr). They are a band with incredible musical chemistry, with soaring harmonies and a rich instrumentation of guitars, piano, drums, bass, banjo, mandolin, and occasional cello parts, which complement Bec’s heartfelt songwriting.

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Consisting of versatile musicians with rich experience in different genres, the Lyrebirds are Hannah Beasley (PaintonPaint), Sam McNair (JD McNair, The Burley Griffin), Sophie Chapman (Brass Knuckle Brass Band, Andy and George Band) and Grahame Thompson (Cracked Actor, BabyFreeze, Mr Fibby).

There’s two shows in March to launch the single and plenty more coming later in the year

- Saturday 9th March 7pm – Cancophany at UC Refectory hosted by Enlighten Canberra – Tickets 

- Thursday 14th March – Photograph Launch House Gig at Hannah’s in Canberra (tickets below)

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Stream the single 

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News and Touring

Jane Walker Live Launch Low302 Surry Hills

Jane Walkers New single Lazy is out NOW and will have a live launch  at Low302 in Surry Hills, Sydney on Aug11. 

Immerse yourself in the captivating world of singer-songwriter Jane Walker. Backed by acclaimed musicians Jess Ciampa and Mike Quigley, this night celebrates the launch of her mesmerizing new single “Lazy” (out August 4) and will feature some special surprise guests. Elements of pop and jazz weave together for an intimate and uplifting musical experience.

Doors 7pm – Dinner and drinks available all night.

TIX for the show

https://tickets.oztix.com.au/outlet/event/747da26d-e3ee-4065-b476-5ccd77f0cdc8?utm_source=Low302&utm_medium=Website

Two years ago, Jane Walker was in the grips of a particularly debilitating writer’s block. It was a tumultuous time for the Sydney singer/songwriter, a recent marriage, a serious accident, a change of management and the death of her father. Yet, diamonds are forged under pressure and after basically chaining herself to her piano, new songs began coming thick and fast.

The new songs, which blend sophisticated pop and soul with light jazz touches, come with classy contributions from cross genre specialists like the rhythm section of Hamish Stuart and James Haselwood, Stu Hunter on keyboards, and co-producer/mixer Neal Sutherland.

Having already written with Chris Difford of Squeeze and Adam Levy (Norah Jones) and worked with the likes of The Cruel Sea’s James Cruickshank, producers Steve James and Barbara Griffin, and Indigenous group Street Warriors and Bobby Flynn on her debut, Walk Gently, Walker knows that “working with such talented musicians lifts my level and stimulates me as an artist and gives me that freedom to go for it.”

Jane Walker at Coogee photo Susan Stitt low res

“[In London I recognised] my identity as Australian and my connection is to the land here, and I wanted to come back home,” says Walker who, while in London, had one of her songs included on an album alongside tracks by Massive Attack and Radiohead.

“More and more I try to live in the present moment, and find when I’m there, nature rushes in…this influences my songwriting and musical choices.” And as she discovered, when that happens amazing things occur, and it’s clear that Jane Walker is anything but lazy.

“Rather than sit in resentment and blame others, I can write a song.”

A very smooth soul single featuring beautiful Fender Rhodes piano, Hammond organ, laid back drums and bass and a silky smooth vocal that all come together in the best possible way.

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News and Touring

Jessie-May K with Miguel Cullen-Green Releases Single ‘My Type’

Jessie-May K has never been one to follow the crowd, so it’s no surprise that conventional beauty standards hadn’t been implanted into their psyche, the same way they have affected the masses through media consumption and cliquish social paradigms.

My Type was inspired by the beauty Jessie sees in the unconventional and in support of the underdogs and nerdish types. They find themselves often discarded by society and labelled as unattractive and inadequate, when it comes to mankind’s idealisation of relationship partners and cultural paradigms.

The song was written in collaboration with Miguel Cullen-Green who is an excellent artist himself and a friend of Jessie’s. Although My Type is their first musical project together, Miguel is an actor as well as musician and has been featured in some of Jessie’s music videos.

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Jessie-May K is a young Singer, Songwriter, Director, Actor & Artist. Most successful as an internet personality, Jessie has released 4 Singles (2018-2021) & a collection of episodic works that accompany a 5 track EP titled ‘Zone Out’ in 2020.

Originally trained in Musical Theatre, Jessie transferred to music when they were 16. As they had been writing songs with lyrics and melody since they were 5 years old they taught themselves guitar off YouTube to elevate their musical ambitions.

Jessie is passionate about social justice and activism, often releasing music about movements that are important to them, raising awareness and sharing donation links in the hopes it will make a difference. Jessie is Neurodivergent & was born with ASD, ADHD, OCD and developed PTSD as a result of their early hardships and extreme childhood trauma. Jessie believes that the world thrives on diversity and that benign individuality is something to be celebrated and not feared.

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News and Touring

Burger Legs Joe Releases Single ‘Just Like Heaven’

The Bizarre World of Burger Legs Joe

In a world where people strive for a deep, meaningful, multidimensional existence, Burger Legs Joe stands for none of that. As shallow as his 2D appearance, staggering through life on legs of burger, too witless to realise how witless he is.

The only child of Beefy Thighs Bill, and Betty Baguettes, they abandon their burger legged offspring at an early age outside a ‘specialist facility’, because “He just would not shut up!” Alas, thickness is a family trait, and after several weeks living in his pram in a McDonald’s car park, he became the poster boy of low res’ graphics, that for some reason, just won’t delete from your trash.

Adopted by the rich and famous, he studied music at a prestigious university, financed by his fancy benefactors. There he discovered his aptitude for breaking musical instruments, accidentally causing personal injury, and the spontaneous destruction of property. The University, low on playable instruments and high on medical pay outs, insisted Joe only use virtual instruments and graduated him early.

The avatar of an unidentified Music Producer, Burger Legs Joe is on a mission to restomod (restore and modernise) outstanding retro songs for your grooving pleasure. Treasuring the essence of what makes each track so fabulous, they are re-energized to a modern perspective; weaving rhythms and melodies in BLJ’s distinctive ear grabbing style, that lingers in your head, and puts beats in your feet.

Mesmerised by the voice of friend and vocalist Andi Bracken; together they have set out on a journey to blow the dust off some of the great songs of the past.

From bangers to ballads, and anything in between, Burger Legs Joe featuring Andi’s first restomod collection is The Love and Happiness Set Part 1, a quantum leap into reimagined retro joy. “We want to uplift our audience, so we naturally gravitate towards songs we love, that do that for us.”

And so from The Love and Happiness Set Part 1, we present our first release, Just Like Heaven, adapted from The Cure. We hope you enjoy.

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About the Song

Just Like Heaven is one of our favourite retro classics, written by Robert Smith (The Cure) and originally released 1987. We love this song!

Actually, Andi snuck this song in. When he suggested it I said “Yea! I love that song”. It wasn’t until we were in production that I realised it’s actually the most upbeat song about screwing up your relationship that was ever written.

Rusty Pilling has created an absolute banger of a mix, and our arty, Lo-fi music video that brings Burger Legs Joe and Andi to life sets the whole thing off a treat.

We hope you enjoy listening, watching, and bopping around, as much as we have enjoyed producing Just Like Heaven.

This snappy up-tempo version of the classic Cure cover ticks all the boxes, including big keyboards and a compelling vocal track from ex-pat British singer now here in Oz. True to the original but with its own flavour, not to mention a stunning video to go with it.

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News and Touring

The Burley Griffin Releases Music Video for ‘Being Alive’

Video Premiere On Scenestr

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Upcoming Shows

4th September 3pm at Yulli’s in Sydney with Hedy Blaazer – Free entry, table bookings recommended
https://www.facebook.com/events/s/hedy-blaazer-the-burley-griffi/2215326415283870/

24th September at Grace Emily Hotel in Adelaide with Bromham – Tickets on sale now
https://www.facebook.com/events/s/the-burley-griffin-act-w-bromh/872445094159479/

28th September at Shotkickers in Melbourne with Final Final, James Fahy, & Jim Dusty

‘Being Alive’ 

Being Alive is a song that finds beauty in despair and reflects on lessons learned in defeat. Written in the wake of a relationship breakdown, Being Alive takes place directly after Hong Kong, the preceding single from The Burley Griffin’s latest record, Lost Limbs. Whereas Hong Kong tells the tale of separation, Being Alive sits in the realisation that everything has changed, and not necessarily for the better.

Being Alive was recorded by Louis Montgomery at Infidel and Myall Street studios and produced by Louis Montgomery and Evan Buckley. Electric guitars were played by Samuel McNair with Steve Paillas on bass and Steve Fitzgerald on drums, as well as additional vocals by Cathy Diver.
Mastered at Studios 301 by Andrew Edgson.

Video

Premiered on Scenestr
Filmed on Ngunnawal and Gundungurra land, on locations of Lake George, an abandoned orphanage in Goulburn and a secret patch of roadside gravel, director Tim Kent aka Stackhat and songwriter Evan Buckley captured the visual world elicited by Being Alive, in all its tragic absurdity.

The decaying walls and collapsed floors of the old orphanage mirror the burden of grief, fallen structures that once held so many stories, now mostly forgotten. The broad vista of Lake George echoes the stark internal landscape that remains when shared courses are abandoned and direction loses its meaning.

Yet in its final scenes Being Alive offers a wry smile and nod to the audience, acknowledging how little we can control and how much still lies ahead, joy and pain, hope and loss, all part of the ride.

Stackhat – Tim Kent Video Director BIO
Stackhat is an award-winning Director/Producer currently based in Sydney, but originally hailing from the small town of Queanbeyan. Having worked with an impressive roster of artists including Sampa the Great, L-Fresh the Lion and Flying Lotus, Stackhat is an artistic tour de force constantly searching for new challenges both locally and abroad.

About The Burley Griffin
Evan Buckley (The Burley Griffin) grew up in Canberra, homeschooled in a religious fundamentalist cult, and has since hitch hiked and toured through 37 American states, exorcising and befriending his demons along the way.  His most recent US tour took place during the 2016 election and his newest songs reflect the absurdity of the American dream.

The third Burley Griffin album, Lost Limbs, was launched with a twelve piece, beefed up band on June 26th 2021 to a sold out theatre at The Street, celebrating a vinyl packed with moving songs of loss and joy.

Long-time members Evan Buckley and Sam McNair are now joined on stage by “Reverend” Michael Bones, Hannah Beasley and featuring an energetic new rhythm section in Ben Cumming and Somesh Putcha. The Burley Griffin has seen Evan’s songs accompanied and interpreted by some of both Australia’s and the USA’s most intuitive musicians.

Watch the Music Video for ‘Being Alive’ here

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News and Touring

PG Naylor’s Latest Singles ‘Better Left Unsaid’ and ‘Sensible’

PG Naylor brings a new original visit to 60s classic rock music. All songs are written and performed by PG – who was there then in the 60s and is still here now! Although all the songs are new, they slot perfectly into a 60s rock playlist. PG has been playing in rock bands based in Sydney, Australia since the 60s, and after a life in the corporate world he has returned to his first love – 60s rock music. The title track to his album, Sanctuary, was announced as a semi finalist in the 2019 International Songwriting Competition, based in Nashville, USA; the tracks Sanctuary and Hollywood Road were both announced as semi finalists in the 2020 Voyager International Songwriting Competition based in Melbourne, Australia as well.
Demonstrating that there is still great interest in ‘old rockers’, since 2020 his songs have attracted over 80,00 listeners and just under 160,000 streams on Spotify (and still growing every day!)

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The releases for 2022 so far include -

Better Left Unsaid – Hate to be a name dropper but I was having lunch with Mike McClellan at the Greengate Hotel in Killara (he was an old schoolmate of mine) and he told me he’d just written a song about seeing a lady at the airport and wondering who she was waiting for. He also thought he knew the lady but couldn’t place her till after she’d left. It turns out she was a well known personality but he wouldn’t reveal who.
Anyhow, I was searching through my old songs and I found this song that I’d written 20 years before for my wife’s birthday which sounded pretty catchy. So I adapted Mike’s idea to a railway station – changed my old lyrics to a tale about being tempted to say something to a lady at the station but deciding – ‘better left unsaid’.

Sensible - Was written about 20 years ago about my frustration with people who procrastinate instead of ‘just doing it’. It also started with some more fiddling around that Em7 chord to which I added a sequence of G, Bm and C followed by a C#dim to link to the chorus. It made, I thought, a nice melody with a ‘sing along type’ chorus. But my demo and Kim’s original tracks were all guitar-based. John Roy had other ideas.
He has a grand piano in the middle of his studio and he decided to record a sole grand piano track – he and Kim sent it to me for my reaction and I was blown away. Some guitar, bass and drums plus vocal and harmonies were added and voila! there we have Sensible as you hear it today.

Producer Kim Humphreys(John Farnham Band, Ted Mulry Gang) on working with PG
I really enjoy shaping Phil’s demos and seeing them evolve into what you can now hear, having taken the songs beyond the boundaries PG considered.
His songs all have a ‘’Back to the 60’s’ slant . . .     the period which continues to inspire my own approach to guitar playing ,recording and producing.
If this was the mid 60’s he would no doubt have Top 40 hits on his hands!

Recent International reviews

“Sensible is a beautiful, serene piano number with PG Naylor’s subtle vocals. It’s interesting in the 1:00 minute that the song takes a different turn as if we were stepping into a musical and later being embraced by guitar riffs”- TECO APPLE

“Showland ProductionsI really enjoyed the smooth and mellow entrance to Sensible. The instrumental is extremely catchy, and ready for a scene in a major motion picture. The tone and cadence in your vocals are soothing and perfect for singing along with.”

“PG Naylor is able to make something refreshing and retro while staying as clean and crisp as modern music can be. An A+ effort.” James McQuiston, Neufutur Magazine

Stream on Spotify:
Better Left Unsaid

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Sensible

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News and Touring

Jack Nolan Releases Album Gabriel

Gabriel is Jack Nolan’s fifth solo album, and the first album he’s yielded to someone he trusted enough to produce: This is an album that mines its own carefully sculpted acoustic world with a profoundly atmospheric sense of place, and a depth of self-knowledge that speaks of arrival after a lifetime of sometimes hard, sometimes tender experience.

The genesis, Gabriel came to Jack a few years ago, sat at his side on a long desert drive that he wasn’t sure he’d come back from. The title track, in its own unhurried and roundabout way, eventually found itself in Nashville, USA, on an album completed just before COVID-19 wrought its havoc on the world.

Atonement is upfront in titles like The Hopeless Son and Restitution Song. Others — Tomorrow Came, Faster Than the Speed of Change, A Fool Would Follow Me — are deeper stocktakes, songs from life’s rear view mirror. Ghosts of people and places and other, maybe darker things, receding for sure, but too close to ignore.

Produced by Justin Weaver and captured on two-inch tape in the aptly named ‘Welcome to 1979’ Studios by engineer Chris Mara, the assembled band included drummer Jimmy Paxson, bassist Chris Autry, keys player Phil Towns and pedal steel player David Spires who were joined by backup singers Terri Lynn Weaver & Siobhan Maher Kennedy. Justin himself applied the deeply textured lead and electric guitars.

Gabriel, is a record offering up evocative, ethereal stories, perhaps best signalled on the album’s title track, with Nolan singing “Endless lanes /endless cars // In the absence /of stars” reminding us of this new world, turned on its axis in 2020/21.

In true analog fashion following on from the Tape Based Recording the album is available on LP Vinyl format as well as CD and Digital.

Jack Nolan is a singer songwriter based in Sydney, Australia, who’s been performing and releasing music and albums since the mid 90’s. Along with a five-album solo catalogue Jack also fronted The Kelly Gang, with Rick Grossman, bassist for The Divinyls and Hoodoo Gurus along with Midnight Oil drummer Rob Hirst and guitar player Martin Rotsey. Their 2004 album Looking for the Sun was critically adored along with their energetic live shows of the time.

Within Nolan’s music, mysterious and shimmering chords unite his sound with that of the Americana genre, once quaintly described as ‘Darlinghurst Country’, uniting elements of folk, country, rock ‘n’ roll and ambient atmospheres fusing Nolan’s passion for intensely charged electric guitar and finger-picked acoustic guitar.

And so it is, Jack’s latest album, Gabriel, releasing October 2021, keeps the wheels moving on the meaningful passion of this writer and performer.

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Recent Article on Gabriel:

https://beat.com.au/jack-nolans-gabriel-takes-you-from-la-to-death-valley-to-nashville/

Credits:
Written by Jack Nolan
Recorded at ‘Welcome to 1979’ in Nashville TN 2020
Produced by Justin Weaver
Engineered by Chris Mara
Mixed by Chris Mara & Justin Weaver
Mastered by Ryan Smith, Sterling Sound Nashville TN
Jack Nolan – Vocals & guitars
Justin Weaver – Electric Guitars, slide, banjo & backing vocals
Jimmy Paxson – Drums
Chris Autry – Bass

Title Track Video

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Gabriel is OUT NOW October 8 Quay Records/MGM. 

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News and Touring

The Blind Pilots release their first full album ‘All Kinds of Crazy’

Congrats to the boys on scoring top 5 Amrap Charts in the first week of release

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All Kinds of Crazy is the first full length album for The Blind Pilots.  The band spent months working up these songs with many of them tested and refined during their many live shows.

The album was recorded in July of last year, in between the gaps of isolation during the Covid pandemic.  ARIA award winning producer – Govinda Doyle engineered the project with the band in his studio on the Northern Rivers of NSW.

Years of gigs and similar musical influences mean that the band meld together: Blues, Stoner Rock and remanences of 90’s riffage together to get their point across.  Drawing from their more recent experiences, everything from social perceptions, loosing mates, the band found inspiration from ‘All Kinds of Crazy’.  The unexpected became the topics that allowed them to bond together creatively to deliver an exceptional album.

The Blind Pilots strive for the ‘magic moments’ and serve it up with plenty of dirty slide guitar and foot stompin’ harmonica riffs.  The four friends have known each other from previous successful bands playing gigs up and down the East Coast.  All grew up listening to the same music and share common influences of artists who had something to say – Muddy Waters, John Lee Hooker, Van Morrison and well –  you can guess the rest.

After seeing each other play, a mutual friend conjured a plan to get them together at the same time in the same rehearsal room.  A few late-night jams, many entertaining stories and a full fridge, The Blind Pilots was ignited.  They released an EP in 2019 that saw them feature on the Australian Blues Charts and led to appearances at The Byron Bay Blues Festival, Woodford Folk, Festival Of the Sun and Echuca Blues with loads of pub shows in between.

The Blind Pilots produce an energetic live show full of intense commitment – whilst still maintaining a laid back vibe for all to enjoy.

The Blind Pilots are:
Owen Mancell – Guitar/Vox
Matt Hough – Drums
Ryan Stone – Harmonica
Daniel Chamberlan – Bass

Song Descriptions:
All Kinds Of Crazy
This title track really sets the scene for what’s to come.  Expertly executed rocking blues, not unlike ZZ Top and other southern blues bands.  These guys are seasoned live players and the track comes together with the classic bass, drums, slide guitars, blues harp and powerful vocal delivery.

Mood Of The Dude
Another catchy up-tempo rocking guitar blues tune, this one really sits in the groove, and is capped off by the great guitar and blues harp riffing these guys do so well.

Probably Think Of You
A catchy slide guitar riff and drum pattern introduce another up-tempo foot tapper.  By the time the harp, vocals, bass and more guitars come in this one has you hooked – just like the whole album – a great offering from this rocking blues line up.

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