Tag Archives: spotify

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PG Naylor’s Latest Singles ‘Better Left Unsaid’ and ‘Sensible’

PG Naylor brings a new original visit to 60s classic rock music. All songs are written and performed by PG – who was there then in the 60s and is still here now! Although all the songs are new, they slot perfectly into a 60s rock playlist. PG has been playing in rock bands based in Sydney, Australia since the 60s, and after a life in the corporate world he has returned to his first love – 60s rock music. The title track to his album, Sanctuary, was announced as a semi finalist in the 2019 International Songwriting Competition, based in Nashville, USA; the tracks Sanctuary and Hollywood Road were both announced as semi finalists in the 2020 Voyager International Songwriting Competition based in Melbourne, Australia as well.
Demonstrating that there is still great interest in ‘old rockers’, since 2020 his songs have attracted over 80,00 listeners and just under 160,000 streams on Spotify (and still growing every day!)

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The releases for 2022 so far include -

Better Left Unsaid – Hate to be a name dropper but I was having lunch with Mike McClellan at the Greengate Hotel in Killara (he was an old schoolmate of mine) and he told me he’d just written a song about seeing a lady at the airport and wondering who she was waiting for. He also thought he knew the lady but couldn’t place her till after she’d left. It turns out she was a well known personality but he wouldn’t reveal who.
Anyhow, I was searching through my old songs and I found this song that I’d written 20 years before for my wife’s birthday which sounded pretty catchy. So I adapted Mike’s idea to a railway station – changed my old lyrics to a tale about being tempted to say something to a lady at the station but deciding – ‘better left unsaid’.

Sensible - Was written about 20 years ago about my frustration with people who procrastinate instead of ‘just doing it’. It also started with some more fiddling around that Em7 chord to which I added a sequence of G, Bm and C followed by a C#dim to link to the chorus. It made, I thought, a nice melody with a ‘sing along type’ chorus. But my demo and Kim’s original tracks were all guitar-based. John Roy had other ideas.
He has a grand piano in the middle of his studio and he decided to record a sole grand piano track – he and Kim sent it to me for my reaction and I was blown away. Some guitar, bass and drums plus vocal and harmonies were added and voila! there we have Sensible as you hear it today.

Producer Kim Humphreys(John Farnham Band, Ted Mulry Gang) on working with PG
I really enjoy shaping Phil’s demos and seeing them evolve into what you can now hear, having taken the songs beyond the boundaries PG considered.
His songs all have a ‘’Back to the 60’s’ slant . . .     the period which continues to inspire my own approach to guitar playing ,recording and producing.
If this was the mid 60’s he would no doubt have Top 40 hits on his hands!

Recent International reviews

“Sensible is a beautiful, serene piano number with PG Naylor’s subtle vocals. It’s interesting in the 1:00 minute that the song takes a different turn as if we were stepping into a musical and later being embraced by guitar riffs”- TECO APPLE

“Showland ProductionsI really enjoyed the smooth and mellow entrance to Sensible. The instrumental is extremely catchy, and ready for a scene in a major motion picture. The tone and cadence in your vocals are soothing and perfect for singing along with.”

“PG Naylor is able to make something refreshing and retro while staying as clean and crisp as modern music can be. An A+ effort.” James McQuiston, Neufutur Magazine

Stream on Spotify:
Better Left Unsaid

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Sensible

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Jack Nolan Releases Album Gabriel

Gabriel is Jack Nolan’s fifth solo album, and the first album he’s yielded to someone he trusted enough to produce: This is an album that mines its own carefully sculpted acoustic world with a profoundly atmospheric sense of place, and a depth of self-knowledge that speaks of arrival after a lifetime of sometimes hard, sometimes tender experience.

The genesis, Gabriel came to Jack a few years ago, sat at his side on a long desert drive that he wasn’t sure he’d come back from. The title track, in its own unhurried and roundabout way, eventually found itself in Nashville, USA, on an album completed just before COVID-19 wrought its havoc on the world.

Atonement is upfront in titles like The Hopeless Son and Restitution Song. Others — Tomorrow Came, Faster Than the Speed of Change, A Fool Would Follow Me — are deeper stocktakes, songs from life’s rear view mirror. Ghosts of people and places and other, maybe darker things, receding for sure, but too close to ignore.

Produced by Justin Weaver and captured on two-inch tape in the aptly named ‘Welcome to 1979’ Studios by engineer Chris Mara, the assembled band included drummer Jimmy Paxson, bassist Chris Autry, keys player Phil Towns and pedal steel player David Spires who were joined by backup singers Terri Lynn Weaver & Siobhan Maher Kennedy. Justin himself applied the deeply textured lead and electric guitars.

Gabriel, is a record offering up evocative, ethereal stories, perhaps best signalled on the album’s title track, with Nolan singing “Endless lanes /endless cars // In the absence /of stars” reminding us of this new world, turned on its axis in 2020/21.

In true analog fashion following on from the Tape Based Recording the album is available on LP Vinyl format as well as CD and Digital.

Jack Nolan is a singer songwriter based in Sydney, Australia, who’s been performing and releasing music and albums since the mid 90’s. Along with a five-album solo catalogue Jack also fronted The Kelly Gang, with Rick Grossman, bassist for The Divinyls and Hoodoo Gurus along with Midnight Oil drummer Rob Hirst and guitar player Martin Rotsey. Their 2004 album Looking for the Sun was critically adored along with their energetic live shows of the time.

Within Nolan’s music, mysterious and shimmering chords unite his sound with that of the Americana genre, once quaintly described as ‘Darlinghurst Country’, uniting elements of folk, country, rock ‘n’ roll and ambient atmospheres fusing Nolan’s passion for intensely charged electric guitar and finger-picked acoustic guitar.

And so it is, Jack’s latest album, Gabriel, releasing October 2021, keeps the wheels moving on the meaningful passion of this writer and performer.

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Recent Article on Gabriel:

https://beat.com.au/jack-nolans-gabriel-takes-you-from-la-to-death-valley-to-nashville/

Credits:
Written by Jack Nolan
Recorded at ‘Welcome to 1979’ in Nashville TN 2020
Produced by Justin Weaver
Engineered by Chris Mara
Mixed by Chris Mara & Justin Weaver
Mastered by Ryan Smith, Sterling Sound Nashville TN
Jack Nolan – Vocals & guitars
Justin Weaver – Electric Guitars, slide, banjo & backing vocals
Jimmy Paxson – Drums
Chris Autry – Bass

Title Track Video

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Gabriel is OUT NOW October 8 Quay Records/MGM. 

Stream or Download:

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The Blind Pilots release their first full album ‘All Kinds of Crazy’

Congrats to the boys on scoring top 5 Amrap Charts in the first week of release

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All Kinds of Crazy is the first full length album for The Blind Pilots.  The band spent months working up these songs with many of them tested and refined during their many live shows.

The album was recorded in July of last year, in between the gaps of isolation during the Covid pandemic.  ARIA award winning producer – Govinda Doyle engineered the project with the band in his studio on the Northern Rivers of NSW.

Years of gigs and similar musical influences mean that the band meld together: Blues, Stoner Rock and remanences of 90’s riffage together to get their point across.  Drawing from their more recent experiences, everything from social perceptions, loosing mates, the band found inspiration from ‘All Kinds of Crazy’.  The unexpected became the topics that allowed them to bond together creatively to deliver an exceptional album.

The Blind Pilots strive for the ‘magic moments’ and serve it up with plenty of dirty slide guitar and foot stompin’ harmonica riffs.  The four friends have known each other from previous successful bands playing gigs up and down the East Coast.  All grew up listening to the same music and share common influences of artists who had something to say – Muddy Waters, John Lee Hooker, Van Morrison and well –  you can guess the rest.

After seeing each other play, a mutual friend conjured a plan to get them together at the same time in the same rehearsal room.  A few late-night jams, many entertaining stories and a full fridge, The Blind Pilots was ignited.  They released an EP in 2019 that saw them feature on the Australian Blues Charts and led to appearances at The Byron Bay Blues Festival, Woodford Folk, Festival Of the Sun and Echuca Blues with loads of pub shows in between.

The Blind Pilots produce an energetic live show full of intense commitment – whilst still maintaining a laid back vibe for all to enjoy.

The Blind Pilots are:
Owen Mancell – Guitar/Vox
Matt Hough – Drums
Ryan Stone – Harmonica
Daniel Chamberlan – Bass

Song Descriptions:
All Kinds Of Crazy
This title track really sets the scene for what’s to come.  Expertly executed rocking blues, not unlike ZZ Top and other southern blues bands.  These guys are seasoned live players and the track comes together with the classic bass, drums, slide guitars, blues harp and powerful vocal delivery.

Mood Of The Dude
Another catchy up-tempo rocking guitar blues tune, this one really sits in the groove, and is capped off by the great guitar and blues harp riffing these guys do so well.

Probably Think Of You
A catchy slide guitar riff and drum pattern introduce another up-tempo foot tapper.  By the time the harp, vocals, bass and more guitars come in this one has you hooked – just like the whole album – a great offering from this rocking blues line up.

 Stream:

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