Tag Archives: music video

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Driftwood Releases New Video & Single ‘Bremfields’ Feat. Still Greedy

Endlessly prolific, multi-disciplinary artist Driftwood has a remarkable new single BREMFIELDS featuring British rapper Still Greedy. It’s a truly creative and thoughtful track, a glowing addition to this growing artist’s impressive discography. In addition to being an innate singer-songwriter, his videos are self-directed and self- published, all with his readily identifiable stamp of authenticity, perfection and professionalism. Fiercely independent and intriguingly enigmatic, Driftwood proves over and over again that he is someone to watch.

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BREMFIELDS evokes feelings of Kanye West at his most exciting and most innovative. Classic Ye albums My Beautiful Dark Twisted Fantasy and Yeezus have both clearly influenced the electronic/RnB stylings of Driftwood during the creation of this song, yet BREMFIELDS still feels fresh, unique, and new. The song arcs creatively, synths spiking in unexpected moments, while Driftwood and Still Greedy’s vocals provide the smooth melodic, rhythmic anchor. Speaking on the otherworldly inspiration behind the song, Driftwood says, “This single is about breaking the fourth wall. It’s about the idea that there could be subterranean energies and other factors operating within other paradigms of consciousness. It’s about feeling like I’m trapped within this paradigm, and I don’t belong here…the one thing I love about art is I have a licence to explore ideas, no matter how crazy they may seem.”

The video for BREMFIELDS is the perfect visual representation of this exchange and exploration of energies. Slow, deliberate shots of bodies moving purposefully in the just-risen, just-set sunlight peppered throughout with closed shots of darkly lit bars and eerie cliff faces, one step away from oblivion. It’s a beautiful triumph, created by an artist completely in charge of his own vision, as Driftwood explains, “I direct and edit all my videos now. I came up with the idea and the aesthetic behind the visual as well. They represent the ebb and flow, the push and pull, the yin and yang of energies which are manifested within the material universe…my creative team is small, but we get it done. Too many bodies fuck up the flow and a lot of the time are unnecessary for what I am trying to accomplish.”

Click to play the Official Video:

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These are wise words from an artist who’s been in the game long enough to know what works and what doesn’t. To be so immune to the chaos and noise of the modern music industry and so completely, totally immersed in one’s art is no mean feat, but Driftwood does it all with ease. He offers more wisdom on the subject as he reflects, “I’m just an artist creating pieces of work I want to create and doing it independently. I’m not signed to a major record deal, and up until late last year, I did everything on my own, with the help of a few friends, and without any backing. You don’t need to be signed, or in the cool crowd to create what you want to create. No one has a monopoly on art.”

Stream the single on Spotify:

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CJ Shaw Releases Single ‘Ain’t Many Like Lennie’ with Animation Video

NEW REVIEW For CJ Shaw’s Album ‘ALL SORTS’

 Nominated for a 2020 Music Teacher of the Year ARIA, CJ Shaw is an unadulterated, unashamedly Australiana rather than Americana singer-songwriter, sort of Shane Howard meets Fred Smith if you will. Shaw keeps it all pretty simple too, two and three chords at most as he spins his stories, some aimed at younger listeners – as you’d expect from a teacher – rambling, cheeky ditties full of whimsy – others serving more mature musical tastes with tales that ponder life as it’s lived in this wide brown land. “We would all do a lot less harm,” he suggests in ‘Choose to Chew’, “If we ate our Coat of Arms” – which makes sense of the recipe card for CJ Shaw’s Fair Dinkum ‘Roo Bolognese included! Obviously one of his children’s songs, but hey, we all need a bit of fun once in a while. ‘Werewolves’ straddles the generations, delivered straight-faced yet obviously not to be imbibed in that spirit. The seraphic Hannah Czaben takes the vocal spotlight on ‘Full on Heart’, another gentle two-chord stroll, a rumination on separate lives that could have been more lived more happily together that, along with songs like ‘Lonely Road’, is proof that when he allows himself, Shaw is quite the poignant singer-songwriter.

MICHAEL SMITH

 Truth is often stranger than fiction and Lennie Gwyther’s story is no exception. A 9 year old boy who, along with his horse Ginger Mick, traversed 1000 kilometres of Australian wilderness to arrive in Sydney for the opening of the Harbour Bridge in 1932.

Along the way he became a celebrity, admired for his bravery and determination. He even met with the Prime Minister of the time on the ride north. This was during the depression years and heroes were in demand. This unassuming boy was an unlikely icon that united the country as a symbol of hope.

This song was written to teach Australian history to primary aged students (and curious adults alike). The storytelling lyrics allow students, the same age as Lennie, to imagine his courageous three month journey to witness a momentous moment in Australian history. One taken without parents, cars, electricity and, most unbelievably, mobile phones.

The stop-motion music video to accompany the song is made by award-winning animators ‘Eleanor & Giovanni’ and features 3D felted puppets who play out the historical story of Lennie Gwyther. These meticulously hand-made puppets and backdrops create a child-like physicality to captivate the audience – drawing them into this inspiring Australian story.

As the song says – “There ain’t many like Lennie”.

Checkout the Video on todays excellent Premiere courtesy of Scenestr Magazine

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Song Description
 Ain’t Many Like Lennie
Back to folk with this true to life story song. Mid-tempo, acoustics, banjo, mandolin, drums and bass.

Armed with a guitar and a swag full of harmonicas, singer-songwriter CJ Shaw’s intricate finger-picking, word play and storytelling never fails to captivate his audiences. CJ Shaw’s music is distinctly Australian in style, influenced by Paul Kelly and Slim Dusty. His lyrical storytelling and musicality lends itself to audiences of all ages.

In 2020, CJ Shaw was nominated for an ARIA Award for ‘Music Teacher of the Year’ with Jimmy Barnes as his official ambassador presenting him with the nomination. This prestigious music industry acknowledgement recognised his dynamic and poignant songwriting for primary-aged children. These celebrated songs are woven through his performances and albums, played alongside satirical and storytelling Australiana folk songs.

In 2021 CJ Shaw released his album ‘All Sorts’. Combining the best of his children’s songs with his unique brand of contemporary Australiana, Shaw has dubbed ‘All Sorts’ “the ultimate Family Album”. With over a decade experience touring and performing at music festivals in Australia and Timor-Leste, CJ Shaw is an exciting Canberra musician at the top of his game.

CJ Shaw – Ain’t Many Like Lennie is out NOW December 3rd through Foghorn/MGM
Download or stream: 

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The Insufferable Paul Scott – Reviews for Tea and Medals

Paul Scott unleashes his ‘Insufferable’ Persona on the airwaves once again this time with a long play album Tea and Medals created in and out of the 2  big Aussie lockdowns ….

Heres a bunch of  international reviews just in – read all about the album below-

http://www.beachsloth.com/the-insufferable-paul-scott-tea-and-medals.html
https://blog.kedarofficial.com/2021/11/tea-and-medals-by-paul-scott.html
https://www.theartistscentral.com/post/the-insufferable-paul-scott-is-back-with-stunning-new-album-tea-and-medals
https://dancing-about-architecture.com/tea-and-medals-the-insufferable-paul-scott-reviewed-by-dave-franklin/
https://thebandcampdiaries.com/post/667393870687059968/the-insufferable-paul-scott-is-back-with-a-new

https://www.dailymusicroll.com/entertainment/take-your-tea-party-to-a-higher-notch-with-the-insufferable-paul-scotts-latest-album-tea-and-medals.html
https://just-fame.com/the-insufferable-paul-scotts-new-album-tea-and-medals/
https://warlockasyluminternationalnews.com/2021/11/14/the-insufferable-paul-scott-tea-and-medals/
https://skopemag.com/2021/11/15/the-insufferable-paul-scott-present-tea-and-medals

http://excessmag.de/musik/rock/the-insufferable-paul-scott-tea-and-medals-ein-episches-erlebnis-audio-tipp-indie-rock-experimental-rock-avant-garde-rock/

When we asked the ‘Insufferable’ Paul Scott to send us an update to his bio below we got some straight to the point words such as: “Well it is simple really I am Inedible, Incorrigible , Indescribable , Incredible, Incoherent , Indigestible, Intellectual , Indistinguishable , Intractable.”

And when asked to comment on the new album he said – “you can take the album any way you like but to me it’s Inscrutable , Insoluble , International  , Incorruptible, Inspirational , Instructional,  Industrial ,Invaluable, Intangible and Individual”

Working with a host of collaborators/producers and mixers including: Steve Melville (The Tea Party, Paolo Nutini, Regurgitator), Tim Powles (The Church), a team based in Los Angeles and many others ‘Tea and Medals’ was born from a set of home demo’s written during lockdown in 2020.  With the brief hiatus between the two NSW lockdowns, studio time was booked at various facilities including Damien Gerard’s on the Central Coast where a specific Re Amp procedure was added to some of tracks prior to final mixing.  The overall finished album was then mastered by Grammy Winner William Bowden (Gotye, You Am I) at his hi-end luxury suite in Tasmania.

Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix.  Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.

Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville.  Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ.  A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’.  The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.

Scott has since plied bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House.  More recently Scott has released ‘Surrender to Robots’ also under his ‘Insufferable’ moniker which found wide response and positive reviews which led to the creation of the new album Tea and Medals.

The Insufferable Paul Scott – Tea and Medals is out NOW Oct 29
Foghorn/MGM
Video Premiere

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Download or stream:

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Connect with Paul Scott:

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The Jimmy C – New Album – Ducking

Created during the longest lockdown in the world –
Melbourne’s irrepressible One Man Band records a full album

“From February to September of this year, with the pandemic still belligerently stomping through the living room like a toddler with a bucket on its head, I managed to use music as a way to “remain indoors” and focus on something that wasn’t terrible news in an attempt to preserve my sanity.

Ducking’ begins and ends with comic ‘bookends’ an almost Las Vegas lounge singer introduction and ‘Gateway Song’ that abruptly gives way to ‘Everything Is OK’ (something we all want to hear).  A positive and up-beat acoustic guitar and glockenspiel tune with cheerful whistling that reassuringly squeezes your shoulder and says everything will be ok. Aaaahhh yes … I do hope so.

It’s an eclectic mix of up-beat rock, down-beat moody rock, tongue-in-cheek segues, power pop (and whatever Paranoia Grande is), that moves quickly in spite of the rather long 47-minute total playing time.  Song durations range from 27 seconds to the cinematic and sprawling 5:07 of ‘Don’t Forget Me’ which is appropriate because it was actually written for a movie. “The Problem Y” was shot in California a few years ago and is yet to be released.  Written & directed by Joe Bizarro with whom I spent 5 years making music for The Brides Of Satan grindhouse indie slasher which is now available to stream and buy.

‘Ducking’ is a fun, light hearted and amusing album in places but gets serious and even a little scary in others – all part of the emotional rollercoaster of the pandemic era.  I feel the title sums it all up.   We all know what we meant to say when we tried to text ‘Ducking’ but autocorrect had other intentions … our frustration becomes humour and we find that we can still laugh at ourselves. ” –
Jamie Coghill September 23, 2021

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As a band I am called The Jimmy C.  As a human person I am called Jamie Coghill and am possibly known for (by people with very good memories specifically within the Melbourne pub rock scene) playing drums with The Devilrock Four, Fez Perez and Luxedo – going back more than 20 years now to the very late 90s so to be familiar with me is super niche and you would have to have very good taste!

Sometime around 2005 I decided to make an album of songs I’d recorded on a Tascam 4 track cassette recorder. I’d been experimenting with writing and recording since my teens but until then I hadn’t recorded anything I wanted people to hear.

Over the past 16 years I worked on my song writing, playing and recording techniques and released 7 albums, 4 soundtrack albums (2 for an American web series: The Adventures Of Superseven and The Sandra West Diaries, and one for an American indie grindhouse film: The Brides Of Satan), and a few EPs and singles.  I also made a sort of 10 year anniversary live album/video roping in a few friends to play and record my songs live, which lead to the formation of Lava Fangs, a garage power pop punk band with an EP, an album and some singles – we’re very good and you should check us out!

As a one-person band I have found the pandemic era to be quite productive, and a welcome distraction from almost two years of terrible news (I’m writing this the day after the Melbourne earthquake – who saw that coming?!?!).  From February 2021 to mid-September I worked on a new collection of songs as well as upgrading my recording setup – still with quite out of date gear but a huge step forward from the stuff I used to record my previous albums!

Comparisons Include
Super Furry Animals, Ween, Queens of the Stone Age, Sloan,

Ducking is out now on Foghorn/MGM. 

Videos from the album



Stream/Download

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Jack Nolan releases title track single Gabriel from forthcoming album

Gabriel is the title track single from Sydney singer songwriter Jack Nolan’s upcoming 2021 Americana album, Gabriel. 

We were on the road, from heaving LA freeways and into Death Valley, a most peculiar place, an unknown place. When your mind is elsewhere, irretrievable, like mine at the time, the valley’s a parallel universe, perdition. We were in the midst of a three-day dream. I fell upon a crossroad, landing eighty-six metres below sea level in the Californian Desert at a place, Badwater Basin, where an androgynous guardian appears, Gabriel, kind, gentle yet hard-lived and furrowed, who gave and left me with hope that all would be well.

“The original version, the demo, had that magic, which I thought about releasing it as it was, having gone into the old Damien Gerrard studio in Sydney, to bang down some ideas. I played everything, guitars, shakers, lead, the vocal and I also sang the harmonies. It worked, but my belief in the song told me to give it the environment it deserved. Arriving in Nashville I briefed producer Justin Weaver, who went about recreating the demo perfectly from the ground up. I still handled the guitars, the lead vocal and all harmonies but was smart enough to hand off the rest to the boys!.’’ Listen for Jimmy Paxson on the trash can drum, swinging around the harmonies and Justin Weavers banjo, that is the optimism and the final outcome.

Jack Nolan is a singer songwriter based in Sydney, Australia, who’s been performing and releasing music and albums since the mid 90’s. Along with a five-album solo catalogue Jack also fronted The Kelly Gang, with Rick Grossman, bassist for The Divinyls and Hoodoo Gurus, along with Midnight Oil drummer Rob Hirst, and guitar player Martin Rotsey. Their 2004 album Looking for the Sun was critically adored along with their energetic live shows of the time.

Within Nolan’s music, mysterious and shimmering chords unite his sound with that of the Americana genre, once quaintly described as ‘Darlinghurst Country’ uniting elements of folk, country, rock ‘n’ roll and ambient atmospheres fusing Nolan’s passion for intensely charged electric guitar and finger-picked acoustic guitar.

Scenestr Video Premiere:

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Gabriel
The title track single from forthcoming album GABRIEL

Release dates

Single – September 8 – Digital Only (links below)
Album – October 8 – Gabriel LP (Vinyl, CD, Digital)

Credits:
Written by Jack Nolan
Recorded at ‘Welcome to 1979’ in Nashville TN 2020
Produced by Justin Weaver
Engineered by Chris Mara
Mixed by Chris Mara & Justin Weaver
Mastered by Ryan Smith, Sterling Sound Nashville TN
Jack Nolan – Vocals & guitars
Justin Weaver – Electric Guitars, slide, banjo & backing vocals
Jimmy Paxson – Drums
Chris Autry – Bass

Gabriel is OUT NOW Quay Records/MGM. 

Stream or Download:

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