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Ivona Rose – Debut Album – So Modern

Ivona Rose

Raw, evocative, honest and uncompromisingly unique. Dreamy, eccentric melody marries poetic song writing and something brave is born. Hand carved like insignia on pavement, her tales of suburban life are as being lead through an enchanted garden, by a haunting hymn.

 Ivona  has just released her debut album “So Modern”.

The record has already garnered early Airplay on ABC Local and 2ser, and will be launched at Django bar September 13.

Produced with Brian Campeau at “The Plex” recording studio, it is a collection of 10 carefully selected and crafted songs. Featuring Zoe Hauptmann on Bass (Paul Kelly, Missy Higgins, King Curly), Evan Mannell on Drums (Sarah Belkner, The Alcohotlicks, Self Titled Artist), Emily Palethorpe on Cello (Sarah Blasko, Accent Strings), Casey Nicholson on Trumpet (Ngarukuruwala, The NEO, The Boom Band Krewe) and Brian Campeau on Guitars and Synth (Self Titled Artist, The Green Mohair Suits, Jimmy Swouse and the Angry Darts).  

Central Coast based Ivona Rose migrated to Australia, from Krakow Poland. Her passion for music arts was born at a primary school age.

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Whilst honing her craft as a singer songwriter, she has performed in Sydney, Melbourne & Regional NSW as part of Peats Ridge Music Festival, Tamworth Country Music Festival, Wharf 2 Loud at the Sydney Theatre Company and has performed at various venues, where there is a call for live acoustic music.

In 2006 she independently produced and released “SheHeIYouMeWe” her debut EP. It enjoyed strong CD  sales and air play on Sydney based, FBi Radio, 2SER, Bondi FM and local Melbourne radio stations.

In 2012 she won Songs on Stage Songwriters and Performers award, the prize money of which, helped her get back into studio and record the single “Hoopla”.  2013 she was finalist in Music Oz Awards Singer Songwriter category for the song and top 100 of the People’s Choice across all genre’s in the country. 

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QnA

Tell us about the moment you decided to become a singer? What did your family/friends have to say about it? 

For as long as I can remember I was writing poetry, singing and playing instruments. It was a natural progression that this nascent self expression would amount to a body of work that I am proud to share. My family and friends have aways been encouraging and supportive, saying I offer a very unique voice and musical quality, that is hard to pigeonhole.

What is the first record you bought and why?

It was Joni Mitchell “Hits and Misses” and it was a tape. Purchased to learn every word by heart. 

Favourite artists of all time?

I have to say Bjork. It’s a hard question to answer and it doesn’t necessarily mean that my music is in the same genre or that I am aiming for a pop sphere but the truth is own all her albums, admire her creativity and boldness and when I feel that I’m just a bit too weird for the word, I take solace in Bjork.

Fave food or drink and is there a story associated with that?

My favourite food is Pierogi because I am Polish but as I am gluten intolerant, so only allow the indulgence every now and then. 

You are backstage with Nick Cave what do you say?

 I say “My great ambition as a songwriter is to collaborate a duet with you. It would be an incredible murder story to sit alongside “Henry Lee” and “Where The Wild Roses Grow”. (I think I need to work on my approach here!) 

 “So Modern” the Title Track to the album

“If we live our lives as an avatar of ourselves, what are we giving up of our true self to uphold that image and where do we go from there as a society?” (Ivona Rose) So Modern questions the impact of technology, how we are using it and what we are losing as a society in the process. A dance between Autoharp, Guitar and Zoe Hauptmann’s expert Double Bass licks, take us to a time reminiscent of 60’s Go Go. “

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The Vegas Nerves – New Single – A List As Long As Your Arm

The Vegas Nerves

- New Single from forthcoming album -

A List As Long As Your Arm

The Vegas Nerves are a four-piece band boasting the Latin beats of Alejo Alvarez, the rhythmic bass of Cameron McWilliams, the steadfast guitar of Jürgen Joader and the solid words and voice of Stephen Greenacre. Playing their music around the less salubrious parts of Sydney town.

Did you ever make a wish that only brought you trouble? Did you tell a secret and find out everyone already knows? Well then The Vegas Nerves are the band for you because they know that feeling well. They can’t make too many promises but if you come out of your safe spaces you could learn something new. You might remember how to celebrate both the sublime and the ridiculous in the everyday and avoid listening to bores who are afraid and offended by their own shadows.

The Vegas Nerves are releasing their debut album An Act Of Faith  in August and are looking forward to getting as many people as humanly possible to hear it. Some fools may confuse telling the truth with pessimism, others know that only honesty can really set you free.

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Questions for the frontman Stephen Greenacre

Q. Tell us about the moment you decided to become a singer/writer/band? What did your family/friends have to say about it?

A. I can’t remember ever not wanting to do this but wouldn’t dream of telling my family or friends.

Q.Who are your early influences?

A.Cole Porter and Jilted John.

Q.What is the first record you bought and why?

A.”So” by Peter Gabriel. Why? Because I’m an idiot.

Q.What current/new Artists/Bands inspire you and why?

A.DMAs, Jen Cloher, Just A Number, John Grant, The Arctic Monkeys, Royal Blood.

Q.Tell us a little about your writing process, how does a song come along? What gets you going creatively?

A.I’m always writing in my head which makes travelling by public transport a problem as I’m always getting off in the wrong places. I fall in love about 16 times a day which is good for the creative juices but nothing else.

Checkout the video on the right hand pane

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Rachel LaFond – New Album – Encounters of the Beautiful Kind

Rachel LaFond – New Album – Encounters of the Beautiful Kind

 

Come along on a powerful musical journey inspired by Rachel LaFond’s experience, of being a stranger in a new country. New Zealand to be precise where she now calls home.

This beautiful solo Piano Album was recorded in high resolution audio at her home and mastered by the golden ears of Mike Bloemendahl.

The music explores universal human experiences: feelings of loneliness, worries about not being good enough, and the evolution we undergo as existing friendships change or fade while new connections spring to life.

This journey culminates in the realisation that as we bear each other up and connect with one another, we make the world a more beautiful place for all of us.

Rachel LaFond

About Rachel LaFond:

Rachel LaFond is an American composer and pianist now residing in New Zealand who has been steeped in musicality her entire life. Her appreciation of the piano began when she was a toddler as her mother (a piano teacher) played with a young Rachel on her lap. She began formal lessons at age five, and by the time Rachel was eleven, she began teaching lessons herself. She lived in Vienna and studied piano performance there as a teenager, then returned home to major in piano at the University of Washington. After university, she continued to teach and perform professionally, but for years Rachel didn’t realise she had a talent for writing music hidden inside herself until David.

David she had met just weeks ago. Rachel couldn’t stop thinking about him on one rainy autumn afternoon, everything changed. Gazing out the window of her teaching studio, Distraction transformed into inspiration, and by the end of that evening she had finished her first original piece, Loving in the Rain. This first piece stood alone for a while as Rachel got swept up in life’s adventures: Rachel and David got married, quit their jobs, and embarked on a year of long-term travel around the world.

Rachel’s music is inspired by, and engages with, the full depth of human experience. Whether she’s capturing the heady wooziness of falling in love or responding to the chest-cracking pain of Barcelonans who suffered in the terror attack of summer 2017, her pieces are unflinching and compel the listener to lean into the feeling of the song for just a moment more. Rachel’s drive to bring beauty, light, and kindness to dark places through her music lends a striking sense of purpose to her creative work. And she’s just getting started.

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All recorded in Auckland, New Zealand in Rachel’s home.

Mastering by Mike Bloemendahl

Connect with Rachel LaFond

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Loren Evarts (USA)

Loren Evarts- Newest album Home Again

Loren Evarts newest album Home Again

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Home Again is the 6th original album, of this amazing contemporary pianist. It revisits several pieces previously recorded by Loren in the 1980’s, and eight new ones. It was produced by Grammy award winner Will Ackerman (Windham Hill Records) at his Imaginary Road studio in West River valley, Windham County, Vermont and was engineered by Tom Eaton.

Featuring Grammy-winning artists and Grammy-nominated Artists Eugene Friesen on cello (Paul Winter, Trio  Globo), Rhonda Larson on many types of flutes (Paul Winter, Ventus) and Jeff Haynes on percussion (Pat Metheny, Pete Seeger), bassist Tony Levin (Peter Gabriel and King Crimson).

Besides Piano, Loren Evarts has been known to perform by singing, trombone, hammered dulcimer and organ.

Loren has performed professionally in the Connecticut area of USA in a variety of musical situations for over 40 years. He has been grateful to have been involved in performances with artists such as Dave Weckl (Chick Corea), Gerry Neiwood (Chuck  Mangione), Everett Silver (Chuck Mangione), Mike Davis (Rolling Stones), Danny Stiles (Bill Watrous), Fred Vigdor (Average White Band), Rhonda Larson (Paul Winter Consort).

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About Loren Evarts:

I was in first grade when I heard a fellow classmate play the piano, and I said, “Hey, I want to do that, too.” Of course, I had no idea that you had to practice, which made me think twice about my choice. But due to frequent beatings from my mom, I persisted, Partially kidding!

I started playing classical piano at age 7, but like a lot of kids, I started listening to pop radio in middle school. Fortunately, I was allowed to stick in a few popular tunes in my lessons along with the serious music. In high school I started to get influenced by jazz. My biggest influences were bands like Chicago and Tower of Power, Elton John, James  Taylor, Carole King, Jazz singer Al  Jarreau, and jazz pianists like Chick Corea, Herbie Hancock and Liz Story.

What can a crowd expect at a live show? 

My music is probably best described as a mix of new age, jazz, classical and world. It’s piano-based but sometimes I will add a percussionist, bassist or woodwind player for concerts.

What are your future plans for 2018/2019?

Well, I am an American so, like many of my fellow citizens, I am looking to survive until 2020(enough on politics). But otherwise, At my stage of the game, I just want to put out a good product, and I hope to write some new material now that my newest album has been released. And that means I have to sit down at the piano and start! I am always gratified when people enjoy my music. I no longer crave being a big star. It’s nice being in this place.

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Joel Leffler – New EP – Strip Me Bare

Joel Leffler – New EP – Strip Me Bare

Following on from his ‘Run With The Wolves’  EP and tour Joel Leffler has released a stunning new EP “Strip Me Bare”, produced by long-time collaborator and  ARIA  winning Producer  Peter  Holz  (Peking  Duk, Gang of Youths).

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The first single  “In  My  Sights” from the new EP is the song which features a guest vocal from  Melissa  Jane. Joel and Melissa shared a house together and have worked together on numerous recordings.  This poppy anthemic tune hits home and you can’t help but sing and dance along to this great party song. 

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Melissa:  ‘Joel  and  I have always written and played together. Our voices blend  & complement each other really well. I think this track is just one of those feel-good anthems. The  chorus  is  super  catchy,  you’ve been warned.’

Joel:  ‘I had this melody stuck in my head for weeks. I would wake up, drive to work  & go to sleep all with the chorus sitting on the tip of my tongue. I have never been so haunted by a melodic idea as much as  I have on “In  My  Sights”. 

Pete  Holz:  ‘We’ve taken off from where the  1st  EP left off and gone a little more into the synth and drum machine world  - but still kept a lot of guitar and groove in there!  A  pleasure  having  Melissa  Jade  feature  too  -  such  a  great  singer  and  really  bought  another  higher  level of the  track.’

Joel will be performing live at The  Brass Monkey and other Sydney venues for the new release of Strip Me Bare.

‘Strip Me Bare’ EP Launch! 10 of May 7pm @ Brass Monkey, Cronulla Joel Leffler [Band] With Special Guest ‘Tyler Joseph’2.1

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The Mezcaltones latest Album Second

The Mezcaltones latest Album Second

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Sydney is a long way from Mexico but The Mezcaltones still know a thing or two about sultry nights and dangerous days – not to mention sultry man and dangerous woman.

Inspired by tunes from Tito and Tarantula, Dick Dale, Link Wray, Los Lobos, Santana and other artists with a sizzling Mexican sound.

The Mezcaltones latest Album Second has sounds only described as Tex Mex, 60’s, cowboy rockabilly surf guitar style of twang and incorporating Mimi’s spellbinding dance moves they are hard to pigeonhole.

But one thing everyone does agree upon is The Mezcaltones are highly entertaining! It’s more than a band: it’s a show, a journey… with ATTITUDE!

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2018

Tamworth Country Music Festival Recent completion of ‘Here’s to Love’ film clip Humble Pride clip due out April 5

2017

Tamworth Country Music Festival Sydney Winterfest Blues festival Sydney Blues & Roots Festival  ‘Painted Lady’ film clip featured on Alt Country Segment of CMC.

2016

 Tamworth Country Music Festival

‘Painted Lady’ featured in Amrap Regional Top 10 charts for 3 weeks

Self-titled EP voted #6 in the Top Ten CDs of 2016 by 100%

ROCK magazine

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Tom Moore & Sherry Finzer (USA)

Let There Be Light Tom Moore & Sherry Finzer New Album

Let There Be Light is the New follow-up album

of multi-instrumentalist Tom Moore and

award-winning flutist Sherry Finzer

 

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Heart Dance Recordings is proud to announce the new release of multi-instrumentalist Tom Moore and award-winning New Age flutist Sherry Finzer -

Let There Be Light

New age, ambient, meditational music

Let There Be Light is the follow up to the duo’s highly successful release of Whispers from Silence, which received worldwide airplay on FM, Internet Radio, SXM Spa Channel, and numerous airline placements.

This album’s music is an expression of a journey. It is about movement not only in our outer life, but equally on the inner plane. Light is the most omnipresent element in nature. The universe is made up of light, which then becomes vibrations and sound. The purpose of this album is to help bring “light” to the listener in as many forms as possible.

Link to purchase the Album:

Itunes:

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Spotify Link

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Album Review:
Mainly Piano 
Review by Kathy Parsons

Let There Be Light is a very positive and uplifting listening experience that is sure to ease away the stresses of daily life. It is available from Amazon and iTunes. Highly recommended!

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Review by Dyan Garris

From the very first notes, the music effortlessly leads us into a place that transcends space and time, effectively reaching its goal of translating the frequency of light into sound. The album is broad in its appeal, multi-dimensional in its scope, and through each song we find ourselves inside ourselves, and yet at the very same time beyond

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Sherry Finzer                                     Tom Moore

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Yhan Leal (AUS)

Yhan Leal – National Tour Dates

Update: The full length self titled album, featuring the singles Up On The Mountain, Venice and By the Wayside  is available NOW and you can get it here: http://yhanleal.com

Yhan is currently on a massive National Tour to promote the album

see dates here

http://yhanleal.com

Watch the videos here

Listen to the new tune Venice right here

Heres a recent Interview

Yhan Leal walks the line with light feet. The Colombian born, now Bellingen based singer songwriter dedicates his waking hours to honing his artistic craft.  After 20 years of performing Yhan, a truly gifted guitarist and angelic singer, has found his musical identity. Yhan Leal represents a new direction of Folk.

When did you settle in the Bellingen Shire?

I’m sure this is my 6th year, It’s flown by but I’ve had had such a wondrous time here.

  • Can you describe your earlier life in Colombia?

Well I was only in Colombia until age 5 so the memories are very dreamlike, enormous white houses, wild rivers, and I remember leaving for Australia in a confused state in the middle of the night.

  • Have you always had music in your life?

Yes, my mother sang to me, spanish love songs and nursery rhymes. My three older brothers had very diverse taste in music, from Opera to Metal, and we always had the record player going.

Are you musically trained?

Yes, I started in a Classic Guitar school at age eight for a few years then started learning electric guitar at my local music shop, I loved hanging around in that shop, ended up teaching there myself.

I also started singing pop songs naturally with the guitar at age 8, then took singing lessons at around 17 for many years. I loved learning everything I could about music, I bought countless books and videos and had many teachers, but my high school music teacher will always be my most revered.

Would you describe your music as ‘folk’ based?

Yes, folk means ‘people’ and my ideas for songs are always about the experience of the individual. Intimacy and an acoustic guitar is also very folk, but I also embrace modern sounds like samples and effects, so I call my genre ‘modern folk’.

You can hear those kind of sounds on my new single and video ‘Up On The Mountain.’(premiered on Triple J Monday October 2nd)

  • You are performing at the Dorrigo Folk and Bluegrass Festival. Is this the first year you have performed for this festival? Can you describe what you are expecting?

Yes this is my first time performing at the festival, I’m excited to play to an audience who appreciate that less is more! I’m going to play as stripped back as possible but give my songs everything I’ve got.

  • Have you got any exciting plans for your music into the future?

Yes, I will be launching a brand new album this November 11 at the Bellingen Memorial Hall. I’ll be performing the entire album and recreating it;s production with the support of mostly local musicians, including an electronic score. Tix are on sale now via my website www.yhanleal.com and from Roots Records in Bellingen.

I also have a bunch more shows

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-Social media
https://www.facebook.com/yhanlealmusic/

Official site
http://yhanleal.com/

 

Tom Eaton Album Cover

Tom Eaton New Album Indesterren Q&A

Read Tom Eaton’s new Q&A talking about his albums Abendromen and most recent one indesterren! 

 What inspired you to become a composer and who are your early influences?

I started playing piano in high school around 1987 and got into synthesizers at the same time.  Mostly I was listening to the pop music of the time,  Peter Gabriel, Eurythmics, Thomas Dolby, but also Tangerine Dream, Vangelis and Jean Michel Jarre.  Through a friend I was led to Windham Hill…Will Ackerman, Michael Hedges and George Winston, and those more acoustic albums balanced the music coming from the Private Music label that was releasing amazing electronic work.  So my piano playing was being influenced by the sequences of electronic music and people like Winston, and my electronic work was being influenced by the ambiance and sparseness of the Windham Hill records, which was similar in use of space to what Patrick O’ Hearn was doing at the time.  Probably the deepest and most lasting influences were Tangerine Dream and Tim Story.

Tell us a little about how you write, how do the songs come? What gets you going creatively?

Both of my albums that were released in 2017 came from a huge emotional upheaval and life change I was going through.  “Abendromen” was a way to process the deep sadness and loss I was feeling, and “Indesterren” was more about me finding my footing in a new chapter of my life.  My music frequently starts at the piano, even if the piano doesn’t play a huge part in the finished material.  For much of what I doing these days, the first thing I do is create an ambient electric guitar loop as a textural landscape for the piece and then work the melody over that shifting drone.  Once I have the bones of melody, usually drawn from one of the piano improvs I’ve got stashed away on video, I start weaving electric guitars, bass, percussion and synthesizers in and around the melody until things seem to find a sense of cohesion.

Your bio mentions that you’ve been a recording engineer since 1993. Tell us more about that?

I opened my first commercial studio in 1993, catering mostly to the folk and singer-songwriter scene around Boston/Cambridge, MA.  For seventeen years I produced albums in that genre before a chance opportunity led me to Will Ackerman’s Imaginary Road studio in Vermont when Will was in search of an engineer.  We hit it off and in the last six years, we’ve produced more than fifty albums together for clients from all over the world.  We record at Will’s studio in the mountains of Vermont and then I mix and master at my own studio where I am usually working on some of my own music in addition to the Imaginary Road albums.

 What is the first record you bought and why?

I was dj-ing friends parties starting in sixth grade, with my own 45 collections, so it must have been some pop hits of the time.  Prince, or Men Without Hats or Hall and Oates, maybe.  I definitely remember the first three CDs I bought: Tangerine Dream-Tyger, U2-The Joshua Tree, The Police- Every Breath You Take, The Singles.

 What current Australian(or Local) acts inspire you? Ditto for international acts?

I’ve done a bunch of work now with Fiona Joy, both on her Signature Synchronicity album and in her capacity as a member of the FLOW group with Will Ackerman, Jeff Oster and Lawrence Blatt.  Working with Fiona is a blast…she is fearless and completely committed in the studio.  I adore Damon Albarn’s recent work…his “Everyday Robots” album is brilliant.  There’s a rock band from the states called House of Heroes that is amazing, their newest album “Colors” is getting a lot of play here these days!

 Tell us a little about your music and what a crowd can expect at a live show?

My music sits somewhere between “pretty” new age, full on electronic music and ambient music…with some electric guitars thrown in for good measure.  I wander in and out of using rhythm parts…some songs are percussion driven and others float on those beds of swirling electric guitar.  When I’ve played live in the past few years it has been solo piano… the albums are too textural for me to pull them off in concert by myself, so sitting at the piano seems like a direct and familiar way to introduce at least part of my voice to an audience.

 Favourite artists of all time?

David Sylvian, The Blue Nile, Tim Story, Tangerine Dream, Cocteau Twins, Kate Bush, Kate Rusby and Will Ackerman!

Where do you see artist careers heading?

Well, it’s hard to see the financial return side of the business improving anytime soon, but for those that want to be out on the road playing there is still a living to be made.  It’s a different music industry model now that the internet allows music to be moved nearly instantly all over the world.  I still love making albums that are collections of songs circling around a central theme or feeling, but the world seems to have returned to a more singles-based model, though of course vinyl is coming back to some degree, so there are music listeners who do want to immerse themselves in a longer experience, which is a good thing.  I hope that somehow the streaming world comes around to a more artist friendly system, where fans can listen without spending too much money and musicians can get more than fractions of pennies per spin.

What are your future plans for 2017/2018?

I have three albums of my own in the works right now, and the constant cycle of albums that Will and I are working on.  So my plans are to sit right here in front of my mixing console and make some music!

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Want to listen to Tom’s latest album? Find it here:

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