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Fiona Joy Hawkins & Rebecca Daniel Release Album ‘Enchantment’

The album release of their latest opus ‘Enchantment’  on July 26th
Classical Pianist Fiona Joy Hawkins and violinist Rebecca Daniel 

Enchantment, the latest project from pianist Fiona Joy Hawkins and violinist Rebecca Daniel, follows in the musical footsteps of their previous collaborations. This time the duo pays homage to the great impressionist painters and composers. Throughout the album. works and track titles reference great artists like Satie, Monet, and Van Gogh. The music is impressionistic, beautiful and relaxing as if Debussy’s ghost was in the room.

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Fiona Joy Hawkins and Rebecca Daniel Present Heavenly Voices

Australian musicians Fiona Joy Hawkins and Rebecca Daniel team up once again to create a remarkable acoustic new age album titled Heavenly Voices. Recorded and mixed by Grammy-nominated producer Cookie Marenco and released under Marenco’s own label Blue Coast Records, Heavenly Voices sounds close and present. The entirety of the album was performed live in Blue Coast’s Extended Sound Environment (E.S.E.) and recorded straight to DSD256 (1). Expert recording techniques combined with the high definition audio bring to life every rich keystroke and string vibration. Heavenly Voices is a testament to what great musicianship and audio engineering can accomplish.

2 Portrait LOD Rebecca and Fiona

Pianist Fiona Joy Hawkins has won several awards including Album of the Year by Zone Music Rewards, Best New Age Album by Independent Music Rewards, and her song “Grace” was featured on a Grammy Award winning album in 2014 (2). Violinist Rebecca Daniel has performed around the world. The Australian Chamber Orchestra in Sydney invited her to join their ranks where she held duties as the Orchestra Leader for several of their productions (3). Both virtuoso in their own right, together Hawkins and Daniel make for an incomparable team.

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Hawkins’ pensive piano playing lays the foundation for Daniel’s expressive violin work. Listeners will become immersed in the evocative melodies and harmonies, where the piano and violin have their own emotions that they wish to convey. Tracks such as “Sugar Plum Ghost,” “The Lightness of Dark,” and the title song “Heavenly Voices” also feature Hawkins’ and Daniel’s voices, adding a greater ethereal element. Though every part was performed live, much of the album sounds other-worldly, as though Hawkins and Daniel are pulling back the curtain to reveal a glimpse into the afterlife. In a way, Heavenly Voices is a lament. It evokes feelings of grief and loss, though not without a ray of hope, as if the very impermanence that causes our mourning is also the source of beauty upon which we gaze.

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Expertly crafted in composition, performance, and production, Heavenly Voices is an album that fans of contemporary classical music will not want to miss. We’re sure once you hear the music this will be a MUST HAVE!

This is how the piano and violin were meant to sound!

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Fiona Joy Hawkins New Album Moving Through Worlds

Fiona Joy Hawkin’s Presents New Album and Video
Moving Through Worlds

As the Australian Bushfires crept toward her rural home, Fiona Joy Hawkins turned to her Stuart & Sons piano to do what has always bought her solace: writing music. After crafting 4 songs that she later marketed as fundraisers for firefighters and wildlife rescue – and which are included on this album – she began final preparations on Moving Through Worlds.

Although she began recording and conceptualizing the album three years ago, one could say it is an album 44-years in the making. One of the more classical-crossover pieces is “For the Roses” which a 12-year-old Fiona wrote for her Grandmother’s funeral.

Fiona says, “I believe music is a gift from another world, from ancestors of the past communicating to inspire and give us hope. Music is a universal language that connects us without prejudice, it speaks to us all equally, yet is received with great variation. My wish is to open a few more hearts to the power of music. Now more than ever we need the connection to our past to find the pathway to our future.”

The 14-track album was beautifully produced by Will Ackerman (Founder Windham Hill Records) and Tom Eaton. As per her usual style, Fiona defies genre by bringing Classical, Contemporary Piano, and New Age instrumentals together to create something uniquely her own, and reflective of all the worlds that she has moved through so elegantly while this powerful music gathered in her soul.

Fiona Joy Hawkins is an Australian Pianist, Composer and Singer who enjoys and regularly tours China and the USA and is also a member of the Contemporary instrumental group FLOW (Fiona Joy, Lawrence Blatt, Jeff Oster, Will Ackerman). Fiona Joy Hawkins is best known for her romantic, melodic songs and lush arrangements. A prolific composer, she has always been interested in creating music that evokes images, emotions and tells stories.

Fiona Joy is known for ‘Grace’, her song on a Grammy Winning album in 2014 and for her extensive catalogue produced by Will Ackerman (Founder Windham Hill Records). In 2016 she won two categories of the Independent Music Awards at the Lincoln Centre in New York and has been awarded Best Piano Album by International Radio (ZMR Awards) for several of her albums. Nominated alongside Pete Seeger for Best LIVE Performance Album in the Independent Music Awards,Fiona was an ARIA Finalist in Australia in 2008. Fiona works with Australian piano maker Stuart and Sons, and has several albums with Blue Coast Records (content partners with Sony Music for hi-resolution releases).

Watch the Video (Premiered on Scenstr) for Calling County Clare here

In the case of Fiona Joy Hawkins’ latest collection Moving Through Worlds, there are glorious exceptions where it’s not hyperbole in any sense and fits today, tomorrow and for all…let’s just say I can’t imagine there ever being a time in the future when listening to this deeply personal, socially conscious, stylistically expansive 14-track musical narrative would grip me any less than it does today, in the midst of world gone mad 2020. – Jonathan Widran, JWVibe

“Moving Through Worlds” is OUT NOW (July 7) via Little Hartley Music. 

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For further information, Files,  CD and Interview Requests please contact:
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Fiona Joy Hawkins

Fiona Joy Hawkins’ New Single and Video

Fiona Joy Hawkin’s Presents New Single and Video
 Calling County Clare

Music for this moment… A piano journey that finds joy. Calling County Clare is the first track on Fiona Joy’s upcoming album Moving Through Worlds due out 7 July. Calling County Clare is a Celtic dance and joyful celebration featuring piano with Irish Whistle, guitars, accordion and rhythm. In the video Fiona is standing on the shores of Town Beach at Port Macquarie and calling to the shores of Ireland. There’s some really beautiful drone footage of the Irish coast throughout the video shot specifically for the clip.

Fiona Joy Hawkins is an Australian Pianist, Composer and Singer who enjoys and regularly tours China and the USA and is also a member of the Contemporary instrumental group FLOW (Fiona Joy, Lawrence Blatt, Jeff Oster, Will Ackerman). Fiona Joy Hawkins is best known for her romantic, melodic songs and lush arrangements. A prolific composer, she has always been interested in creating music that evokes images, emotions and tells stories.

Fiona Joy is known for ‘Grace’, her song on a Grammy Winning album in 2014 and for her extensive catalogue produced by Will Ackerman (Founder Windham Hill Records). In 2016 she won two categories of the Independent Music Awards at the Lincoln Centre in New York and has been awarded Best Piano Album by International Radio (ZMR Awards) for several of her albums. Nominated alongside Pete Seeger for Best LIVE Performance Album in the Independent Music Awards,Fiona was an ARIA Finalist in Australia in 2008. Fiona works with Australian piano maker Stuart and Sons, and has several albums with Blue Coast Records (content partners with Sony Music for hi-resolution releases).

Watch the Video (Premiered last week on Scenstr) for Calling County Clare here

Blue Coast owner/producer Cookie Marenco says, “Fiona’s melodic solo piano and masterful performances are the perfect music to debut the kind of clarity double DSD audio brings to the home listener,”

“One of the brightest lights in contemporary instrumental music, Fiona Joy is poised to move into stardom,” -Will Ackerman, Founder of Windham Hill Records

“Calling County Clare” is OUT NOW via FOGHORN/MGM. 

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For further information, Files, CD and Interview Requests please contact:
Marshall Cullen at Foghorn Media
0416 143 030
marshall@foghornrecords.net

The Eden Project EP Gatefold Art Melissa Black 200918 MASTER

Melissa Black’s Eden Project Makes Mark Overseas

Melissa Black has just wrapped a series of interviews in the US and has also scored several enthusiastic reviews for her recent EP release, The Eden Project.

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Melissa told Indie Music Discovery in the US, “I’ve had an amazing experience recording my new album with Riversong Music at The Back 45. Andy and Scott are an incredibly synergistic duo in the studio. They’re not afraid to push the envelope and the entire creative process is inspiring. I have found my authentic voice and sound.”

The Bandcamp Diaries enthused, “Fallen Angel has a cool 70s throwback sound, which reminds me of artists like Fleetwood Mac. I love Melissa’s energetic vocals and the overall cohesion of the instrumental track!”

The Red Carpet Living blog said, “In a world riddled with destruction, when something pure comes along – you feel it in every pore of your fibre. Because purity and the really good stuff – is translucent. Just like Eden. Her voice is like milk and honey on the radio waves of empty rasp, forced empowerment, and seductive allure.”

Melissa Black – The Eden Project EP is out now on Riversong. 

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Fiona Joy (Hawkins) – New Album – Story of Ghosts

Fiona Joy (Hawkins) – New Album – Story of Ghosts

Having won many awards for her two previous solo piano albums, Fiona is destined to do the same with Story of Ghosts.

Fiona’s third solo piano album takes her fans on her journey of the past year of her life as she deals with a harrowing year in 2017 and makes no attempts to sugarcoat the emotional’s. The year included many friends and family members getting seriously sick, dying or going insane.!!

She bares it all over the course of these mostly grey-toned melancholy and vulnerable pieces, that draw on her classical background and impressionistic modern yet melodic composition.
‘There is a little madness in the music I write, it only pops out of the calmness momentarily, but enough to know that there is uncertainty in everything we hear, feel and experience. It’s much more classical and very connected to my roots” says Fiona .

“There’s a lot of emotion in it, that part was challenging. But when I get feedback from my fans that I’m touching their lives, and in some way making a difference, that makes it worthwhile.”
She uses the piano to weave interconnected tales with similar motifs – She opens the album with the uplifting and just whimsical enough “Song for Dunnie,” which she wrote for the funeral of Annette (Dunnie) Crossley, one of her best friends and business partner in her company Little Hartley Music. The lushly flowing piece represents a life full of vibrant brightness, good humour and joy.
“Story of Angels” moody hypnosis that leads to attempts to dance and then sudden dream-dashing stops into “Story of Ghosts” the deepest tale is told by the third story song. The contemplative “Story of Insanity” which alternates shards of light and night in a romp of anger tempered by gentle understanding. “Contemplating (Solo) which find Fiona deep in thought, seeking answers in the high notes as tension builds. “Blue Dream” whose high and low dynamics indicate mood swings that shift on a dime during crises. “The White Light” perhaps a place between worlds where high and low notes battle it out for our mortal hearts.
Fiona ‘s  choice to work with producer Cookie Marenco reflects Fiona’s appreciation for high quality audio. “Even CD quality is unsatisfying when you’ve heard DSD or SACD, especially when played on a high-end system” says Fiona.
Fans of FLOW, the recently launched hit new age group featuring Fiona, Will Ackerman, Lawrence Blatt and Jeff Oster, will recognise the closing track “Before the Light” as the beautifully rendered foundation of “Arrival,” the opening track on FLOW’s self-titled debut. In the FLOW version, the darker edges of the piece get subsumed into a lighter hearted grooving vibe. Here it’s allowed to flourish in the shadows, exploring the heavy mysteries of life’s pain that occur before the healing – and wondering along the way if it will ever come.

Fiona recalls asking Ackerman once “What would happen if I ever got happy? Would the creativity dry up?” – since she’s built her artistry and fan base on her incredible musical embrace of sadness.
“No, Fiona, you will just start writing happier music.” He said, surprised at the answer “Maybe down the road, I’ll make a few happy songs”.

But for now, especially on Story of Ghosts we can enjoy the musical beauty and grace that she shares while working through the obstacles to make peace with the sorrow life has thrown her.

 

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