I worked on this record for over one year during the time of the global pandemic and lock down. Tucked away from the world in my home studio, these songs came forth from my heart and soul during this difficult time for all of us. As in music so in life says the back cover. I have found as many others have that our life is not a trek from point A to point B, but rather a meandering journey down the Winding Way with many unexpected twists and turns along the path to the destination of our hopes and dreams. My wish is that this music will uplift and bring joy to your heart and soul as you journey forth. - Peter Sterling
About Peter Sterling
Born in Santa Monica, Peter began playing the piano at 6 years old, first accompanying his brother who was practicing violin. When he was 33 Peter moved to Sedona, Arizona, drawn to its energy vortices, its natural beauty, and its powerful connection to a higher purpose in life. It was in Sedona that Peter discovered his affinity for, or more accurately, his mystical connection with the Celtic harp. It was 1993 and he took to the instrument, without any formal training or lessons, like the proverbial fish to water.
His career as a recording artist began in 1994 with his first album, Harp Magic, released on the World Disc label. Success came almost immediately as the recording was nominated for the Best Instrumental Album award by NAIRD (now A2IM), an organization for independent musicians. His acclaim continued and grew exponentially in the 2000s with multiple nominations from the prestigious website New Age Reporter/Zone Music Reporter, including several nominations for Album of the Year. His albums consistently charted high up in their top 100, including grabbing the #1 spot for his 2013 release, Twilight Serenade. While his recent works are released on his own Harp Magic label (including his 2018 album, Magic Kingdom), Real Music, one of the giants of new age music, released his Shadow, Mist and Light album in 2005. His most recent recognition came in 2017 when he shared the Hollywood Music and Media Award for Best New Age song. In addition, Divine Reflection from Sanctuary of Light won the HMMA for Best Ambient/New Age song of 2021 and Sanctuary won the 2021 COVR Silver Award in the Visionary Music category.
When he is asked, “What is the best part of being a musician?” Peter answers, “Creating music that touches the heart and soul of listeners… bringing peace and healing to people all over the world. I love receiving letters about how my music has touched peoples’ lives.” Peter looks back at his path to the present now and humbled at his worldwide success. Back when he was recording his first 8-track compositions on a cassette tape in Byron Bay, Australia, and then marketing it by going door-to-door to Sedona’s stores, he could scarcely imagine that one day his music would reach people across the planet through international airplay (Pandora, SiriusXM, Soundscapes) as well as on major airlines (United and American).
Composed & produced by Peter Sterling for Harp Magic Music (BMI)
Peter Plays a custom made Lyon and Healy electric Troubador, keyboards, vocals, percussion, freenote chimes, G-Dov Gertzweig/violin, Richard Hardy silver and bamboo flutes, Hans Christian Cello
Mastered by Eric Boulanger, The Bakery Sony studios Culver City
The Winding Way is OUT NOW – via Harp Magic Music
Spotify album link:
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Expat Aussie Singer Faces Christmas in Quarantine
Trysette Loosemore, Australia’s own back-up singer to the legendary John Fogerty (Creedence Clearwater Revival) returns to Australia after a whirlwind 12-month tour of the US, Canada and Europe in 2019.
Like the rest of the world, faced with an uncertain and challenging year in 2020 due to the COVID-19 Pandemic, Trysette says “I had to make the decision in March this year whether to return home to Australia when the panic was on to repatriate Australians living overseas, but Los Angeles has been my home now for three years and I thought, like everyone else, that this pandemic situation would pass within a few months or sooner than all of us imagined. So I dug in and rode the wave, confident that the touring scene would start up again and everything would be back to normal. I was wrong”
Touring musicians are among the hardest hit of all this year, relying on crowds of people to attend their shows, and in the USA especially, the coast is far from clear for acts to be back out on the road doing what they love to do.
Just as Trysette did with the John Fogerty World Tour in 2019 (pic below)
Photo Credit – Greg Lewis
Trysette says that “once I decided to return home until work starts up again, I discovered what was really going on with the international travel situation, flight debacles and the two-week mandatory quarantine enforcement on return to Australia. I had no idea how difficult it would be to not only secure a seat on a flight home as the prices are skyrocketing up to $20,000 right now, but to arrive in time to spend Christmas with my family. As it stands, I will arrive in Sydney (Brisbane not possible) mid December just in time to spend Christmas in Quarantine. All this said, I feel very fortunate that I have friends and family in both NSW and QLD who I am extremely excited to see and spend time with, and I have my health. For that I am truly grateful and all the rest of this shall pass”.
2020 has definitely been a defining and transformative year for all, and Trysette has made the most of her time focusing on her songwriting, on-line concerts and a new youtube show she has created called ‘Shoot The Breeze’ where she interviews some of her “Rockstar Friends” so that people who are interested can get to know these stars through her eyes. So far these interviews include Kenny Aronoff (iconic rock drummer to John Fogerty, John Mellencamp and many more), Bob Malone (Singer Songwriter and “Keyboard Wizard” to John Fogerty), Randy Ray Mitchell (guitarist to Donna Summer, Warren Zevon, Keb Mo and more), and while in Australia, Trysette hopes to surprise us with some of our own “Aussie Rockstars” as well. Follow Trysette on her socials below and stay tuned for new music in 2021.
Checkout Trysette’s Releases on Spotify- Just click the image
Cody and The Blackouts (USA)
Time Stood Still
We’ve all had those moments.
That instant when realisation hits. The sudden knowledge destiny is unfolding right before our eyes. It could be meeting a potential soulmate, achieving a lifelong goal, watching your team salvage victory from almost certain defeat.
Moments when time stood still.
The new single from Los Angeles five-piece Cody & The Blackouts captures that lightning in a bottle – not just once, even twice, but thrice. Time Stood Still, penned by the band’s lead singer and songwriter Cody Hudock, references three momentous events in history: the birth of Gutenberg’s printing press, Freud’s breakthrough theories of psychoanalysis, and how the Beatles and their producer George Martin changed the game forever when it comes to writing and recording popular music. Hit, hit, hit.
If anyone could weave these wildly disparate subjects together in the context of a single pop song, it’s Cody Hudock. Born into a family of songwriters, Hudock learned the trade from his father and older brother. “I picked it up quite naturally, in much the same way the son of a baker might understand intrinsically how to make a good loaf of bread from their first go at it,” Hudock says.
After acquiring early performance experience playing keys in older brother Jordan’s popular LA indie bands, Coalinga and Marvelous Toy, Hudock launched his own songwriting vehicle, Cody The Band. The group released three EPs before Hudock embarked on his solo debut, 2016’s ambitiously titled The Great American Album. Released under his own name, it garnered some delirious word of mouth: “If there were an award for ‘greatest living songwriter you’ve never heard of’, then Cody Hudock’s sterling solo effort would place him firmly in the running,” gushed LA blog The 704.
What would become the core of The Blackouts played together on The Great American Album: Cody, his wife and vocalist Joanna Hudock, and multi-instrumentalist Jordan Bennett. Drummer Brent Stranathan and bassist Will Weissman were soon added to the fold, as the band began playing shows across Los Angeles. When Bennett moved to Atlanta a year later, guitarist Jimmy Holman proved a worthy replacement.
Recorded at Hollywood studio Elephant In The Room, produced by Ethan Kaufmann (Avril Lavigne, Wild Party) and Brent Stranathan, and mixed by longstanding Capitol Records engineer Chandler Harrod (John Mayer, Neil Young), Time Stood Still captures the unique studio chemistry of Cody & The Blackouts. That chemistry translates to the song’s accompanying performance video, shot in crisp black and white at The Room Downtown, LA, with Matt Soson as Director of Photography and edited in Australia by Emmy award-winning Jason “JJ” Jamieson. Time Stood Still, from the album Gold, released on Chance MUSIC. Hit, hit, hit.
Connect with Cody and The Blackouts
For further information, Files, CD and Interview Requests please contact:
Marshall Cullen at Foghorn Media
0416 143 030
Nick Chance at Chance Music
Fiona Joy (Hawkins) – New Album – Story of Ghosts
Having won many awards for her two previous solo piano albums, Fiona is destined to do the same with Story of Ghosts.
Fiona’s third solo piano album takes her fans on her journey of the past year of her life as she deals with a harrowing year in 2017 and makes no attempts to sugarcoat the emotional’s. The year included many friends and family members getting seriously sick, dying or going insane.!!
She bares it all over the course of these mostly grey-toned melancholy and vulnerable pieces, that draw on her classical background and impressionistic modern yet melodic composition.
‘There is a little madness in the music I write, it only pops out of the calmness momentarily, but enough to know that there is uncertainty in everything we hear, feel and experience. It’s much more classical and very connected to my roots” says Fiona .
“There’s a lot of emotion in it, that part was challenging. But when I get feedback from my fans that I’m touching their lives, and in some way making a difference, that makes it worthwhile.”
She uses the piano to weave interconnected tales with similar motifs – She opens the album with the uplifting and just whimsical enough “Song for Dunnie,” which she wrote for the funeral of Annette (Dunnie) Crossley, one of her best friends and business partner in her company Little Hartley Music. The lushly flowing piece represents a life full of vibrant brightness, good humour and joy.
“Story of Angels” moody hypnosis that leads to attempts to dance and then sudden dream-dashing stops into “Story of Ghosts” the deepest tale is told by the third story song. The contemplative “Story of Insanity” which alternates shards of light and night in a romp of anger tempered by gentle understanding. “Contemplating (Solo) which find Fiona deep in thought, seeking answers in the high notes as tension builds. “Blue Dream” whose high and low dynamics indicate mood swings that shift on a dime during crises. “The White Light” perhaps a place between worlds where high and low notes battle it out for our mortal hearts.
Fiona ‘s choice to work with producer Cookie Marenco reflects Fiona’s appreciation for high quality audio. “Even CD quality is unsatisfying when you’ve heard DSD or SACD, especially when played on a high-end system” says Fiona.
Fans of FLOW, the recently launched hit new age group featuring Fiona, Will Ackerman, Lawrence Blatt and Jeff Oster, will recognise the closing track “Before the Light” as the beautifully rendered foundation of “Arrival,” the opening track on FLOW’s self-titled debut. In the FLOW version, the darker edges of the piece get subsumed into a lighter hearted grooving vibe. Here it’s allowed to flourish in the shadows, exploring the heavy mysteries of life’s pain that occur before the healing – and wondering along the way if it will ever come.
Fiona recalls asking Ackerman once “What would happen if I ever got happy? Would the creativity dry up?” – since she’s built her artistry and fan base on her incredible musical embrace of sadness.
“No, Fiona, you will just start writing happier music.” He said, surprised at the answer “Maybe down the road, I’ll make a few happy songs”.
But for now, especially on Story of Ghosts we can enjoy the musical beauty and grace that she shares while working through the obstacles to make peace with the sorrow life has thrown her.
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Rachel LaFond – New Album – Encounters of the Beautiful Kind
Come along on a powerful musical journey inspired by Rachel LaFond’s experience, of being a stranger in a new country. New Zealand to be precise where she now calls home.
This beautiful solo Piano Album was recorded in high resolution audio at her home and mastered by the golden ears of Mike Bloemendahl.
The music explores universal human experiences: feelings of loneliness, worries about not being good enough, and the evolution we undergo as existing friendships change or fade while new connections spring to life.
This journey culminates in the realisation that as we bear each other up and connect with one another, we make the world a more beautiful place for all of us.
About Rachel LaFond:
Rachel LaFond is an American composer and pianist now residing in New Zealand who has been steeped in musicality her entire life. Her appreciation of the piano began when she was a toddler as her mother (a piano teacher) played with a young Rachel on her lap. She began formal lessons at age five, and by the time Rachel was eleven, she began teaching lessons herself. She lived in Vienna and studied piano performance there as a teenager, then returned home to major in piano at the University of Washington. After university, she continued to teach and perform professionally, but for years Rachel didn’t realise she had a talent for writing music hidden inside herself until David.
David she had met just weeks ago. Rachel couldn’t stop thinking about him on one rainy autumn afternoon, everything changed. Gazing out the window of her teaching studio, Distraction transformed into inspiration, and by the end of that evening she had finished her first original piece, Loving in the Rain. This first piece stood alone for a while as Rachel got swept up in life’s adventures: Rachel and David got married, quit their jobs, and embarked on a year of long-term travel around the world.
Rachel’s music is inspired by, and engages with, the full depth of human experience. Whether she’s capturing the heady wooziness of falling in love or responding to the chest-cracking pain of Barcelonans who suffered in the terror attack of summer 2017, her pieces are unflinching and compel the listener to lean into the feeling of the song for just a moment more. Rachel’s drive to bring beauty, light, and kindness to dark places through her music lends a striking sense of purpose to her creative work. And she’s just getting started.
All recorded in Auckland, New Zealand in Rachel’s home.
Mastering by Mike Bloemendahl
Connect with Rachel LaFond
Loren Evarts newest album Home Again
Home Again is the 6th original album, of this amazing contemporary pianist. It revisits several pieces previously recorded by Loren in the 1980’s, and eight new ones. It was produced by Grammy award winner Will Ackerman (Windham Hill Records) at his Imaginary Road studio in West River valley, Windham County, Vermont and was engineered by Tom Eaton.
Featuring Grammy-winning artists and Grammy-nominated Artists Eugene Friesen on cello (Paul Winter, Trio Globo), Rhonda Larson on many types of flutes (Paul Winter, Ventus) and Jeff Haynes on percussion (Pat Metheny, Pete Seeger), bassist Tony Levin (Peter Gabriel and King Crimson).
Besides Piano, Loren Evarts has been known to perform by singing, trombone, hammered dulcimer and organ.
Loren has performed professionally in the Connecticut area of USA in a variety of musical situations for over 40 years. He has been grateful to have been involved in performances with artists such as Dave Weckl (Chick Corea), Gerry Neiwood (Chuck Mangione), Everett Silver (Chuck Mangione), Mike Davis (Rolling Stones), Danny Stiles (Bill Watrous), Fred Vigdor (Average White Band), Rhonda Larson (Paul Winter Consort).
About Loren Evarts:
I was in first grade when I heard a fellow classmate play the piano, and I said, “Hey, I want to do that, too.” Of course, I had no idea that you had to practice, which made me think twice about my choice. But due to frequent beatings from my mom, I persisted, Partially kidding!
I started playing classical piano at age 7, but like a lot of kids, I started listening to pop radio in middle school. Fortunately, I was allowed to stick in a few popular tunes in my lessons along with the serious music. In high school I started to get influenced by jazz. My biggest influences were bands like Chicago and Tower of Power, Elton John, James Taylor, Carole King, Jazz singer Al Jarreau, and jazz pianists like Chick Corea, Herbie Hancock and Liz Story.
What can a crowd expect at a live show?
My music is probably best described as a mix of new age, jazz, classical and world. It’s piano-based but sometimes I will add a percussionist, bassist or woodwind player for concerts.
What are your future plans for 2018/2019?
Well, I am an American so, like many of my fellow citizens, I am looking to survive until 2020(enough on politics). But otherwise, At my stage of the game, I just want to put out a good product, and I hope to write some new material now that my newest album has been released. And that means I have to sit down at the piano and start! I am always gratified when people enjoy my music. I no longer crave being a big star. It’s nice being in this place.
The Mezcaltones latest Album Second
Sydney is a long way from Mexico but The Mezcaltones still know a thing or two about sultry nights and dangerous days – not to mention sultry man and dangerous woman.
Inspired by tunes from Tito and Tarantula, Dick Dale, Link Wray, Los Lobos, Santana and other artists with a sizzling Mexican sound.
The Mezcaltones latest Album Second has sounds only described as Tex Mex, 60’s, cowboy rockabilly surf guitar style of twang and incorporating Mimi’s spellbinding dance moves they are hard to pigeonhole.
But one thing everyone does agree upon is The Mezcaltones are highly entertaining! It’s more than a band: it’s a show, a journey… with ATTITUDE!
Tamworth Country Music Festival Recent completion of ‘Here’s to Love’ film clip Humble Pride clip due out April 5
Tamworth Country Music Festival Sydney Winterfest Blues festival Sydney Blues & Roots Festival ‘Painted Lady’ film clip featured on Alt Country Segment of CMC.
Tamworth Country Music Festival
‘Painted Lady’ featured in Amrap Regional Top 10 charts for 3 weeks
Self-titled EP voted #6 in the Top Ten CDs of 2016 by 100%
Let There Be Light is the New follow-up album
of multi-instrumentalist Tom Moore and
award-winning flutist Sherry Finzer
Heart Dance Recordings is proud to announce the new release of multi-instrumentalist Tom Moore and award-winning New Age flutist Sherry Finzer -
Let There Be Light
New age, ambient, meditational music
Let There Be Light is the follow up to the duo’s highly successful release of Whispers from Silence, which received worldwide airplay on FM, Internet Radio, SXM Spa Channel, and numerous airline placements.
This album’s music is an expression of a journey. It is about movement not only in our outer life, but equally on the inner plane. Light is the most omnipresent element in nature. The universe is made up of light, which then becomes vibrations and sound. The purpose of this album is to help bring “light” to the listener in as many forms as possible.
Link to purchase the Album:
From the very first notes, the music effortlessly leads us into a place that transcends space and time, effectively reaching its goal of translating the frequency of light into sound. The album is broad in its appeal, multi-dimensional in its scope, and through each song we find ourselves inside ourselves, and yet at the very same time beyond
Sherry Finzer Tom Moore