Tag Archives: UK

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10cc Star Graham Gouldman To Release First Solo Album in Eight Years

10cc Star Graham Gouldman To Release First Solo Album in Eight Years plus On Tour In Australia and New Zealand from next month.

On February 21 2020,10cc’sGraham Gouldmanwill release ‘Modesty Forbids’  here in Australia to coincide with the 10cc Australia / New Zealand Tourwhich is a good 4 weeks ahead of the rest of world who have to wait until March 20.

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Released on British independent record label Lojinx, Modesty Forbids is the fifth solo album of Graham’s career, and his first since 2012’s ‘Love And Work’.

Listen now on your preferred service

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Featuring eleven tracks, the album’s release will coincide with 10cc’s 14-date Australia and New Zealand tour, ahead of the rest-of-world release in March 2020.

With Graham’s 10cc tours enjoying ever-increasing success around the world in recent years, in 2018 he was invited by former Beatles’ drummer Ringo Starr to join his All Starr Band for tours of Europe and the USA, during which the band played three 10cc songs, elevating Graham’s profile yet further.

That relationship continues, with Ringo making a very special guest appearance on Modesty Forbids, playing drums on a song called ‘Standing Next To Me’.

Graham said, “Playing with Ringo Starr and The All Starr Band was absolutely brilliant, and having Ringo play drums on one of my new album’s songs was the icing on the cake. In it, I write about how I came to be asked to join Ringo’s band and about my experience of being on the road with him, alongside Steve Lukather, Colin Hay, Gregg Rolie, Warren Ham and Gregg Bissonette, who also plays drums on three of the album’s tracks.”

Ringo Starr added, “It was such a thrill for me to have Graham in my All Starr Band in 2018, with his great songs and great bass playing and his very British personality! And look what happens – he goes home and writes a great song and then asks me to play drums on it! It was my honour because the track is fab and I want to congratulate him on such a good album too.”

Co-produced by Graham Gouldman and Graeme Pleeth, all of the songs on Modesty Forbids were recorded at The Pleeth Station Studios, except for ‘Waited All My Life For You’, which was recorded at Astral Drive London. Additional recording also took place at London’s Hoxa HQ to complete the track ‘That’s Love Right There’. The album was then mastered by Miles Showell at Abbey Road Studios. The album’s cover artwork was design by StormStudios, with illustrations by Dan Abbott.

The album’s eclectic mix of song styles includes swing (something Graham’s never tried before), the blues and gospel is something he hopes everybody enjoys as much as he did making the album.

Graham said, “I can’t begin to tell you what a pleasure it was making Modesty Forbids and to be able to work with so many fine musicians. When listening back to the album I realise that there are two recurring themes. One is about climate change awareness and the other is a call for ‘peace and love’. These two subjects may be clichés, but I don’t care – as long as we take action on the first and practice the second we’ll all be ok.”

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10CC Australia New Zealand Tour Dates 2020

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Connect with Graham:



For further information, Guest-Listing and Interview requests please contact:
Marshall@foghornrecords.net
0416 143 030

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UK’s Slow Club Release New Video Silver Morning Plus Reviews

Last month Slow Club released their fourth album “One Day All of This Won’t Matter Anymore,” which is available here on iTunes: itunes.apple.com/au/album/one-day-all-this-wont-matter/id111757969

NEWLY RELEASED is the music video for their song Silver Morning:

 

Reviews and Highlights

“Album closers Let the Blade Do the Work and One Day All of This Won’t Matter Anymore provide the right balance of pop romance and crooked storytelling…” The Guardian, 3 stars (theguardian.com/music/2016/aug/18/slow-club-one-day-all-of-this-wont-matter-any-more-review)

“Slow Club present these songs in easy listening costumes, but below the surface, One Day is seething with disconnect and sorrow… Though they aren’t singing together as much, it sounds like they might be singing to each other more than ever,” Pitchfork (pitchfork.com/reviews/albums/22215-one-day-all-of-this-wont-matter-any-more)

One Day All of This Won’t Matter Anymore is, in many ways, a step away from the upbeat melodies of their older work, though this is not necessarily a bad thing.  Instead, it offers uncomplicated insight into some of the perhaps darker emotions that accompany romance. It is sleepy easy listening at its very best,” Curieux (curieux.com.au/featured/album-review-one-day-all-of-this-wont-matter-any-more-by-slow-club)

 

Website: slowclubband.com
FB: facebook.com/slowclub
Youtube: youtube.com/user/SlowClubVEVO

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Slow Club – One Day All Of This Won’t Matter Anymore

Slow Club New Album “One Day All Of This Won’t Matter Anymore
Available 19 August 2016
Out on Moshi Moshi/Planet

How do you keep a band interesting after ten years? It’s a question
Slow Club’s Charles Watson and Rebecca Taylor must have asked
themselves as they started work on their fourth album.The answer
seems to be producer Matthew E. White, the master of Southern-
gothic folk, whose in-house band at Richmond’s Spacebomb Studios
provided the consistency and tone the album required. Almost every
track was played live in the studio, allowing the long-established
session band’s natural chemistry to augment Charles and Rebecca’s,
with the double advantage of recording being very effective, and also comparatively quick.
“One Day…” contains some of the best melodies they’ve yet created.
The duo’s knack for writing hooks and melody has, if anything,
become stronger. There are choruses here you instantly feel you’ve
known your whole life, like ‘Ancient Rolling Seas’ timeless, reassuring refrain of “I’ll Always Be By Your Side”, or ‘Champion‘s Dolly Parton via- Linda Ronstadt anthem of self-celebration through the darkest times.
Perhaps best of all are a pair of songs to be found at the top of what
traditionalists would call “side 2”- ‘Rebecca Casanova’, a slice of
widescreen, four-to-the-floor pop that recalls soft-rock giants
Fleetwood Mac in the way it channels heartbreak onto the dance floor, and ‘Tattoo Of The King’, a tale that takes Neil Young and the Doobie Brothers to the disco.
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