Tag Archives: indie rock

gronks ep

The Gronks Release EP ‘The Gronks Go Bang’

Bang Bang and Indie Darling were recorded by Luke Bert at Soundworks in Sydney, and feature special guest Gronks Paul Mason, Adam Griffiths and Tim Denny. The tracks were mixed by Steve Melville (Gronk adjacent) at the Burning Boat in Melbourne. Deidre Chambers Coincides and YSFR were recorded and mixed by Paul Scott and Ken Stewart at the Static Attractor II, Sydney. All songs are the product of Stewart and Scott’s imagination and any resemblance to historic ditties and/or dirges is purely coincidental.

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So, what is Gronks? Well… Ken Stewart sings, plays guitar and writes most of the words, Paul Scott plays guitar and keyboards and writes most of the music. They record at various times and places, and honestly, don’t remember too much about the process except that there seems to have been one because these digital encodings of melodies and words exist… so there’s that.  Drawing on their mutual roots in the Sydney indie scene of the early 2000’s and inspired by the possibilities of home recording, Ken and Paul have enjoyed a fruitful, if infrequent, collaboration over the last few years. Occasionally Gronks include Paul Mason, Tim Denny and Adam Griffiths.

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John Kennedy Releases Album ‘John Kennedy and The New Originals’

John Kennedy’s new album project started in late 2020. Kennedy and his band were going to record two albums – one of new originals and a second volume of the Raining Treasure Australian indie covers series. The project started with a bang with Murray Cook having open heart surgery. That was followed by the second round of COVID lockdowns, so the band focussed on the simpler of the two – the Raining Treasure album.

By mid 2022, the band got the ball rolling again on the new originals album. With four songs in the can from the earlier sessions, “all” Kennedy needed to do was write eight new songs and record them before the deadline of Christmas 2022. No pressure.

Eight new originals were needed in six months. It was going to go down to the wire and as they were approaching the deadline, recording engineer Geoff Lee at Zen Studios had a heart attack. This put him out of action for four weeks before he came back to the studio part time.

The band persevered and with the help of Geoff and mix engineer Rusty, working remotely in Tasmania, they managed to get the project over the line.

Kennedy leaves Australia in June 2023 to live for an extended period in Spain. The album is probably the best collection of his original songs he has ever worked on. With band mates Peter Timmerman on drums, guitarist Murray Cook and bassist Phil Hall who has come into his own with arrangement ideas, additional instrumentation and co-production, Kennedy is working with the best band he’s ever played with. He is also singing better than he’s ever done. His talent has shone through, the perseverance has paid off and with this album Kennedy leaves the Australian indie music scene on a high.

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About John Kennedy

An enthusiastic young music journalist once described Sydney musician John Kennedy as a humble genius. Kennedy is neither a genius not particularly humble. He is the singer / songwriter of many classic Australian Indie songs that have found a place in the hearts of music lovers of a certain generation.

Kennedy started his music career in Brisbane with his first band JFK and the Cuban Crisis. A move to Sydney brought immediate independent success with his first release on Waterfront Records, the Careless Talk Costs Lives ep. It’s featured song ‘The Texan Thing’ became a JJJ radio hit. The band broke up in the mid-’80’s after the release of the prophetically titled ‘The End Of The Affair’ album and Kennedy went on to pursue a solo career with his band vehicle John Kennedy’s Love Gone Wrong. Numerous indie hits including ‘Miracle (in Marrickville)’, ‘King Street’ and ‘Big Country’ followed but commercial success remained elusive. In 1989, Kennedy chose to travel the world with his guitar living by the mantra: Have Songs, Will Travel.

After ten years of living, performing and recording in LA, Berlin, Hong Kong, Holland and London, Kennedy returned to Sydney in the 2000’s and formed John Kennedy’s 68 Comeback Special. With an ever-changing line up of musicians, he continued to release numerous albums before settling with a stable group of bandmates: original Love Gone Wrong drummer Peter Timmerman, ex-Red Wiggle Murray Cook on guitar and Phil Hall formerly of Sardine v, The Dropbears and The Lime Spiders on bass. With this new release, this line up has now morphed into John Kennedy And The New Originals.

The last five years have seen Kennedy busier than has he ever been with six album releases in six years. The release will be his last for the foreseeable future with Kennedy planning to leave Australia in June 2023 to live in Spain for an extended period.

Song Descriptions

Discover Me
This swinging and rocking single ‘Discover Me’ is full of life, fire and passion. An up-tempo tune that would give you no idea these guys have been recording since the 1990’s. Catchy backing vocals and guitar hooks and riffs – a power pop classic.

Girl Of My Dreams
An acoustic/electric start with some great backing vocals a la Roy Orbison, a very chilled out rhythm section and baking band slowly groove into this ballad. Some really tasteful guitar and vocal work on this one.

It’s Good To Be Here
A more up-tempo radio friendly power pop song that harkens back to his early work; hooks and riffs abound, think Hoodoo Gurus, The Church and Died Pretty. Classic indie rock from those days with a modern edge and production.

John Kennedy and The New Originals is out now 10th March 2023,
on Foghorn Records through MGM. 

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John Kennedy Releases New Single ‘Discover Me’

This song was one of the first written and recorded for the John Kennedy And The New Originals album. Even with the fractured process of recording between Covid lockdowns, it established a strong theme that many of the songs on the album explore: Identity.

“Take a look at this facade, you pass it everyday.

The doors are locked, the windows blind,

It’s got nothing left to say.

It’s got a lot of stories if you look inside.

They could be dreams or nightmares,

Shameless love and pride.”

Most people present a façade to the world. And the world can also project a façade onto people. And once a façade has been established, it seems to be accepted and nobody needs to look or investigate further. We think we know a person based on this façade. But there is, of course, in many cases, an untold story behind it.  The song says, Discover Me. But it is in fact a song for anybody that has ever been overlooked.

The band delivers a powerful performance on this recording giving it a driving, swinging rhythm with a punchy arrangement. Space had been left towards the end of the song for a two part solo, one was to be guitar and the other bass. Peter Timmerman put in a quirky drum fill between the two parts. As Phil Hall developed his bass solo, he was inspired and told guitarist Murray Cook that he needed both parts to fit the bass solo he’d developed. Yes, A BASS SOLO.  The result takes Kennedy’s Urban and Western sound into new territory. With this song they are now moving close to the edge of Prog and Western.

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About John Kennedy

An enthusiastic young music journalist once described Sydney musician John Kennedy as a humble genius. Kennedy is neither a genius not particularly humble. He is the singer / songwriter of many classic Australian Indie songs that have found a place in the hearts of music lovers of a certain generation.

Kennedy started his music career in Brisbane with his first band JFK and the Cuban Crisis. A move to Sydney brought immediate independent success with his first release on Waterfront Records, the Careless Talk Costs Lives ep. It’s featured song ‘The Texan Thing’ became a JJJ radio hit. The band broke up in the mid-’80’s after the release of the prophetically titled ‘The End Of The Affair’ album and Kennedy went on to pursue a solo career with his band vehicle John Kennedy’s Love Gone Wrong. Numerous indie hits including ‘Miracle (in Marrickville)’, ‘King Street’ and ‘Big Country’ followed but commercial success remained elusive. In 1989, Kennedy chose to travel the world with his guitar living by the mantra: Have Songs, Will Travel.

After ten years of living, performing and recording in LA, Berlin, Hong Kong, Holland and London, Kennedy returned to Sydney in the 2000’s and formed John Kennedy’s 68 Comeback Special. With an ever-changing line up of musicians, he continued to release numerous albums before settling with a stable group of bandmates: original Love Gone Wrong drummer Peter Timmerman, ex-Red Wiggle Murray Cook on guitar and Phil Hall formerly of Sardine v, The Dropbears and The Lime Spiders on bass. With this new release, this line up has now morphed into John Kennedy And The New Originals.

The last five years have seen Kennedy busier than has he ever been with six album releases in six years. The release will be his last for the foreseeable future with Kennedy planning to leave Australia in June 2023 to live in Spain for an extended period.

Song Description 

John Kennedy is back with a swinging and rocking new single ‘Discover Me’. Full of life, fire and passion, this up-tempo tune would give you no idea these guys have been recording since the 1990’s. Catchy backing vocals and guitar hooks and riffs – a power pop classic.

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Violent Femmes – We Can Do Anything Album and National Tour

UPDATE Jan 20 – 2016
FURTHER TO THE BELOW A WHOLE BUNCH OF SHOWS ARE NOW SOLD OUT ! PLUS SINGLE PREMIERE….
THE VIOLENT FEMMES – ON TOUR

    • March 1 – Auckland – St James – SOLD OUT
    • March 2 – Auckland – St James – SOLD OUT
    • March 4 – Sydney – Taronga Zoo – SOLD OUT
    • March 5 – Hunter – A Day On The Green – SOLD OUT
    • March 6 – Sirromet – A Day On The Green – SOLD OUT
* March 7 –  Brisbane – The Triffid
    • March 9 – Canberra – ANU
    • March 11 – Adelaide – Womadelaide
    • March 12 – Yarra – A Day On The Green
    • March 13 – Meredith – Golden Plains
    • March 17 – Melbourne – Corner Hotel – SOLD OUT
    • March 18 – Melbourne – Corner Hotel – SOLD OUT
    • March 19 – Perth – A Day On The Green – Kings Park

THE SINGLE ‘MEMORY’ RECEIVED ITS FIRST AUSTRALIAN SPIN ON DOUBLE J LAST FRIDAY DURING MYF’S SHOW.

VIOLENT FEMMES OFFER GLOBAL PREMIERE OF
NEW LP’S FIRST TRACK, ”MEMORY,” VIA NPR’S FIRST LISTEN -Here
WE CAN DO ANYTHING FIRST NEW ALBUM IN MORE THAN 15 YEARS OUT MARCH 4

FANS CAN PRE-ORDER THE ALBUM NOW http://umusi.cc/WCDA
Exclusive bundles available from the Official Violent Femmes Australian Store: http://umusi.cc/VFPO

(New York, NY) – Legendary American band Violent Femmes premiered the first song, “Memory,” from their long-awaited and highly anticipated new record We Can Do Anything, due out March 4 on via Universal Music Australia. The irresistible track stands out as vintage Violent Femmes, and is one of the many new songs featured on We Can Do Anything that were chosen from singer/songwriter/guitarist Gordon Gano’s voluminous archives of ancient cassette demos and old journals. NPR’s First Listen premiered “Memory” earlier today, and fans can pre-order the album now.

“There was a massive amount of material to draw from,” Gano says. “I had so many cassette tapes, with songs and musical ideas recorded over 20 years or more. First we had to bring them into the digital world as to be able to access them and then it was just an incredible amount of listening. We did a whole lot of compiling and discovering forgotten songs.”

VIOLENT FEMMES WE CAN DO ANYTHING

LEGENDARY AMERICAN BAND RETURNS WITH FIRST NEW ALBUM IN MORE THAN 15 YEARS

10-TRACK COLLECTION INCLUDES NEW CLASSICS “MEMORY” AND “ISSUES”

 ON TOUR IN AUSTRALASIA – WEEK OF RELEASE

(New York, NY) – Violent Femmes have announced details of their eagerly awaited new LP. WE CAN DO ANYTHING arrives via Universal Music Australasia – March 4 2016.

Violent Femmes’ ninth studio album and first full-length collection in more than 15 years, WE CAN DO ANYTHING is among the most provocative and playful in the legendary trio’s remarkable canon. As the album’s title makes plain, the band – singer/songwriter/guitarist Gordon Gano, bassist Brian Ritchie, and drummer Brian Viglione – remains as intrepid and fearless as ever before, traversing genre and emotion via their immediately identifiable, still utterly idiosyncratic, mash of rambunctious folk, minimalist punk, cubist blues, cosmic jazz, and backwoods rock ‘n’ roll.

Produced by Jeff Hamilton – a longtime member of the Horns of Dilemma, Violent Femmes’ ever-evolving cabal of multi-instrumentalist backing musicians – and mixed by the legendary John Agnello (Sonic Youth, Kurt Vile, Dinosaur, Jr.), WE CAN DO ANYTHING was recorded in studios in Brooklyn, Nashville, Los Angeles, Milwaukee and Denver, while on tour during the summer of 2015.  The album’s cover image was drawn by Barenaked Ladies’ Kevin Hearn, who also contributed accordion, guitar, keyboards, and backing vocals on several recordings. Rounding out the live touring band and members of The Horns of Dilemma are John Sparrow and Blaise Garza who has been playing with the band since he was 14 years old.

Gano gathered the album’s material by diving headlong into his own voluminous archives, listening to ancient cassette demos and leafing through old journals in search of suitable songs. Among his finds were such new classics as the murderous “Big Car” and the fractured fairy tale, “I Could Be Anything,” Of the album’s more recent songs, “Foothills” and “Holy Ghost” were both penned with the team of Sam Hollander and Dave Katz (Train, Joe Cocker), while “Issues” – co-written by Gano with Hollander and Better Than Ezra’s Kevin Griffin (Christina Perri, Howie Day) – stands out as vintage Violent Femmes, as lyrically cutting as it is musically kinetic. Penned by Gano’s big sister, gifted folk singer/songwriter/artist Cynthia Gayneau, “What You Really Mean,” the album’s sole cover, might as well be an original composition, hewing remarkably close to the frontman’s own sonic sensibility and lyrical heart. Colored by explosive arrangements that veer on a dime from hard charging stomp to intimate melancholy, WE CAN DO ANYTHING is Violent Femmes at their very finest – joyous, exciting, and eternal.

Violent Femmes will celebrate WE CAN DO ANYTHING with a full-scale tour of Australasia on the week of release.

THE VIOLENT FEMMES – ON TOUR

  • March 1 – Auckland – St James
  • March 2 – Auckland – St James – SOLD OUT
  • March 4 – Sydney – Taronga Zoo
  • March 5 – Hunter – A Day On The Green
  • March 6 – Sirromet – A Day On The Green
  • March 9 – Canberra – ANU
  • March 11 – Adelaide – Womadelaide
  • March 12 – Yarra – A Day On The Green
  • March 13 – Meredith – Golden Plains
  • March 14 – Launceston – A Day On The Green
  • March 17 – Melbourne – Corner Hotel
  • March 18 – Melbourne – Corner Hotel – SOLD OUT
  • March 19 – Perth – A Day On The Green – Kings Park

For up to the minute news and information, please see www.vfemmes.com/tour.html.

One of the most beloved bands of the golden age of indie rock, Violent Femmes returned to action in 2013 with an acclaimed performance at Coachella, their first live appearance in several years. Drummer Brian Viglione (The Dresden Dolls, Nine Inch Nails) came aboard in 2013. The Violent Femmes embarked on a wide-ranging tour that included headline dates and ecstatically received festival sets around the world. The Guardian applauded their London show as “a triumphant rampage through their back catalogue,” declaring the band’s self-titled 1983 debut to be “a cult classic of teenage alienation – a sneerier, post-pubescent Catcher in the Rye, if you like, with added nocturnal emissions and rattling acoustic bass solos.”

Violent Femmes came together in 1981 and were quickly ranked among the era’s most inventive and original, constantly pushing forward with their singular blend of folk and punk, sarcasm and spirituality. The trio released eight studio albums and more than a dozen singles, among them such iconic classics as “American Music,” “Gone Daddy Gone,” “Nightmares, “Add It Up,” “Kiss Off” and of course, “Blister In The Sun.” Violent Femmes’ remarkable three-decade career earned them cumulative sales in excess of 10 million worldwide, with 1983’s VIOLENT FEMMES earning RIAA platinum certification eight years after its initial release.

With the turn of the millennium, Violent Femmes began a long hiatus from the studio, only coming together in 2009 to record a cover of Gnarls Barkley’s “Crazy,” returning the favor after the psychedelic soul duo’s cover of “Gone Daddy Gone” proved a worldwide smash.

For more, please see www.vfemmes.com and www.facebook.com/officialviolentfemmes.

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