Paul Scott unleashes his ‘Insufferable’ Persona on the airwaves once again this time with a long play album Tea and Medals created in and out of the 2 big Aussie lockdowns ….
Heres a bunch of international reviews just in – read all about the album below-
When we asked the ‘Insufferable’ Paul Scott to send us an update to his bio below we got some straight to the point words such as: “Well it is simple really I am Inedible, Incorrigible , Indescribable , Incredible, Incoherent , Indigestible, Intellectual , Indistinguishable , Intractable.”
And when asked to comment on the new album he said – “you can take the album any way you like but to me it’s Inscrutable , Insoluble , International , Incorruptible, Inspirational , Instructional, Industrial ,Invaluable, Intangible and Individual”
Working with a host of collaborators/producers and mixers including: Steve Melville (The Tea Party, Paolo Nutini, Regurgitator), Tim Powles (The Church), a team based in Los Angeles and many others ‘Tea and Medals’ was born from a set of home demo’s written during lockdown in 2020. With the brief hiatus between the two NSW lockdowns, studio time was booked at various facilities including Damien Gerard’s on the Central Coast where a specific Re Amp procedure was added to some of tracks prior to final mixing. The overall finished album was then mastered by Grammy Winner William Bowden (Gotye, You Am I) at his hi-end luxury suite in Tasmania.
Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix. Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.
Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville. Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ. A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’. The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.
Scott has since plied bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House. More recently Scott has released ‘Surrender to Robots’ also under his ‘Insufferable’ moniker which found wide response and positive reviews which led to the creation of the new album Tea and Medals.
The Insufferable Paul Scott – Tea and Medals is out NOW Oct 29
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Created during the longest lockdown in the world –
Melbourne’s irrepressible One Man Band records a full album
“From February to September of this year, with the pandemic still belligerently stomping through the living room like a toddler with a bucket on its head, I managed to use music as a way to “remain indoors” and focus on something that wasn’t terrible news in an attempt to preserve my sanity.
Ducking’ begins and ends with comic ‘bookends’ an almost Las Vegas lounge singer introduction and ‘Gateway Song’ that abruptly gives way to ‘Everything Is OK’ (something we all want to hear). A positive and up-beat acoustic guitar and glockenspiel tune with cheerful whistling that reassuringly squeezes your shoulder and says everything will be ok. Aaaahhh yes … I do hope so.
It’s an eclectic mix of up-beat rock, down-beat moody rock, tongue-in-cheek segues, power pop (and whatever Paranoia Grande is), that moves quickly in spite of the rather long 47-minute total playing time. Song durations range from 27 seconds to the cinematic and sprawling 5:07 of ‘Don’t Forget Me’ which is appropriate because it was actually written for a movie. “The Problem Y” was shot in California a few years ago and is yet to be released. Written & directed by Joe Bizarro with whom I spent 5 years making music for The Brides Of Satan grindhouse indie slasher which is now available to stream and buy.
‘Ducking’ is a fun, light hearted and amusing album in places but gets serious and even a little scary in others – all part of the emotional rollercoaster of the pandemic era. I feel the title sums it all up. We all know what we meant to say when we tried to text ‘Ducking’ but autocorrect had other intentions … our frustration becomes humour and we find that we can still laugh at ourselves. ” –
Jamie Coghill September 23, 2021
As a band I am called The Jimmy C. As a human person I am called Jamie Coghill and am possibly known for (by people with very good memories specifically within the Melbourne pub rock scene) playing drums with The Devilrock Four, Fez Perez and Luxedo – going back more than 20 years now to the very late 90s so to be familiar with me is super niche and you would have to have very good taste!
Sometime around 2005 I decided to make an album of songs I’d recorded on a Tascam 4 track cassette recorder. I’d been experimenting with writing and recording since my teens but until then I hadn’t recorded anything I wanted people to hear.
Over the past 16 years I worked on my song writing, playing and recording techniques and released 7 albums, 4 soundtrack albums (2 for an American web series: The Adventures Of Superseven and The Sandra West Diaries, and one for an American indie grindhouse film: The Brides Of Satan), and a few EPs and singles. I also made a sort of 10 year anniversary live album/video roping in a few friends to play and record my songs live, which lead to the formation of Lava Fangs, a garage power pop punk band with an EP, an album and some singles – we’re very good and you should check us out!
As a one-person band I have found the pandemic era to be quite productive, and a welcome distraction from almost two years of terrible news (I’m writing this the day after the Melbourne earthquake – who saw that coming?!?!). From February 2021 to mid-September I worked on a new collection of songs as well as upgrading my recording setup – still with quite out of date gear but a huge step forward from the stuff I used to record my previous albums!
Super Furry Animals, Ween, Queens of the Stone Age, Sloan,
Ducking is out now on Foghorn/MGM.
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Surrey Road is the culmination of over 20 years song writing and came from Steve’s desire to do an album of his own songs with various great singers that he knew or had worked with previously. Shelter Me was written by Steve and Pat Powell and features the smooth vocals of young up and coming Melbourne singer, Nic MC. Many of the other songs on the album are sung by Pat Powel himself, lending his legendary voice to the mix and pat also co write a number of the tunes.
Steve Played all instruments on the album himself other than guest appearances by Victor Rounds on bass and John prior on drums (selected songs). Steve produced, engineered and mixed the album at his studio in Melbourne with the exception of “when I see you dancing” which was mixed by John Prior at Unity Gain studios in Sydney.
The album is clocking strong metrics on digital platforms and the main single SHELTER ME is heading to radio via Play MPE
Steve Williams came to prominence as the lead guitarist in the 80’s pop group Wa Wa Nee, who had top 5 hits and ARIA Nominations in Australia and chart action in Europe and the USA. This prompted Steve to relocate to Europe after working with James Freud and Richard Clapton following Wa Wa Nee’s breakup. After working as a session musician in the UK and Europe he returned to Australia in 2005 and continued session and production work including musical theatre and television appearances. He has played in bands alongside Jon Lord from Deep Purple, Choirboys, Matt Finish, Ray Parker Jr, Real Life, and many more.
The Surry Road album was recorded in Steve’s Melbourne studio. Steve co-wrote all the tracks with musicians that he has worked with over many years of touring and recording :
Tracks feature guest vocals from Pat Powell(Melbourne Ska Orchestra and many more) and other well known vocalists such as: John Kenny (Rockmelons), Tim Watson(Taxiride), Vince Contarino, Terry Slesser(UK) and Louise Person as well up-coming Melbourne singer Nic MC.
The songs were co written with a host of writers including Mark Gable(Choriboys), Scott Smith and many of the singers above.
With the worldwide release of Surrey Road marking off this long span of writing and recording Steve’s new album for 2022 is already underway with a much more personalized and singular approach.
Checkout the Album
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Cody and The Blackouts(USA)
Living Asleep (12 Track Album)
Release Date: October 20 (Chance Music) All Digital Platforms
Extrapolation, n:An educated guess or hypothesis. To extrapolate isto use observations about a current situation to make a prediction.
‘Extrapolation’ is not a word you’d expect to find in a modern pop song, but there it is in the title track of the thoughtful and heartfelt debut album by Los Angeles band Cody And The Blackouts:
“Present finally caught up to my past / Surprised my house of cards had been built to last / Extrapolation – gift and a curse / It helps connect the dots but can make things worse” (Living Asleep).
He’s the lead singer and keys player in the band, but Cody Hudock’s most striking asset is his songwriting. Notable LA music blog, Buzzbands.la, held up Hudock’s work to “any number of rock-Americana greats and piano-wielding popsmiths who can seize the moment with a single couplet … owing to Hudock’s often-cutting, always-earnest lyrics, the Blackouts come off as the band most likely to have put down their history textbooks long enough raise hell at the local bar.”
A dab hand with a lyric, Hudock often takes a song title and runs with it, as in “I’m gonna crack the code / it’s just a matter of time” (Matter of Time), or “All I’m asking for’s the last word” (The Last Word). Even the album’s closing track, tender piano ballad Love Song To You, pre-empts its own chorus as Hudock vows to “learn the vocab to say what I felt”.
There he goes, extrapolating again.
Cody Hudock was born into a family of songwriters. He learned the trade from his father and older brother, Jordan, who also plays keys on Living Asleep. After acquiring early performance experience playing keys in Jordan’s bands, Cody wrote and released 3 EPs between 2011 and 2015 under the moniker Cody The Band, and the ambitiously titled The Great American Album LP under his own name in 2016. The LP garnered some delirious word of mouth, with LA blog The 704 gushing, “If there were an award for ‘greatest living songwriter you’ve never heard of’, then Cody Hudock’s sterling solo effort would place him firmly in the running.”
Rounding out the Blackouts are guitarist Jimmy Holman, drummer Brent Stranathan and bassist Will Weissman, with Joanna Hudock on backing vocals. Joanna shines on the country-tinged I Confess, a duet with husband Cody, And contributes celestial harmonies to the choruses of several other songs on the album.
Recorded at Hollywood studio Elephant In The Room, produced by Ethan Kaufmann (Avril Lavigne, Wild Party) and Brent Stranathan, and mixed by veteran Capitol Records engineer Chandler Harrod (John Mayer, Neil Young), Living Asleep captures the unique studio chemistry of Cody And The Blackoutslike lightning in a bottle.
From the pop-cultural history lessons of opening track Time Stood Still (the band’s head-turning 2020 debut single), through the pendulum swing of Matter of Time, to the hook-laden pop bauble Sister Sister, Living Asleep extrapolates an uncommon range and versatility. As for predictions, heed the title of the album’s penultimate song: Somehow I’ll Make Good. Believe it.
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Gabriel is Jack Nolan’s fifth solo album, and the first album he’s yielded to someone he trusted enough to produce: This is an album that mines its own carefully sculpted acoustic world with a profoundly atmospheric sense of place, and a depth of self-knowledge that speaks of arrival after a lifetime of sometimes hard, sometimes tender experience.
The genesis, Gabriel came to Jack a few years ago, sat at his side on a long desert drive that he wasn’t sure he’d come back from. The title track, in its own unhurried and roundabout way, eventually found itself in Nashville, USA, on an album completed just before COVID-19 wrought its havoc on the world.
Atonement is upfront in titles like The Hopeless Son and Restitution Song. Others — Tomorrow Came, Faster Than the Speed of Change, A Fool Would Follow Me — are deeper stocktakes, songs from life’s rear view mirror. Ghosts of people and places and other, maybe darker things, receding for sure, but too close to ignore.
Produced by Justin Weaver and captured on two-inch tape in the aptly named ‘Welcome to 1979’ Studios by engineer Chris Mara, the assembled band included drummer Jimmy Paxson, bassist Chris Autry, keys player Phil Towns and pedal steel player David Spires who were joined by backup singers Terri Lynn Weaver & Siobhan Maher Kennedy. Justin himself applied the deeply textured lead and electric guitars.
Gabriel, is a record offering up evocative, ethereal stories, perhaps best signalled on the album’s title track, with Nolan singing “Endless lanes /endless cars // In the absence /of stars” reminding us of this new world, turned on its axis in 2020/21.
In true analog fashion following on from the Tape Based Recording the album is available on LP Vinyl format as well as CD and Digital.
Jack Nolan is a singer songwriter based in Sydney, Australia, who’s been performing and releasing music and albums since the mid 90’s. Along with a five-album solo catalogue Jack also fronted The Kelly Gang, with Rick Grossman, bassist for The Divinyls and Hoodoo Gurus along with Midnight Oil drummer Rob Hirst and guitar player Martin Rotsey. Their 2004 album Looking for the Sun was critically adored along with their energetic live shows of the time.
Within Nolan’s music, mysterious and shimmering chords unite his sound with that of the Americana genre, once quaintly described as ‘Darlinghurst Country’, uniting elements of folk, country, rock ‘n’ roll and ambient atmospheres fusing Nolan’s passion for intensely charged electric guitar and finger-picked acoustic guitar.
And so it is, Jack’s latest album, Gabriel, releasing October 2021, keeps the wheels moving on the meaningful passion of this writer and performer.
Recent Article on Gabriel:
Written by Jack Nolan
Recorded at ‘Welcome to 1979’ in Nashville TN 2020
Produced by Justin Weaver
Engineered by Chris Mara
Mixed by Chris Mara & Justin Weaver
Mastered by Ryan Smith, Sterling Sound Nashville TN
Jack Nolan – Vocals & guitars
Justin Weaver – Electric Guitars, slide, banjo & backing vocals
Jimmy Paxson – Drums
Chris Autry – Bass
Title Track Video
Gabriel is OUT NOW October 8 Quay Records/MGM.
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