The Insufferable Paul Scott Releases Single ‘Extinct’

May 14, 2025 Marshall Cullen

NEW REVIEW

“‘Extinct’ is a slice of pure indie pop with a sparkle… There is a melancholic fairground feel to the music as he repeats the line fail to adapt when extinct with a romantic twist to the lyrics – no-one can sparkle like you do.” – Arun Kendall

https://www.backseatmafia.com/track-its-not-over-for-the-insufferable-paul-scott-ex-pop-mechanix-as-he-releases-sparkling-new-single-extinct/

Scott’s recent release EXTINCT (2025), continues his tradition of combining sharp, introspective lyrics with innovative soundscapes. His music is characterised by its melodic structures, layered instrumentation, and a penchant for exploring themes of modernity and human experience.

Describing himself with a series of tongue-in-cheek adjectives—“Inedible, Incorrigible, Indescribable…”—Scott embraces his “Insufferable” moniker with humour and self-awareness. His work continues to resonate with audiences seeking music that is both thought-provoking and sonically rich.

The Insufferable Paul Scott is a Sydney-based singer-songwriter and multi-instrumentalist known for his sharp wit, eclectic sound, and prolific output. Emerging from Australia’s indie scene, Scott has played bass and guitar for numerous acts, including The Likes of You, Montana, The Kingdom of Jones and Bad Machines, performing everywhere from community halls to the Sydney Opera House, from Australia and New Zealand to Europe and the USA.

In 2019, he launched his solo career with the debut album Surrender to Robots, a lo-fi, genre-blending collection that drew favourable comparisons to art rock acts such as Of Montreal and The Notwist. This was followed by a string of EPs and albums that showcased his evolving sound and lyrical prowess. Notable releases include Radio Station (2020), Tea and Medals (2021), and Dopamine Mining (2024).

Tea and Medals, recorded during the COVID-19 lockdowns, stands out as a 12-track album featuring collaborations with producers like Steve Melville (The Tea Party, Regurgitator) and Tim Powles (The Church). The album blends indie rock, synth-pop, and jangle pop, reflecting Scott’s diverse musical influences.

Stream

Connect

News and Touring

Steve Kilbey & Gareth Koch Release Album ‘Songs From Atlantis’

May 1, 2025 Marshall Cullen

In their latest album, Songs from Atlantis, Steve Kilbey & Gareth Koch re-imagine deities and figures from antiquity. Their album creates an esoteric impression of an ancient mythical kingdom, when Poseidon ruled the undersea and the Augur interpreted the will of the gods.

The music on Songs from Atlantis is in turn mystical, powerful and reflective. The textures range from glistening harmonics to diving liquid slides. Some of the music is almost aqueous, with resonator guitars producing a type of whale song while lyres evoke an idea of Ancient Greece.

Kilbey and Koch have created a highly contrasting collection of songs and moods, ranging from the haunting tenderness of Calliope’s Song to the grinding majesty of Hyperion’s Oar. Shimmering and water-like, the music and lyrics evoke the lives of ancient gods, servant girls and soothsayers.

Atlantis, an island mentioned in Plato’s works, is described as an empire that ruled all parts of the world. After falling out of favour with the deities the city is subsumed into the Atlantic Ocean.

What unites the musical spheres of an Australian rock icon and a Viennese-trained classical musician?

The answer lies in a shared aesthetic and approach to their craft. There is a wistful and haunting lilt to the Kilbey/Koch songs, as they float seamlessly through a narrative of fallen crowns and enchanted gardens. To compliment the poignant lyrics is a delicious instrumentation, weaving and waif-like, alternately brimming with rhythmic drive.

Steve Kilbey, also known as the frontman of veteran rock band The Church, has generated a lifetime of beautifully crafted songs. His subtly esoteric lyrics create an aura of mystery, posing questions and teasing the listener with riddle-like answers.

Gareth Koch is a European-born classical guitarist and composer who has recorded most of the major repertoire. His compositional style reflects a lifelong engagement with classical, folk, rock and flamenco music. Although not easy to define, Koch’s music is often characterised by medieval gestures, influenced by the unrequited longing style of the French Trouveres (singer-poets) of the 12th century.

Stream Below