Tag Archives: electronic

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Carla Cargal’s Posthumous Album Release ‘Leap Year’

Born with an innate love of music and performing in childhood years, Carla Cargal set aside musical ambitions as an adult. Her desire to create music of her own resurfaced years later.
With unwavering support of loved ones and friends, Carla rediscovered her musical identity guided by her life lessons.
With mentor John McNicholas and producers Jonny Daly and Dan Dixon, Carla created a genre-transcending album that touches the depths of the human spirit.
Just as Carla’s music was about to be released, a tragic accident ended her life. Her legacy lives on through the timeless melodies she left behind.
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Siri Lini Releases Album ‘Beautiful Day’

Siri Lini is a singer/songwriter and multi-instrumentalist whose new alternative album Beautiful Day is filled with rock, folk, and pop stories of Southwestern landscapes and the people that populate them.
Raised in Dallas, Texas, Siri learned guitar and started singing in the 3rd grade. She found Joni Mitchell, Joan Baez, and folk standards and sang for friends, family, and neighborhood events. Siri formed post-punk, all-female power trio Disbanned at the height of the Dallas indie scene, writing, singing, playing bass, releasing their debut album, and touring.
“I’m a Libra,” she says. “My mission is and always has been to create.”
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Steve Kilbey & Martin Kennedy Release Album ‘Premonition K’

With the third album in less than 3 years things are gaining momentum with Premonition K Vinyl pre-orders sold out and a repress underway. Plus 5000 spotify followers can’t be wrong. 

Building on the success of Jupiter 13 (2021) and The Strange Life of Persephone Nimbus (2022), Steve and Martin release their latest epic, ‘Premonition K’. The album unveils sumptuous sonic soundscapes courtesy of Kennedy paired with Kilbey’s lyrics that delve into the dark and enigmatic realms that exist between the boundaries of life and death. They invite you to break out the ouija board, turn off the lights, and immerse yourself in the mysteries of ‘Premonition K’.

First checkout the video premiered on Scenestr

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Steve Kilbey (The Church), band singer, songwriter, bassist, painter, writer, poet, actor, sage, and dispenser of arcane wisdom, is one of Australia’s most loved artists.
Martin Kennedy (aka All India Radio) is the ARIA nominated composer whose music has featured in CSI: Miami, One Tree Hill, The Lying Game, Julia Zemiro’s Home Delivery and Bondi Rescue.

This album, a testament to their musical synergy, encapsulates a darkly beautiful soundscape, drawing inspiration from diverse sources, ranging from the haunting tones of Roger Waters ‘The Final Cut’ to the shadowy depths explored by early 1970s Pink Floyd or Hawkwind.

Steve Kilbey infuses each track with an emotional resonance and sense of mystery. Martin Kennedy co-pilots this sonic odyssey with Steve Kilbey. Together they weave an intricate musical bed for Kilbey’s lyrical dreamings with layers of sonic complexity, at once warmly familiar and mysteriously strange, creating an immersive experience for the listener.

Song Descriptions 

Breaking The Fourth Wall
The opening track on the new Premonition K album from this prolific pair starts with an almost spoken word delivery from Steve with minimal backing. The track is reminiscent of Pink Floyd around The Wall era. As the song moves the textures build as it heads towards a massive outro.

Nowhere
This tune features ethereal female backing vocals and a full band mix. Kennedy’s lush guitar and keyboard textures flow over the drum and bass rhythm section. Steve Kilbeys highly distinctive voice is in great form and the lyrics as intriguing as ever.

The Song That Wrote Itself
An up-tempo radio track with all the elements that make this record a great piece of work. Steve’s voice and lyrics, lush backing, smooth but strong female backing vocals, especially on the chorus, easy catchy melodies, riffs and vocal lines.

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Kilbey Kennedy Release New Single ‘That’s Gotta Hurt’

Both of these guys are on a post covid roll, The Church’s Hypnogogue Album has received worldwide acclaim and Martin’s work has been far ranging and prolific as always.

Building on the success of Jupiter 13 (2021) and The Strange Life of Persephone Nimbus (2022), Steve Kilbey and Martin Kennedy are about to releases their latest epic, ‘Premonition K’. The album unveils sumptuous sonic soundscapes courtesy of Kennedy paired with Kilbey’s lyrics that delve into the dark and enigmatic realms that exist between the boundaries of life and death.

Steve Kilbey, best known as frontman of legendary Aussie post-prog rockers The Church, infuses each track with an emotional resonance and sense of mystery. Martin Kennedy co-pilots this sonic odyssey with Steve Kilbey, weaving an intricate musical bed for Kilbey’s lyrical dreamings. Drawing from his twenty years of soundscaping with All India Radio, Kennedy adds layers of sonic complexity, at once warmly familiar and mysteriously strange, creating an immersive experience for the listener.

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The first single from the new album ‘That’s Gotta Hurt’ – upbeat jangle-guitars and Kennedy’s familiar electronic swirls provide the stage for Kilbey’s trademark lyrical magic.

Steve Kilbey says, “That’s Gotta Hurt is about the existential pain of loving and losing and of attachment to the roles we play in this theatre of the absurd.”

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Jessie-May K Releases Single ‘Do What We Want’

‘When I was little there was one thing I would always say. I’ve always clung to my independence like a badge of honour too precious to lose. So when others tried to reign authority over me or tell me what to do, my answer was always the same. “I can DO WHAT I WANT!”.

As one might have already suspected, this personal, inner fire was both good and bad depending on the situation. However, luckily as I grew, it was more often a positive trait and ended up saving me from a life of cycle repeating, bad decisions and abusive relationships. I’m very grateful that I kept such a strong connection to my inner compass and that I never lost that part of me. I made my own choices, I chose my own path.

Concealed inside the electronic, synthetic pop, is a mantra for individualism all can express. And I can only hope that if anyone out there relates, that they never forget, you can be whoever you choose to be, no matter what you’ve gone through, where you started, or who’s tried to tear you down. The only thing that is in charge of you is you. Live authentically, don’t be afraid to express yourself, stand up for what you believe in, this is YOUR life. Let’s do what we want.’

Another modern pop gem from young Central Coast singer Jessie -May K. The song has an intriguing telephone sound on the vocal chorus plus brilliant backing created by producers Dave Hunt (Sarah Blasko) and Andrew Beck (Steve Kilbey, Natalie Gauci). Mid tempo, great beats, hooks and plenty of lush vocals.

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About Jessie

Jessie-May K is a young, Singer, Songwriter, Director, Actor & Artist. Most successful as an internet personality, Jessie has released four singles and a collection of episodic works that accompanied their 5 track EP Zone Out (2020).

Originally trained in Musical Theatre, Jessie transferred to music when they were 16, teaching themselves guitar from YouTube to elevate their musical career, as they had been writing songs with lyrics and melody since they were 5 years old.

Jessie is passionate about social justice and activism, often releasing music about movements that are important to them, raising awareness and sharing donation links in the hopes it will make a difference. Jessie is Neurodivergent and was born with ASD, ADHD, OCD and developed PTSD as a result of their early hardships and extreme childhood trauma. Jessie believes that the world thrives on diversity and that benign individuality is something to be celebrated and not feared.

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Gareth Koch & Martin Kennedy Release Album ‘Music In The Afterlife’

“Brian Eno meets Massive Attack and classical guitarist John Williams”

The idea of an afterlife has fired imaginations across cultures for millennia and is one of the earliest belief systems in recorded history. It is fascinating to consider that a type of identity or stream of consciousness might exist in the absence of the physical body.
In ‘Music In The Afterlife’, Gareth Koch & Martin Kennedy have created a sound world which seeks to convey a continued existence taking place in the spiritual realm, or otherworld. In mythology there are phases through which the consciousness passes before arriving at a reward in the afterlife. The Koch/Kennedy songs, or pieces, reflect imagined states in which the protagonist journeys through the stages of waiting, trance, drifting, resignation & Elysium.

In their debut collaboration Viennese-trained classical musician Gareth Koch & ambient music specialist Martin Kennedy have created a unique sound world. Their compositions weave acoustic & electronic realms into a seamless fabric in which medieval, folk & electronic influences are entwined. If this melange is beginning to sound like an unholy brew nothing could be further from the truth. The pieces are deft, intuitive & hypnotic, drawing the listener into a reflective & profound listening experience.

In what is termed classical music (perhaps more aptly described as western art music) the earliest notated plainchants of around CE930 were centred on spirituality & belief in the afterlife. From this point onwards classical music evolved with a connection to an otherworld or divine, often embracing various mythologies. Ambient music came of age in the twentieth century in the era of electronic synthesisers, but its origin’s date back to French classical music composer Erik Satie. Satie pioneered a genre of music which emphasised tone & atmosphere, providing the ideal sonic environment for contemplation & spiritual reflection.

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Steve Kilbey & Martin Kennedy Release Album ‘The Strange Life of Persephone Nimbus’

Steve Kilbey & Martin Kennedy follow up their acclaimed album Jupiter 13 with the epic ‘The Strange Life of Persephone Nimbus’, a sprawling Pink Floyd-ish concept album that shimmers with darkly beautiful musical undercurrents, oblique lyrics and spooky spoken word pieces. It is the second chapter of an eventual trilogy and this one has already garnered  strong reviews leading to release.

ALBUM REVIEWS
http://bigtakeover.com/recordings/KilbeyKennedyTheStrangeCaseofPersephoneNimbusFoghorn

https://www.backseatmafia.com/album-review-steve-kilbey-the-church-and-martin-kennedy-all-india-radio-are-kilbey-kennedy-and-they-combine-forces-again-to-weave-their-aesthetically-jaw-dropping-sci-fi-sonic-magic/

The album was recorded in Tasmania overlooking the ocean, peaceful and crystal calm one day, dark and stormy the next, a dynamic that inevitably worked its way into the music and lyrics.

Returning to the mixing desk is Simon Polinski (Paul Kelly, The Church, David Bridie, Stephen Cummings, Underground Lovers) who skilfully brings the story of Persephone Nimbus to life.

Steve Kilbey writes: ‘Persephone Nimbus was just an ordinary woman living an ordinary life, with a promising job at Eternity Incorporated. Until one day she was kidnapped by the Plutocracy.
There she reigned for 6 months of the year, a sad cold queen of the dark webbed world. But for 6 months of the year she was allowed to ascend to the Overworld with its marvellous technological illusions, and it’s towers that pierced the very sky. But on the first day of every autumn she must take the long staircase back down, down into the Plutocracy, with their frozen lakes and above them, a sky of iron.’

In 1981 a teenage Martin Kennedy stumbled upon Steve Kilbey and The Church at Tanelorn, an oddball old world meets new world music festival, and fell in love with their look and sound. He recorded their set on a walkman, and the songs helped spark the beginning of his music career. Just a year before, an equally fresh-faced Steve Kilbey formed The Church in Sydney, the very beginning of their public life as accidental hit makers.

Forty one years later Martin and Steve find themselves working together on their sixth studio album, the epic The Strange Life of Persephone Nimbus. As ever with these two, the deal is simple: Martin writes the music and Steve writes the words. No argument, no egos, just a matter of pressing the record button. The results are an effective balancing of Kennedy’s haunting and melodic tunes with Kilbey’s mysterious, witty and intelligent lyrics, melded together by his heavenly voice. Martin keeps his teenage love of The Church out of the equation in fear of it skewing his songwriting but it’s there if you listen closely.

“Sumptuous meeting of Australian soundscaper and the head Churchman…Apart from having a voice of characterful cool poise and an imaginative lyrical lexicon, Kilbey can make a strong melodic song out of simple elements.” (MOJO)

“Occasionally side projects can be something really spectacular. This isn’t an album where you pick favorite songs – you simply immerse yourself in the whole lush experience. The good news is they’re recording a follow up” (Reverb magazine 4.5/5).

Kilbey/Kennedy – The Strange Life of Persephone Nimbus(Fog/MGM)

Out Oct 28 CD and Digital

Vinyl LP release Early 2023

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Throwing Shapes Releases Single ‘Into The Void’

The track begins slowly and builds with a fat bass line and fast beat. There is a duality between the slower chords and melodies, and the busy drums, that makes this track interesting and a little unique. This track is about meditation, diving deep ‘Into The Void’ of your own mind and soul.

Some slow piano begins this track with an almost ambient flavour, but wait. Full arpeggio keys, drums and bass hit hard creating a dance floor smash. There’s a breakdown back to the chilled vibe before stretching back into the frenetic uptempo vibe that is Throwing Shapes’ signature.

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About Throwing Shapes 

Throwing Shapes is Fox Shannon: a musician, DJ and producer from Perth, Western Australia.  Unique and forward thinking electronic music.  With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5. Pink Floyd and David Bowie.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilation and won growing interest from community radio, with air play around the country and some US stations.

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