Tag Archives: alternative

Kilbey Kennedy Release Album ‘Things We Did On Earth’

VINYL available in an Australian exclusive 180g splatter pressing of 150 with insert and stickers – RRP $50 

CDs also for sale in a jewel-case -?RRP $20 

“The album feels almost less like a collection of songs than a lingering emotional state. It’s immersive, transportive and remarkably cohesive from beginning to end. This is Kilbey and Kennedy at their very best. Where on earth they go to from here, who knows.” – Arun Kendall, Backseat Mafia review here

Steve Kilbey will be Featured on Alive 90.5 fm Australian Spectrum Radio Show 19th May

STEVE KILBEY BANDCAMP (Signed by SK)

https://stevekilbey.bandcamp.com/album/things-we-did-on-earth

SKRAM (SK’s exclusive merch channell on IG) (Signed by SK)

https://www.instagram.com/stevekilbeyrockartmerch

Listen worldwide live from 

https://www.alive905.com.au/ross-fear-australian-spectrum-show

Australian Spectrum Show Podcast Archive

https://omny.fm/shows/australian-spectrum-show

In 1981 a teenage Martin Kennedy watched Steve Kilbey and The Church play at a strange hippie festival in Australia. They were outliers at this festival and he fell in love with their look and sound. He recorded their set on a walkman, and the songs helped spark the beginning of his music career. Just a year before, an equally fresh-faced Steve Kilbey formed The Church in Sydney, the very beginning of their public life as accidental hit makers.? 

Forty five years later Martin and Steve find themselves working together on their ninth (add a bunch of side projects to this epic side project and they’re about 20 albums in) studio album ‘Things We Did On Earth.’ 

It’s always so simple: Steve calls Martin: Hey we’re touring Tassie got a few spare days to record an album? Martin: Heck yes.? 

And that’s it. Martin writes the music and Steve rocks ups to write and sings the words. No argument, no egos, just a matter of pressing record. 

They live in their own bubble, lost in a reverie, heads in the clouds. Martin doesn’t listen to any new music but his own. Steve enters his dream state and writes like there’s no tomorrow. ‘Things We Did On Earth’ is the culmination of everything that has lead up to this moment. It tells of mortality, dreams, other worlds, whatever you damn like. It could be their last album, but then they’ve been saying that for the last fifteen years. 

Indeed these are the things Steve Kilbey and Martin Kennedy do on earth.

Bio

Kilbey Kennedy is the long-standing collaborative project between Steve Kilbey (The Church – “Forty some years into their existence, these Aussie psych legends are making some of the most vital music of their careers” – Brooklyn Vegan) and Martin Kennedy (All India Radio – “Like Pink Floyd & The Flaming Lips at their most ethereal” – The Needle Drop). 
 
Since their first release in 2009, the duo has forged a singular sound – an “ultimate convergence of influences, that shimmers with a strange beauty accentuated by its dark and haunting undercurrents.” – The Music 


 
Drawing on Kilbey’s evocative lyrics and Kennedy’s atmospheric production, Kilbey Kennedy moves through ambient, psychedelic, and experimental spaces, favouring mood and emotional resonance over fixed genre lines.
“Neo-prog epic” – Prog magazine 
“Completely envelopes you, drawing you deep into its cosmic womb” – allmusic 
“For those of us who never really expected Kilbey/Kennedy to be much more than a one-off side project, their continued collaboration is a gift to all fans and one that keeps on giving.” – Volt & Volume

Steve’s Blurb for the Album

The end of a century of wonders 
Each glorious life engulfed by the Reverie Foundation 
A million memories at once 
All available to loved ones  
And for sale to strangers  
As things fell apart my daughter Serafina hiding forever in an imaginary darkened house in the woods 
Exotic holidays in Beautiful Places 
An encounter with an eel 
The wheel and whirl of karma  
The shadows of our lives in these songs 
Mornings of despair and evenings of deceit 
And lovely spirit from the otherworld she shines on a fragile flame 
An argument  
A marvellous view over a seaside city  
The machines that came to life 
And the plants that were harvested for cogs and filaments 
All the love and loathing  
All the bustle  
And the stillness of a Dawn Lake 
Thus are the things we did on earth  

 

Order Vinyl or CD’s Here

https://www.kilbeykennedy.com.au

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SCENESTR MUSIC VIDEO PREMIERE FOR SINGLE ‘SERAFINA’ BELOW

https://scenestr.com.au/music/premiere-watch-kilbey-kennedys-new-music-video-serafina-20260430

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Paul Scott Releases New Singles ‘Sunflower Seas’ and ‘Imperial Display’

The Insufferable Paul Scott is a Sydney-based singer-songwriter whose prolific recent output has cemented his reputation as a fiercely independent voice in Australian indie pop and rock. In the past few years, he has released a steady stream of material, including the 2024 EP No Kind Words For The Top Set, collaborative projects with The New Conniptions, and the 2025 album For They Are Sailors Just Like You And Seasick Just The Same. His new singles “Sunflower Seas” and “Imperial Display” continue this momentum, showcasing his melodic instincts and lo-fi sensibility. Known for writing, recording, and producing much of the work himself, Scott’s recent achievements highlight both his creative autonomy and relentless productivity.

Sunflower Seas Link

Imperial Display Link

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Paul Scott Releases Single ‘Superstar Housewife’

A vibrant power pop track released as a single by Sydney based Insufferable Paul Scott. Driven by hook laden melodies and layered instrumentation, notably guitars by Gregg Leonard, and Paul Mason, drums and percussion handled by Tim Denny.  The song has received an energetic electronic remix titled the Home Before Breakfast Mix, created in collaboration with electronica artist Meddling Kid (Steve Melville) transforming the original into a dancefloor-ready banger. Overall, Superstar Housewife offers an engaging mix of indie pop sensibilities and melodic hooks with lyrics that present a witty riposte to the Stones track ‘Mothers Little Helper.’

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Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix. Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.

Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville. Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ. A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’. The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.

Scott has since plied bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House. Teaming up with Steve Melville (ex Mr Blonde and Montana) Paul and Steve have established a studio production relationship, playing on each other’s tracks (Stewart and Melville, The Likes of You) and coproducing The Insufferable Paul Scott’s well received 2021 album ‘Tea and Medals’ (which Melville also mixed).

Their most recent project is a closer collaboration with Melville adding drums, percussion and keyboards to Scott’s voice, guitar and bass, a line up very close in sound and feel to their youthful unit ‘Montana’. “I was looking for the kind of pop thrill I used to get from great Aussie indie bands such as The Falling Joys, Smudge, The Hummingbirds, pop thrills… you know?” says Scott.

Recently some of Paul’s releases from the early part of his recoding career came back to him. This presented a great opportunity to reissue them in the modern music formats. Originally released in 2017 on legendary Half-a-Cow label by his band ‘The Likes Of You’, the album has been remixed and remastered for reissue in 2025.

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Paul Scott Releases Album ‘For They Are Sailors Just Like You And Seasick Just The Same’

‘For They Are Sailors Just Like You and Seasick Just the Same’ by The Insufferable Paul Scott is a tender, reflective album that explores the shared vulnerabilities of being human. With warm arrangements, understated melodies, and quietly affecting lyrics, it drifts through themes of connection, uncertainty, and emotional resilience. Honest and gently poetic, the record speaks to those navigating their own inner weather—reminding us we’re all a little unsteady sometimes, and that’s okay.

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Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix. Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.

Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville. Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ. A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’. The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.

Scott has since plied bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House. Teaming up with Steve Melville (ex Mr Blonde and Montana) Paul and Steve have established a studio production relationship, playing on each other’s tracks (Stewart and Melville, The Likes of You) and coproducing The Insufferable Paul Scott’s well received 2021 album ‘Tea and Medals’ (which Melville also mixed).

Their most recent project is a closer collaboration with Melville adding drums, percussion and keyboards to Scott’s voice, guitar and bass, a line up very close in sound and feel to their youthful unit ‘Montana’. “I was looking for the kind of pop thrill I used to get from great Aussie indie bands such as The Falling Joys, Smudge, The Hummingbirds, pop thrills… you know?” says Scott.

Recently some of Paul’s releases from the early part of his recoding career came back to him. This presented a great opportunity to reissue them in the modern music formats. Originally released in 2017 on legendary Half-a-Cow label by his band ‘The Likes Of You’, the album has been remixed and remastered for reissue in 2025.

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The Insufferable Paul Scott Releases Single ‘Extinct’

NEW REVIEW

“‘Extinct’ is a slice of pure indie pop with a sparkle… There is a melancholic fairground feel to the music as he repeats the line fail to adapt when extinct with a romantic twist to the lyrics – no-one can sparkle like you do.” – Arun Kendall

https://www.backseatmafia.com/track-its-not-over-for-the-insufferable-paul-scott-ex-pop-mechanix-as-he-releases-sparkling-new-single-extinct/

Scott’s recent release EXTINCT (2025), continues his tradition of combining sharp, introspective lyrics with innovative soundscapes. His music is characterised by its melodic structures, layered instrumentation, and a penchant for exploring themes of modernity and human experience.

Describing himself with a series of tongue-in-cheek adjectives—“Inedible, Incorrigible, Indescribable…”—Scott embraces his “Insufferable” moniker with humour and self-awareness. His work continues to resonate with audiences seeking music that is both thought-provoking and sonically rich.

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The Insufferable Paul Scott is a Sydney-based singer-songwriter and multi-instrumentalist known for his sharp wit, eclectic sound, and prolific output. Emerging from Australia’s indie scene, Scott has played bass and guitar for numerous acts, including The Likes of You, Montana, The Kingdom of Jones and Bad Machines, performing everywhere from community halls to the Sydney Opera House, from Australia and New Zealand to Europe and the USA.

In 2019, he launched his solo career with the debut album Surrender to Robots, a lo-fi, genre-blending collection that drew favourable comparisons to art rock acts such as Of Montreal and The Notwist. This was followed by a string of EPs and albums that showcased his evolving sound and lyrical prowess. Notable releases include Radio Station (2020), Tea and Medals (2021), and Dopamine Mining (2024).

Tea and Medals, recorded during the COVID-19 lockdowns, stands out as a 12-track album featuring collaborations with producers like Steve Melville (The Tea Party, Regurgitator) and Tim Powles (The Church). The album blends indie rock, synth-pop, and jangle pop, reflecting Scott’s diverse musical influences.

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Steve Kilbey & Gareth Koch Release Album ‘Songs From Atlantis’

In their latest album, Songs from Atlantis, Steve Kilbey & Gareth Koch re-imagine deities and figures from antiquity. Their album creates an esoteric impression of an ancient mythical kingdom, when Poseidon ruled the undersea and the Augur interpreted the will of the gods.

The music on Songs from Atlantis is in turn mystical, powerful and reflective. The textures range from glistening harmonics to diving liquid slides. Some of the music is almost aqueous, with resonator guitars producing a type of whale song while lyres evoke an idea of Ancient Greece.

Kilbey and Koch have created a highly contrasting collection of songs and moods, ranging from the haunting tenderness of Calliope’s Song to the grinding majesty of Hyperion’s Oar. Shimmering and water-like, the music and lyrics evoke the lives of ancient gods, servant girls and soothsayers.

Atlantis, an island mentioned in Plato’s works, is described as an empire that ruled all parts of the world. After falling out of favour with the deities the city is subsumed into the Atlantic Ocean.

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What unites the musical spheres of an Australian rock icon and a Viennese-trained classical musician?

The answer lies in a shared aesthetic and approach to their craft. There is a wistful and haunting lilt to the Kilbey/Koch songs, as they float seamlessly through a narrative of fallen crowns and enchanted gardens.  To compliment the poignant lyrics is a delicious instrumentation, weaving and waif-like, alternately brimming with rhythmic drive.

Steve Kilbey, also known as the frontman of veteran rock band The Church, has generated a lifetime of beautifully crafted songs. His subtly esoteric lyrics create an aura of mystery, posing questions and teasing the listener with riddle-like answers.

Gareth Koch is a European-born classical guitarist and composer who has recorded most of the major repertoire. His compositional style reflects a lifelong engagement with classical, folk, rock and flamenco music. Although not easy to define, Koch’s music is often characterised by medieval gestures, influenced by the unrequited longing style of the French Trouveres (singer-poets) of the 12th century.

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Kalen Hogan Releases New Single ‘Mindless’

Kalen is moved by the gritty side of life and respects those who are struggling with inherited or self-induced negative states of mind. ‘Mindless’ comes from that state of mind, lost, isolated, describing hallucinogenic episodes and schizophrenic-like symptoms.

Kalen says ‘‘Mindless’ is a song about mental illness. It describes hallucinogenic episodes and schizophrenic like feelings. We are taken on a journey with a person who is well into literally losing their mind.’

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About Kalen

Kalen Hogan debuted onto the local Central Coast music scene in late 2022 and proudly launched his debut album ‘Isolation’ in May 2023. Keen to kick off the new year with new singles, he released ‘On The Phone’ and ‘Right There’ earlier this year.

As an alternate indie rock singer-songwriter, Kalen proudly admits to being inspired by the 1990’s grunge movement, with a real reverence for bands like Nirvana and Alice in Chains. Kalen sings about the complexities of everyday life, with an open heart and keen observing eye. His pure vocal tone has been described as sounding reminiscent of Thom Yorke from Radiohead and the late Jeff Buckley.

You can catch Kalen performing live at various venues and events across the Coast.

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Paul Scott Releases Single ‘Saturday Morning TV’

Saturday Morning TV, do you remember, would you go back? They are always selling tickets to the past, would you retreat to the days of innocence and simplicity? The past is a foreign country and we, with our poisoned knowledge, will not be welcomed.  We are forever fated to fall forward into our mutual futures; what was felt then will never be felt again. Change consumes us and as some things degrade, we can also evolve, we can burnish our souls. The synths sounds are relics, the guitars refer to a digital past, all matt gloss and sharp edges.

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Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix. Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.

Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville. Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ. A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’. The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.

Scott has since plied bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House. Teaming up with Steve Melville (ex Mr Blonde and Montana) Paul and Steve have established a studio production relationship, playing on each other’s tracks (Stewart and Melville, The Likes of You) and coproducing The Insufferable Paul Scott’s well received 2021 album ‘Tea and Medals’ (which Melville also mixed).

Their most recent project is a closer collaboration with Melville adding drums, percussion and keyboards to Scott’s voice, guitar and bass, a line up very close in sound and feel to their youthful unit ‘Montana’. “I was looking for the kind of pop thrill I used to get from great Aussie indie bands such as The Falling Joys, Smudge, The Hummingbirds, pop thrills… you know?” says Scott.  An album has been completed and tracks will be released over the next few months on Foghorn, home to most of their releases to date.

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Paul Scott Releases Single ‘It Shouldn’t Sound Like That’

Insufferable Paul Scott: ‘It’s a love song through and through. A pean to the unreliable angels. The sirens of suburbia. Glowing golden and more than a little worse for wear. I saw a fox in the countryside, and it made me think of that kind of love, glimpsed, then gone, but unforgettable. Hence the memories. You can dance to this one. My handsome brother Kieran plays the lead guitar and the dashing Steve Melville made it sing.’

scott png

Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix. Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.

Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville. Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ. A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’. The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.

Scott has since plied bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House. Teaming up with Steve Melville (ex Mr Blonde and Montana) Paul and Steve have established a studio production relationship, playing on each other’s tracks (Stewart and Melville, The Likes of You) and coproducing The Insufferable Paul Scott’s well received 2021 album ‘Tea and Medals’ (which Melville also mixed).

Their most recent project is a closer collaboration with Melville adding drums, percussion and keyboards to Scott’s voice, guitar and bass, a line up very close in sound and feel to their youthful unit ‘Montana’. “I was looking for the kind of pop thrill I used to get from great Aussie indie bands such as The Falling Joys, Smudge, The Hummingbirds, pop thrills… you know?” says Scott.  An album has been completed and tracks will be released over the next few months on Foghorn, home to most of their releases to date.

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