Video Premiere On Scenestr
4th September 3pm at Yulli’s in Sydney with Hedy Blaazer – Free entry, table bookings recommended
24th September at Grace Emily Hotel in Adelaide with Bromham – Tickets on sale now
28th September at Shotkickers in Melbourne with Final Final, James Fahy, & Jim Dusty
Being Alive is a song that finds beauty in despair and reflects on lessons learned in defeat. Written in the wake of a relationship breakdown, Being Alive takes place directly after Hong Kong, the preceding single from The Burley Griffin’s latest record, Lost Limbs. Whereas Hong Kong tells the tale of separation, Being Alive sits in the realisation that everything has changed, and not necessarily for the better.
Being Alive was recorded by Louis Montgomery at Infidel and Myall Street studios and produced by Louis Montgomery and Evan Buckley. Electric guitars were played by Samuel McNair with Steve Paillas on bass and Steve Fitzgerald on drums, as well as additional vocals by Cathy Diver.
Mastered at Studios 301 by Andrew Edgson.
Premiered on Scenestr
Filmed on Ngunnawal and Gundungurra land, on locations of Lake George, an abandoned orphanage in Goulburn and a secret patch of roadside gravel, director Tim Kent aka Stackhat and songwriter Evan Buckley captured the visual world elicited by Being Alive, in all its tragic absurdity.
The decaying walls and collapsed floors of the old orphanage mirror the burden of grief, fallen structures that once held so many stories, now mostly forgotten. The broad vista of Lake George echoes the stark internal landscape that remains when shared courses are abandoned and direction loses its meaning.
Yet in its final scenes Being Alive offers a wry smile and nod to the audience, acknowledging how little we can control and how much still lies ahead, joy and pain, hope and loss, all part of the ride.
Stackhat – Tim Kent Video Director BIO
Stackhat is an award-winning Director/Producer currently based in Sydney, but originally hailing from the small town of Queanbeyan. Having worked with an impressive roster of artists including Sampa the Great, L-Fresh the Lion and Flying Lotus, Stackhat is an artistic tour de force constantly searching for new challenges both locally and abroad.
About The Burley Griffin
Evan Buckley (The Burley Griffin) grew up in Canberra, homeschooled in a religious fundamentalist cult, and has since hitch hiked and toured through 37 American states, exorcising and befriending his demons along the way. His most recent US tour took place during the 2016 election and his newest songs reflect the absurdity of the American dream.
The third Burley Griffin album, Lost Limbs, was launched with a twelve piece, beefed up band on June 26th 2021 to a sold out theatre at The Street, celebrating a vinyl packed with moving songs of loss and joy.
Long-time members Evan Buckley and Sam McNair are now joined on stage by “Reverend” Michael Bones, Hannah Beasley and featuring an energetic new rhythm section in Ben Cumming and Somesh Putcha. The Burley Griffin has seen Evan’s songs accompanied and interpreted by some of both Australia’s and the USA’s most intuitive musicians.
Watch the Music Video for ‘Being Alive’ here
Stream ‘Being Alive’
Connect with The Burley Griffin
Daxton’s latest music video is for his new single ‘End of the Road‘ lifted from his current ‘Electric Satellite‘ album.
With a green screen now part of his home garage studio and a tonne of spare cardboard boxes lying about it’s amazing to see what Dax has managed to create with nothing but his imagination and time on his hands.
End of the Road’ Official Music Video:
The video and song is reminiscent of Beck’s ‘Loser’ and is a bit of a nod to that era although the slide blues element (a signature of Daxton’s) gives it a timeless quality as well and could fit any era from right now to way back.
The album has also just started to garner warm reviews internationally, here are some of the most recent:
“Although it’s blues-based, Daxton plays these songs with an alternative rocker’s edge.” – Dan MacIntosh
“A wild, animalistic energy ties together “Electric Satellite” revealing Daxton’s uncanny ability to craft a truly timeless sound.”
“Electric Satellite is another blast of electric and eclectic blues, taking in the grunt and groove of rock and the accessibility and melody of pop and using this to forge his own southern fried take on the genre.” – Dave Franklin
Daxton released his new album ‘Electric Satellite’ earlier this year, a twelve-track slide blues album with up-tempo spacious songs produced by Pat Dow and Marshall Cullen. Daxton has worked with Pat on many projects – someone who has a keen ear for Daxton’s rustic blues mixed with psychedelic pop/rock sounds.
The album is Daxton’s seventh following the release in 2018 of ‘In Verses’ which features songs covering his favourite themes: life and death, the yin and yang of life, love and loss, while still keeping his always positive and up-tempo vibe.
Producing and playing music since his early teens, Daxton’s passion has kept him continually creating new material both for his band and solo career. On stage, Daxton comes across like he was born to play, his unique guitar style blending perfectly with heart-warming vocals.
Daxton has appeared at major festivals including the Sydney Blues & Roots and Tamworth Country Music Festival where he supported artists such as Kasey Chambers and Beccy Cole. He also has had one of his tracks ‘Moody Liz’ featured in the popular American TV series Doll House.
Based in Sydney, Daxton is best described as a blues/rock artist with a twist of pop and rock. He plays slide guitar rock/blues songs with a fresh and innovative sound. His latest album ‘Electric Satellite is a heavy, rustic blues rock album with psychedelic pop/rock sounds.