Long Awaited New Electric Blues album from slide and blues man Daxton out today February 18
Daxton releases his new album ‘Electric Satellite’, a twelve-track slide blues album with up-tempo spacious songs produced by Pat Dow and Marshall Cullen. Daxton has worked with Pat on many projects – someone who has a keen ear for Daxton’s rustic blues mixed with psychedelic pop/rock sounds.
The new album is Daxton’s seventh following the release in 2018 of ‘In Verses’ which features songs covering his favourite themes: life and death, the yin and yang of life, love and loss, while still keeping his always positive and up-tempo vibe.
Producing and playing music since his early teens, Daxton’s passion has kept him continually creating new material both for his band and solo career. On stage, Daxton comes across like he was born to play, his unique guitar style blending perfectly with heart-warming vocals.
Daxton has appeared at major festivals including the Sydney Blues & Roots and Tamworth Country Music Festival where he supported artists such as Kasey Chambers and Beccy Cole. He also has had one of his tracks ‘Moody Liz’ featured in the popular American TV series Doll House.
Based in Sydney, Daxton is best described as a blues/rock artist with a twist of pop and rock. He plays slide guitar rock/blues songs with a fresh and innovative sound. The new album ‘Electric Satellite is a heavy, rustic blues rock album with psychedelic pop/rock sounds.
The title track to the new album is a frenetic up-tempo post punk folk blues anthem. A full band and all the rocking bells and whistles to make it work.
High As A Kite
Bluesy slide guitar starts this classic Daxton tune. Catchy backing vocal ‘ooh ahs’ and full band including the classic Hammond organ, complete this mid-tempo tune.
Down and dirty blues from Daxton, featuring blues harp, slide guitar. Mid-tempo drums and bass, snappy guitar licks and riffs and the whole thing comes in at a rockin’ 2mins 47seconds.
Daxton – Electric Satellite is out NOW February 18th
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Pretty Cool Hat started as a response to anonymous emails from internet dating services. From there Kaijin moved to the search for the mystery that makes human relationships. Rather than complaining about what is wrong with Sydney, Kaijin reminisces about ‘The Cross’ and ‘Darlo’ in the 80’s.
Kaijin Solo is a contemporary singer/songwriter based on the NSW Central Coast with a blues rock influence.
He has been working and honing his craft for many years with various band line-ups and the plentiful bread and butter busking jobs and pub/club gigs around the coast (most recently at Link and Pin in Woy Woy). With the advent of Covid, Kaijin spent the downtime working on new material which resulted in the recording and release of a number of tracks last year.
Pretty Cool Hat
Strong drums, bass and guitar start this retro rock tune from Kaijin Solo. Mid-tempo with a driving chorus full of catchy hooks. Kaijin’s Dylanesque vocals and lyrics weave in and out to complete the picture.
A Night In Sydney
Mid-tempo classic rock from Kaijin Solo comes to life on this narrative song of Sydney back in the hey days of Kings Cross and Darlinghurst by night. The band are rocking and Kaijin’s Marshall stack powered guitars puts the cream on the cake.
Pretty Cool Hat is OUT TODAY February 11th – via MGM
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Paul Scott unleashes his ‘Insufferable’ Persona on the airwaves once again this time with a long play album Tea and Medals created in and out of the 2 big Aussie lockdowns ….
Heres a bunch of international reviews just in – read all about the album below-
When we asked the ‘Insufferable’ Paul Scott to send us an update to his bio below we got some straight to the point words such as: “Well it is simple really I am Inedible, Incorrigible , Indescribable , Incredible, Incoherent , Indigestible, Intellectual , Indistinguishable , Intractable.”
And when asked to comment on the new album he said – “you can take the album any way you like but to me it’s Inscrutable , Insoluble , International , Incorruptible, Inspirational , Instructional, Industrial ,Invaluable, Intangible and Individual”
Working with a host of collaborators/producers and mixers including: Steve Melville (The Tea Party, Paolo Nutini, Regurgitator), Tim Powles (The Church), a team based in Los Angeles and many others ‘Tea and Medals’ was born from a set of home demo’s written during lockdown in 2020. With the brief hiatus between the two NSW lockdowns, studio time was booked at various facilities including Damien Gerard’s on the Central Coast where a specific Re Amp procedure was added to some of tracks prior to final mixing. The overall finished album was then mastered by Grammy Winner William Bowden (Gotye, You Am I) at his hi-end luxury suite in Tasmania.
Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix. Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.
Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville. Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ. A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’. The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.
Scott has since plied bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House. More recently Scott has released ‘Surrender to Robots’ also under his ‘Insufferable’ moniker which found wide response and positive reviews which led to the creation of the new album Tea and Medals.
The Insufferable Paul Scott – Tea and Medals is out NOW Oct 29
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Imagine being born one day on another planet.
Everybody on this planet was given detailed instructions and knowledge of how to speak the language and how the world works. The entire planet is designed for everybody’s relaxation, socialisation, and comfortability.
Everyone but yours.
Growing up it felt like I was ostracised by the entire world. I felt like I was a literal alien and didn’t belong. The loneliness that never leaves you, leads to years of questioning the why. Am I the protagonist of a movie to be mocked by an invisible audience? Am I the butt of some cosmic joke? This is the life of a neurodivergent child. This is me. A pop single written with my entire heart from the perspective of a neurodivergent individual trying to navigate a neurotypical world.
I was called many things when I was young – freak, loner, weirdo. It never truly stopped, but the language did shift as I got older, once difference became more socially acceptable. Instead of calling me a weirdo on the playground, I would always get the sceptical phrase, “haha… you are.. QUIRKY… Aren’t you…?”
The relief and confidence I felt when discovering I’m okay, I’m not broken – my brain just works differently, was life changing! I hope Quirky can bring representation, comfort and celebration to the wonderful neurodivergent community. Branching further into the pop genre is something I’ve always wanted to do and Quirky was the perfect chance to do it!
Quirky contains fast paced electronic beats, funky bass, whacky harmonies and the message – it never hurt to be Quirky! I want to thank Jordan for the electronic instrumentals, Russel Pilling and Andrew Beck for recording, mixing and mastering this project and of course Marshall Cullen for producing and always believing in me.
This is a new more pop direction for Jessie May Kitchen. Up-tempo, programmed backing, ‘quirky’ keys, bass and guitar and some very ‘now’ vocal fx all go together to make this song a real winner for pop radio.
Jessie May Kitchen – Quirky is out NOW through Foghorn/MGM
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Mark Cashin Presents
New Single “The Genius“
Mark has produced yet another smash tribute to his late son, Coen, with this brilliant new single and video. The song was recorded in 2 days at Damien Gerard Studios and then mixed by renown engineer Russell Pilling.
Mark played drums and acoustics as well as providing the lead vocal. Other musicians included: Sarah Piper on backing vocals and Jake Hunt on electric guitars and bass. Recording engineer at DG’s was Murray Dilger and the song was produced by Mark Cashin and Marshall Cullen.
In Mark’s own words: “The song was written for a very talented musical genius, my son, Coen. He was involved in a fatal car crash 3 kilometres from our Central Coast home nearly 4 years ago. I would like to share the only gift I can give my son on his 28th birthday.”
Strong acoustics and riffing electrics begin this heartfelt mid-tempo song from Mark. The verses all feature a catchy guitar riff as well as the melodic vocals morphing into some sing along woo hoos as part of the chorus. Honest and straight from the heart this song really takes you somewhere.
Watch the Video here:
Foghorn Media / MGM
Written by MARK CASHIN
Performed by MARK CASHIN – Lead Vocals, Acoustic guitar, Drums
Jake Hunt – Electric Guitar, Bass Guitar
Sarah Piper – Backing Vocals
Engineered & Recorded by – Murray Dilger? at Damien Gerard studios?
West Gosford, NSW, AUSTRALIA
Mixed & Mastered by Russell Pilling
Produced by Mark Cashin and Marshall Cullen
Film clip by Stewart McDonald
Stream The Genius here:
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Great songs tend to resurface on a regular basis. Composed by Mike Hawker & Ivor Raymonde, ‘I Only Want to Be with You’ was the debut solo single released in 1964 by British singer Dusty Springfield.
Since then the song has been the subject of countless remakes, usually up-tempo versions, used seemingly as a vehicle to break emerging artists into the music industry. It’s an old trick but a good one to use a successful song in this manner.
Gareth Koch & Sheyana have adopted a completely different approach in their interpretation. The central idea was to delve into the core sentiment of the song & to reveal what might lie within. Simmering under the surface of what is generally considered an up-beat pop song lurked something more profound. This recording reveals a poignantly heartfelt, almost bluesy interpretation, laced with classical guitars combined with plaintive dobro/slide guitar.
The companion piece is Gareth’s instrumental version of Steve Kilbey’s ‘Think of You’. Released originally in 2020 on Steve’s ‘Eleven Women’ album (featuring Gareth on keyboard, bass & classical guitar), the depth of writing lends itself to a non-vocal version. Similar instrumentation is used on both tracks: National Baritone Guitar, Classical Guitar & Hofner Bass Guitar.
Featuring the vocals of Shey from The Sheyana Band, this beautiful acoustic version of the timeless classic melds the classical influences of Koch’s guitar with Shey’s striking voice. Think Tuck and Patti.
Stream or Download Now
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Adam Blacksmith is a thought provoking songwriter from Sydney, Australia. He is a talented wordsmith and a storyteller. He draws his influences from far and wide, from his contemporaries Augie March and the Drones to his workplace, Long Bay Gaol in Sydney where he works as a Special Education teacher. Blacksmith’s music doesn’t fall neatly into any conventional category although musically, he gives folk and blues an indie make-over resulting in a refreshing and unique sound.
Adam describes the moment he decided to become a singer:
“I was driving in my car In 1999 when I heard, “Asleep in Perfection” by Augie March on JJJ. I had to stop the car to take it all in. I had loved folk music for years but had lost faith in the radio to play bands with the lyrical substance of Dylan, Joni and The Tea Party until that moment. Hearing it renewed my faith in radio and music at the same time and it gave me the hope that I could transform my poetry into music. All of friends at the time were in metal bands and were very supportive of my direction and my family felt the same, however, If I am honest, I don’t think they believed I’d stick with it.”
Like so many other songs, the catalyst for “Sometimes I miss you” was a break-up, however that’s where the similarities end. This is not a song about heartbreak or pining over future loves, nor is it a declaration that “I’ll never love again” … That’s all been said.
“Sometimes I miss you” is no ordinary break-up song, but a penned commitment to giving aspirations their deserved priority, shaking old habits, facing hard truths and resisting the urge to self-sabotage when things finally go my way. It’s, a farewell to Codependancy, being the perpetual roadie and giving flowers to those with allergies.
Musically, this song combines folk inspired verses with a souped-up Fuzz guitar chorus, a howling Hammond Organ and distorted vocals to augment the refrain “I Don’t miss who I am when I’m with you”.
Production: Jordan Ellery (Dulwich Hill Sydney)
Mixing: Jordan Ellery (Dulwich Hill Sydney)
Mastering: Don Bartley (Blue Mountains, NSW)
Stream the new single here:
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