MrHarvey New Ep It’s Kool to Be Kind
Release Date: October 23 (Foghorn/MGM) ALL Digital Platforms
MrHarvey is the stage name of singer-songwriter Nathan Harvey. Having only picked up a guitar in 2015 at 44 years old, his music is as interesting and diverse as his life! A blend of blues, folk, country and rock, Nathan’s music is very lyrics focused as he draws on a myriad of musical and life experiences.
Former Channel V host and media personality in the 90’s, Nathan retreated from the spotlight leaving his hometown of Sydney for the Gold Coast working as a show announcer and FOH mixer at SeaWorld. It was here that he literally learnt the ropes from scratch after befriending the Ski Captain to become a professional water skier.
In 2010 a near fatal water-skiing accident in Canada whilst skiing with old SeaWorld buddies saw Nathan return to Sydney with a titanium plate and 4 screws holding his neck together. Always loving music and being a drummer in his teens, Nathan played in a fun “pisstake” band during his V days called “The Velvet Underpants” alongside Ken Stewart from Mr Blonde and Anthony Ousback former MTV host. His debut single “Brand New Day” was played nationally on the Triple M / Austereo Network and reached No 3 on the overall Triple J Unearthed Charts.
Arranged and produced by Nathan Harvey with Magnus as co-producer the EP features Nathan on vocals, guitar, some keyboards and various other instruments, Magnus on Clarinet, BVs and lead keyboards along with Catrina Bargwanna, Tara Resch on Violin / BVs, Alex Gresley on lead and bass guitar, Luke Spies on drums and Brett Chapman on Harmonica.
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Big Merino’s new single is OUT NOW.
Recorded in just one day at the new Damien Gerard Studios just out of Sydney,
this tune is a fine example of the bands songwriting ability.
Plus there’s a live show to support the release.
The official launch is on Sunday October 25 at Camelot
Due to COVID the venue is limiting numbers
so you have to book in groups of 2, 4 or 8.
‘Something To Hide was written after we heard about the destruction of the Juukan rock shelters in the Pilbara. It’s a little like blowing up the Sistine Chapel except the Sistine Chapel is less significant but at least we get to sell some iron ore, cheap, to the Chinese’ – Big Merino
Big Merino play songs that blur the lines between rock, blues, roots, and soul. Despite their passion for Americana their music also sounds quintessentially Australian, shaped by landscape and stories.
Despite an obvious passion for what’s often called ‘Americana’, Big Merino somehow still sound quintessentially Australian – the lyrics and sound shaped by the landscape and their own stories. The live sound is a classic combination of acoustic and electric guitars, vocals, bass and drums. But the album is fleshed out with multiple guitar layers, gospel style harmonies, Hammond organ, piano, horns and percussion.
In 2018 the newly formed Sydney-based band released their debut album ‘Suburban Wildlife’ thru the Foghorn label, made two cinematic film clips with director Alan Harca, and performed all around Sydney.
The band has done numerous Interviews & live-to-air performances including ABC 702 & RN, 2SER Dirt Music, Radio Skid Row, Eastside Radio, Aussie Music Weekly and 2BBB. The single ‘Black Cockatoos’ was top 10 on AMRAP Metro and Regional playlists in 2018.
To follow their well-received debut the band started work on the follow up early in 2019. ‘Sweet Little Angel’ was released in mid-year and the band toured and performed various festivals around the country, starting with Murringo and Quandialla in June.
Something to Hide is their newest single for 2020 and includes a home recorded B Side ‘Tell Me Something’
Something to Hide hits in quick with guitars and then band and vocals catching your attention. The Beatles-esque chorus features a 6 part harmony from gospel master Stu Davis. With hooks, riffs and even catchy bass and drums this one is a winner.
Something to Hide is out today September 25
on Foghorn Records through MGM.
For further information, Cd’s and Interview requests please contact:
Marshall Cullen at Foghorn Media
0416 143 030
Lily Duval New Single Two Souls
For many years from the 70’s through to the early 2000s Sydney Artist Lily Duval worked as a studio session singer and performed live with acoustic and rock blues bands in venues throughout Australia. After a 10 year hiatus she returned to recording in 2015. “The music I love is from classic artists such as Joni Mitchell, Phoebe Snow, Janis Joplin, Harry Nilsson, Billy Thorpe, Brian Cadd, Joe Cocker and Leon Russell, all tend to have a bluesy undertone and once that style seemed to not be the new thing anymore I kinda felt my style didn’t fit.”
But since the Blues and Roots resurgence and then Americana coming along Lily finally felt the time was right and started writing again from 2015 onwards.
(Pic by Tony Mott)
“I got a tip about Damien Gerard Studios , who I was able to meet with and plan a bit of a ‘come back’. The studio vibe was just like the old days, lovely and warm and friendly with lots of analog gear and the ‘patient’ Russell Pilling. They organised for me to do a photoshoot with Rock Photographer legend, Tony Mott, which turned out to be a great idea. Tony didn’t treat me any different to all those famous huge acts he has shot and that really helped me get my confidence back.”
Since restarting Lily has released a steady body of work each year in the modern-day EP and singles format, mainly original acoustic folky bluesy tunes but with some classic cover B sides thrown into the mix. The new songs have been consistently well received at community radio across the country with comparisons ranging from Carol King to Joni Mitchell.
Lily Duval’s first outing for 2020 is what she considers her strongest to date: “These 2 songs, an original and a cover are both close to my heart. The A side“Two Souls” is all about the entanglement of love. How loving someone sometimes makes life complicated even as you get older. The cover I chose ‘Angel from Montgomery is a song I love from John Prine, who sadly fell victim to Covid 19 recently, this makes it even more poignant.
I was very lucky to have the talented Peter Holz & Scott Bird play on these new releases. Both guitarists have worked with me in the studio before and besides their wonderful musical abilities, they are both good men. Rory McKenzie, who has spent the last 20years living and working in Los Angeles and Nashville, played drums on both of these tracks. Rory is a talented musician and moved home just in time for this recording! It was also great to be back working with Engineer Andrew Beck, whose musical intellect is always appreciated–Andrew also played bass on “Angel from Montgomery”.
Two Souls/Angel from Montgomery is OUT NOW on Foghorn Records via MGM
Connect with Lily
Kaijin Solo is a contemporary singer/songwriter based on the NSW Central Coast with a blues rock influence.
Universal Love is an experiment in letting other people find their way into his music.
The idea came about from jamming original songs live with a host of different people on the local open mike circuit. The result is an electric mix of ideas that provides a solid rocking sound-scope for the lyrics.
Mark Cashin and Jake Hunt from The Little Hussies were the collaborators this time round, with Russell Pilling at Damien Gerard Studios engineering. The combination of talent without prima donna egos made the sessions into a fun day with a fantastic output and every song grew in dimension.
The EP was Mastered by Andrew Beck.
Universal Love – “When we can think, speak and act the way we want to be treated ourselves, the power of love will exceed the love of power and the world will know peace.” Is what Universal Love is about, it was inspired by a quote from Jimi Hendrix “When the power of love exceeds the love of power the world will know peace.
Into the Dream was written the morning after a Ryan Adams concert, thinking about how much things has changed since the beginning of the century.
The Republic is a tribute to the people and their achievements, and a wake up to call to Canberra to get on with it.
Spirit on the Wind is an ode to the Spirit of Freedom.
Like Sunshine is a love song to music itself.
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Ex-Sydney singer-songwriter Tim Walker moved back to his hometown of Adelaide earlier this year and immediately began recording this new album, his first for a while.
The album was inspired by a recent trip to Europe, where Tim was struck by a culture saturated with centuries of spiritual and religious symbols, strivings and sentiments. The new album has more universal themes than his first (Fellow Traveller), which was very Sydney-oriented.
Beginning in folk, he went into a country rock act, and now is a prolific soloist, doing gigs around Adelaide. He was a regular on the Sydney live circuit and played at several NSW festivals. He found a SA recording studio in Grange this year, and immediately began laying down tracks according to a careful plan, devised over many months.
Track list with Descriptions:
- On The Bridge (a prelude): This is a crossroad, of civilisation, of history, the course of your own life, a juncture, a leap. The “bridge” refers to Rome’s Bridge of Angels of the album’s title, which is lined with 10 angels and overlooked by a castle, on the River Tiber. A short classical piece, it provides the thematic underpinning of the entire album – a beautiful, floating spark of hope and redemption for a world in flux.
- The Loving Arms (those we love): The race is on from the day you are born as time and love play off against each other, and the kindness of strangers. The real currency of life, more valuable than gold or silver, never to be taken for granted.
- Every Story Tells a Picture (the plague): With 7.8 billion people on Earth and millions more being added every year, we are running out of everything, including our humanity and our judgement.
- Mirror of Love (a reflection):A photograph can lie, but love cannot lie. It is the ultimate mirror.
- Red Velvet Chair (a friend in need): When you sit in this chair you tell the truth, and the truth is told to you. It’s the advice of a friend, the helping hand. But hey, you can have some fun with it too!
- Streets of Rome (eyes are opened): The ancient capital was no stranger to the album’s themes. Without the benefit of science, its original citizensinvented their own answers to life, preserved today with respect and awe, embedded in every stone of the city. And they had to deal with the same spiritual questions as us. Rome was therefore the accidental epicentre of the album.
- The Bolshie Swing (the dance): Time for a break. This track started off as a playful riff and expanded into a mini-orchestra, was left on the shelf for a while, then rushed into action as track 7. It was the understudy.
- Face Without a Name (stare inside): Ultimately we are just one of the crowd. It’s a big world and that crowd is made up of billions. Not often can we roar; more often at most we can squeak. Not invisible -but maybe only a “hill of beans”, as Bogart said in one of his films.
- Fly into the Sunrise (flying home): You have been away, seen many things. Now you wing your way on a long flight home, from the nighttime behind (the past) to the sunrise ahead (the future). The huge jet streams past, its passengers look out and simultaneously look in, through half-asleep eyes; the moment is sublime.
- Star (inspiration): Maybe it’s love at first sight; maybe it’s the inspiration that keeps alive a distant flame. Perhaps it’s fate.
Listen on your favourite platform:
Margaret Anne and The Rock It Man’s debut album is called Soul Laid Bare. Lyrically it’s an intensely personal exploration of emotional turmoil after a marriage breakup, while musically it’s an exciting blend of Americana, country, roots, blues, funk and rock.
The title track is due for release on October 25. It was written while singer Margaret Anne was making the agonizing decision to leave a 20 year marriage, break up a family and family home. The song conveys a search for clarity and expresses the fear and recklessness in making such a massive and life changing decision for all involved.
Another album highlight is a song Margaret Anne wrote with renowned Australian singer-songwriter Shane Nicholson. Entitled Don’t Look Back, the track is an exploration of marriage in the aftermath of her breakdown. “Just 2 months after leaving my husband,” says Margaret Anne, “Don’t look Back was written on a sheep station in Nundle (outside Tamworth). It has undertones of loss, sadness and questioning and the decision to move on from the wreckage and not look back.”
Growing up in a seaside town on the south coast of NSW, she was blessed to belong to a musical family so classical piano, guitar and song became a big part of her life.
Margaret Anne says she was heavily influenced by her surfing brothers as she grew up. “We would pool our pennies to buy the latest records. My favourites, and certainly most early influences were Joni Mitchell, Eric Clapton, Crosby Stills Nash and Young, The Stones, Carol King, James Taylor, Fleetwood Mac, Hair! Anything Woodstock!”
Adventurous and a passionate singer songwriter, Margaret Anne continually touches her listeners with her inclusive heartfelt singing, dynamic stage presence and empowering songs. She currently manages and performs in the successful band Firefly.
Soul Laid Bare is a collaboration with Doug Weaver, a talented multi instrumentalist, producer and screenwrite. He has produced and written music for over 200 episodes of the American TV show The MythBusters and also many local programs including Border Security and Beach Cops.
Margaret Anne has always been an adventurer, having previously travelled the world for 11 years and visiting 56 countries. This time her attention is turned inwards and the result is an emotive album full of vulnerabilities and strength.
Soul Laid Bare (the single) is out on October 25.
The album of the same name is due in March 2020.
Download or stream from October 25:
Watch Soul Laid Bare here:
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Toadvine are a five-piece blues-rock outfit hailing from Sydney, Australia, who dish up a unique blend of blues-tinged rock’n’roll with generous lashings of rockabilly, country and fuzzed-out garage sounds. Their new five-track EP is called Love Is A Dangerous Game.
The band members draw from hugely diverse musical influences, and together pull together a broad musical palette. At the helm is vocalist Mandy Newton, accompanied by a formidable group of seasoned veterans of the rock scene both here and abroad, including guitarists Scott Mackenzie and Phill Salera, drummer Simon Carnovale and bassist Jeff (El Jefe) Newton.
With influences ranging from the legendary Aretha Franklin, Samantha Fish, Chris Stapleton, The Gun Club, Hillbilly Moon Explosion through to Led Zeppelin, Link Wray and The Baby Animals, Toadvine hurl down the riffs and paint them with their own inimitable style. From Mandy’s huge voice, which has been compared to legends Maggie Bell and Susan Marshall, to fuzzed-out, tremolo laced chords wrung from Scotty’s tele and Phill’s sweet and melodic slide and lead work, all held together with a rhythm section that’s all bite, no bark, Toadvine are a formidable unit, and don’t mind letting people know!
With countless live shows under their belts, in late 2019 Toadvine decided to hit the studios once again to record the follow-up to their previous EP, City Livin’.
The five track EP Love Is A Dangerous Game is set for release on 25 October 2019.
TRACK BY TRACK:
Stones and Bones – The EP opener is a rip snorting bluesy garage rock tale about love gone wrong and revenge, featuring a blues harp solo courtesy of Celia Curtis.
Dead Man’s Clothes – cool country Johnny Cash vibe
Dirty Lies – garage rock with a peppering of country roots
More Than Anyone – fun bar-room classic about boy meets girl
Black Naomi – a blues tinged rockabilly sound with the swagger of the Stray Cats
Toadvine will launch the EP at Moshpit Bar, 642A King Street (south end), Newtown on Saturday November 9.
Download or stream from October 25:
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When describing The Blind Pilots it’s easy to say the same old things about being an explosive four piece Australian Roots, Rock and Blues outfit from the Northern Beaches of Sydney. But the truth is all four members have known each other in previous successful bands, which gives them an advantage in the creative songwriting process. The four friends share a close rapport and have a laugh together every week. They say, “There’s never a dull moment in rehearsals!”
The band members’ camaraderie is largely based on the fact they grew up listening to the same music and share common influences like Muddy Waters, John Lee Hooker, Van Morrison, Jimmy Hendrix, Cat Stevens, Led Zepplin and Midnight Oil. Together they form a band making the most of dirty slide guitar, hard hitting drums, solid bass grooves, accompanied by a soulful vocal drenched in foot stompin’ harmonica riffs. “We all have an urge to push each other harder to get the best out of our muscianship and are driven to create those magic moments,” says lead guitarist and vocalist Owen.
In a live format, the band produce an energetic show full of intense commitment, whilst still maintaining a laid back vibe.
The lead track of their brand new EP is called Tell Me I’m Wrong, which offers frontman Owen’s perspective on the current political landscape. Accompanying tracks are Telephone – a hard-hitting blues rock tune about breakdowns in relationships, complete with dirty blues harp and riffing electric guitar. The swampy southern blues rock style of Howling at the Moon fits perfectly with the lyrical lament about longing and yearning.
Between them, their experiences have seen them performing at festivals including Byron Blues, Woodford Folk, Festival Of Sun, Echuca Blues Festival, Mud Run, Harley Days, Throttle Roll, Sydney Blues Festival and has found them on the Australian Blues charts. With new ideas consistently being brought to the table this group will continue to make inroads in the Blues and Roots World and be one to watch.
The Blind Pilots members are: Owen Mancell – Guitar/Vocals; Matt Hough – Drums; Ryan Stone – Harmonica; Daniel Changas – Bass/Vocals
“Owen brings the spark, Matt is the conductor and reconstructs, Changas adds the bottom end whilst Stony waves the magic which is the icing on the cake.”
The Blind Pilots EP is out on August 30.
Download or stream from August 30:
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Big Merino’s second album to follow Surbuban Wildlife is Sweet Little Angel and it’s out now!
It features the singles that have already made an impact at radio – Hummingbird and the title track, as well as a cover of the classic Neil Young track Ohio.
The band recently played a successful launch for the album at the Marrickville Bowling Club and next Canberra audiences will have their turn. What better way to spend a Sunday afternoon than hanging at Smith’s Alternative with Big Merino!
Show starts at 4pm.
Sunday August 25 @ Smith’s Alternative, Canberra
Bruce Elder at the Sydney Morning Herald gave the album a glowing review recently – have a read below.
ADULT ROCK Big Merino
SWEET LITTLE ANGEL (Foghorn) ???½
It has long been an orthodoxy that second albums are more problematic than debut offerings. Here’s the exception. If Big Merino’s debut, Suburban Wildlife, was scattergun in its approach, this is a tour de force of, for want of a better term, classy adult rock, funk, soul and pop. It’s the kind of music Jo Camilleri and Van Morrison see as their bailiwick: a clever and sophisticated blend of heart-stopping gospel-style harmonies (I Watched the Light), and classy lead vocals (courtesy of Stuart Davis, a long-time member of Sydney-based choral masters Cafe of the Gate of Salvation).
Instrumental features include beautiful interplay between acoustic and electric guitar (the title track is seductive); searing guitar solos from Alex Craig (I Lay Me Down); delicious horns courtesy of James Greening (Satellite) and some pulsating funkiness on This Song and Living in the Past.
Oh, yes, and there is an astonishingly good reading (with blistering guitar solos) of Neil Young’s Ohio. The result is a deeply satisfying collection of songs which, while they defy any easy categorisation, sit happily at the richly mature end of popular music. Hear them at Marrickville Bowling Club, July 27. Bruce Elder
Sweet Little Angel was recorded at Damien Gerard Studios.
Watch the video for Sweet Little Angel at YouTube:
Sweet Little Angel is out now on Foghorn Records through MGM.
Stream or download:
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