Tag Archives: Foghorn

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Jessie-May Kitchen releases new single Quirky

Imagine being born one day on another planet.
Everybody on this planet was given detailed instructions and knowledge of how to speak the language and how the world works. The entire planet is designed for everybody’s relaxation, socialisation, and comfortability.
Everyone but yours.

Growing up it felt like I was ostracised by the entire world. I felt like I was a literal alien and didn’t belong. The loneliness that never leaves you, leads to years of questioning the why. Am I the protagonist of a movie to be mocked by an invisible audience? Am I the butt of some cosmic joke? This is the life of a neurodivergent child.  This is me. A pop single written with my entire heart from the perspective of a neurodivergent individual trying to navigate a neurotypical world.

I was called many things when I was young – freak, loner, weirdo. It never truly stopped, but the language did shift as I got older, once difference became more socially acceptable. Instead of calling me a weirdo on the playground, I would always get the sceptical phrase, “haha… you are.. QUIRKY… Aren’t you…?”

The relief and confidence I felt when discovering I’m okay, I’m not broken – my brain just works differently, was life changing! I hope Quirky can bring representation, comfort and celebration to the wonderful neurodivergent community. Branching further into the pop genre is something I’ve always wanted to do and Quirky was the perfect chance to do it!

Quirky contains fast paced electronic beats, funky bass, whacky harmonies and the message – it never hurt to be Quirky! I want to thank Jordan for the electronic instrumentals, Russel Pilling and Andrew Beck for recording, mixing and mastering this project and of course Marshall Cullen for producing and always believing in me.

 Song Description
This is a new more pop direction for Jessie May Kitchen. Up-tempo, programmed backing, ‘quirky’ keys, bass and guitar and some very ‘now’ vocal fx all go together to make this song a real winner for pop radio.

Jessie May Kitchen – Quirky is out NOW through Foghorn/MGM

Download or stream: 

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Connect with Jessie-May Kitchen:

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Mark Cashin releases new single The Genius

Mark Cashin Presents
New Single “The Genius

Mark has produced yet another smash tribute to his late son, Coen, with this brilliant new single and video.  The song was recorded in 2 days at Damien Gerard Studios and then mixed by renown engineer Russell Pilling.

Mark played drums and acoustics as well as providing the lead vocal. Other musicians included: Sarah Piper on backing vocals and Jake Hunt on electric guitars and bass. Recording engineer at DG’s was Murray Dilger and the song was produced by Mark Cashin and Marshall Cullen.

In Mark’s own words: “The song was written for a very talented musical genius, my son, Coen. He was involved in a fatal car crash 3 kilometres from our Central Coast home nearly 4 years ago. I would like to share the only gift I can give my son on his 28th birthday.”

Song Description:

The Genius
Strong acoustics and riffing electrics begin this heartfelt mid-tempo song from Mark. The verses all feature a catchy guitar riff as well as the melodic vocals morphing into some sing along woo hoos as part of the chorus.  Honest and straight from the heart this song really takes you somewhere.

Watch the Video here:

Credits:
Foghorn Media / MGM
Written by MARK  CASHIN
Performed by MARK CASHIN – Lead Vocals, Acoustic guitar, Drums
Jake Hunt – Electric Guitar, Bass Guitar
Sarah Piper – Backing Vocals
Engineered & Recorded by – Murray Dilger? at Damien Gerard studios?
West Gosford, NSW, AUSTRALIA
Mixed & Mastered by Russell Pilling
Produced by Mark Cashin and Marshall Cullen
Film clip by Stewart McDonald

Stream The Genius here:

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Connect with Mark:

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Kaijin Solo New Single Viva La Difference

Kaijin Solo is a contemporary singer/songwriter based on the NSW Central Coast with a blues rock influence.

He has been working and honing his craft for many years with various band line-ups and the plentiful bread and butter busking jobs and pub/club gigs around the coast (most recently at Link and Pin in Woy Woy). With the advent of Covid, Kaijin spent the downtime working on new material which resulted in the recording and release of ‘Drink Deep Lovers’, a classic retro rock single. Kaijin has also been revising earlier materiel throughout the break and has had these two songs remixed and mastered to 2021 standard ready for his first release this year.

Originally recorded as part of the Watch your Head sessions, at Damien Gerard’s Balmain studio. Kaijin played guitars, bass and vocals with Chris Prendergast on drums and backing vocals from Kiersten. The track was later re-mixed by Russell Pilling. Viva La Difference celebrates the change in the atmosphere from a divisive period of black and white/cold war politics to something a bit more together. Rock Bottom speaks to the current punitive economic stinginess in the face of the pandemic from an Australian government that should know better.

Viva La Difference
A Bozz Scaggs influenced up-tempo bluesy/funky tune which is lyrically relevant to todays polarized society. The track features full band backing with Kaijin’s groovy Fender Strat featuring and his vocal driving the song along.

Rock Bottom.
A more up-tempo tune as the B Side to Kaijin Solo’s new release. This has a solid rock backing, prominent electric guitar and some keys to balance out the top line. A catchy chorus using the songs title finishes off this great track.

Viva La Difference March 19th –  via MGM
All DSP’s

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Steve Kilbey New Solo Album – Eleven Women

 Steve Kilbey New Solo Album- Eleven Women

Update

Steve’s Next Live Venue  show

‘STEVE KILBEY (THE CHURCH), AND HIS WINGED HEELS- GARETH KOCH (SAFFIRE) & ROGER MASON (ICEHOUSE) PERFORM
“SONGS FROM ANOTHER LIFE
LIVE AT BRASS MONKEY CRONULLA

FRIDAY  25 SEPTEMBER 2020

Get tickets for the early session at 530pm DINNER AND SHOW
or the late session at 8:30pm DINNER AND SHOW

Steve Kilbey has created a fine new album for 2020. His first solo release for an astoundingly creative year reveals a dazzling array of songs brimming with ideas, personality & effervescence. The collection is at once whimsical yet personal, and in a masterful sleight of hand Kilbey’s Eleven Women are not quite as one might expect.

Eleven Women is full of melodic invention & lyrical surprises. Singling out tracks for special mention is frankly impossible since this album consists entirely of highlights. Amongst these bijous however the timelessly beautiful Think of You shines brightly. This song has the unmistakeable stamp of eternity & evokes a sense of having existed since music began.

September 4 Foghorn/MGM

Hear it now

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Read the Rolling Stone Review

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Plus the RS Interview

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Watch the Zoom Interview with WhatsMyScene

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and for some insights into #thechurch as well read this great interview from backseat mafia

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Wanna see Steve play Sheba Chiba Live Acoustic- just click here

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Connect with Steve

https://www.facebook.com/TheMezcaltones/

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Margaret Anne and The Rock It Man Don’t Look Back

After releasing the inspiring and amazing Americana song and video clip ‘Soul Laid Bare’ at the end of last year, Margaret Anne and The Rock It Man have released two exciting new songs. ‘Don’t Look Back’ co-written with Shane Nicholson and ‘My Mumma’ written while watching the passing of her mother 2 years ago.

Just 2 months after leaving a 20-year marriage, ‘Don’t Look Back’ was written with country artist Shane Nicholson at The Dag Sheep Station in Nundle, near Tamworth.  While sitting on the porch of a farmhouse, Shane helped Margaret Anne peel back the layers to look deep within. Doug Weaver (aka the Rock It Man) produced and played not one but all of instruments on the song.
The result is a song that examines the essence of her marriage, the struggle to get it right, the decision to move on from the wreckage and not look back.

‘My Mumma’ was written on the back of a bereavement envelope in about 10 minutes.  When faced with the death of her mother, Margaret fell back into childhood, writing this emotional ballad of grief while waiting and watching her pass away.  Played by her brother, the accompanying guitar forms the song into both a collection of vulnerable memories and a haunting goodbye.

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Connect with Margaret Anne:

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A chat with Adam Blacksmith

On the eve of the first single ‘I Hope I’m Wrong’  from his forthcoming album ‘Blind to the Sea’ we sat down (via zoom) to chat with Adam about all things musical -

 Photo: Matt Weddis www.instagram.com/mattweddis

Tell us about the moment you decided to become a song writer? What did your family/friends have to say about it?

I was driving in my car In 1999 when I heard”Asleep in Perfection” by Augie March on JJJ. I had to stop the car to take it all in. I had loved folk music for years but had lost faith in the radio to play bands with the lyrical substance of Dylan, Joni and The Tea Party until that moment. Hearing it renewed my faith in radio and music at the same time and it gave me the hope that I could transform my poetry into music.

All my  friends at the time were in metal bands and were very supportive of my direction and my family felt the same, however, If I am honest, I don’t think they believed I’d stick with it.

Who are your early influences?

I tend to have an “all or nothing” approach to most things, not excluding music. I grew up listening to heavy metal (and still do). I was always drawn to death metal bands such as Carcass and Morbid Angel because they combined lyricism with aggression and technical mastery. I harbored a dream to either sing or play guitar in a grindcore band however didn’t really have the dexterity or disposition. I was simulaltaneously drawn to folk artists, such as Dylan, Joni Mitchel, George Harrison, Nick Drake and later Augie March as they sang about philosophy and expressed emotions through their music that I had trouble expressing myself.

Tell us a little about your writing process, how does a song come along? What gets you going creatively?

I always have a guitar with me in my loungeroom. Mostly I just muck around with chords and sounds and record anything that I like on my phone, about one in fifty ideas stick. When I’m stretched for ideas I attempt to learn a cover song and usually get some ideas from there.

Lyrically, I am inspired by my work in the jail system, from borrowed words I have jotted from Dickens novels or Audio books and from documentaries. I have a phone full of ideas and musings that may or may not find their way into a song. My latest album features two songs inspired from the plight of Aboriginal Austrlians which have a particular significance to me after learning of my own Aboriginality in more recent years. 

What is the first record you bought and why?

Dr. Feelgood by Motley Crew. I had just started earning money with my first casual job at Target while I was still in high-school. I couldn’t afford the $26 for the CD so I convinced my sister to go halves. Given she was listening to U2 at the time, I always knew it was going to be mine. Technically I still owe my sister $13

 What current/new Artists/Bands inspire you and why?

Augie March, The Drones, Marlon Williams, Julia Jacklin, CW Stoneking, Ben Howard and High Tension.

I absolutely love the lyrics of Glen Richards and Augie March and the Raw unapologetic energy replete with Australiana that the Drones bring to the table. I guess the commonality of all these artists is their brilliant lyricism. High Tension on the other hand are just phenominal live and a must see…

Stream the new single here – out Friday August 21 via MGM

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Connect with Adam

https://www.facebook.com/TheMezcaltones/