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Steve Kilbey & Gareth koch (AUS)
News and Touring

10cc Star Graham Gouldman Released First Solo Album in Eight Years UPDATE

10cc Star Graham Gouldman Released First Solo Album in Eight Years plus Tour In Australia and New Zealand.

On February 21 2020, 10cc’s Graham Gouldman released ‘Modesty Forbids’ here in Australia to coincide with the 10cc Australia / New Zealand Tour.

UPDATE – with the release of the album now, a new review by Michael Smith: 

http://soundslikecafe.com/graham-gouldman-album-modesty-forbids-new-review/

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Released on British independent record label Lojinx, Modesty Forbids is the fifth solo album of Graham’s career, and his first since 2012’s ‘Love And Work’.

Listen now on your preferred service

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Featuring eleven tracks, the album’s release will coincide with 10cc’s 14-date Australia and New Zealand tour, ahead of the rest-of-world release in March 2020.

With Graham’s 10cc tours enjoying ever-increasing success around the world in recent years, in 2018 he was invited by former Beatles’ drummer Ringo Starr to join his All Starr Band for tours of Europe and the USA, during which the band played three 10cc songs, elevating Graham’s profile yet further.

That relationship continues, with Ringo making a very special guest appearance on Modesty Forbids, playing drums on a song called ‘Standing Next To Me’.

Graham said, “Playing with Ringo Starr and The All Starr Band was absolutely brilliant, and having Ringo play drums on one of my new album’s songs was the icing on the cake. In it, I write about how I came to be asked to join Ringo’s band and about my experience of being on the road with him, alongside Steve Lukather, Colin Hay, Gregg Rolie, Warren Ham and Gregg Bissonette, who also plays drums on three of the album’s tracks.”

Ringo Starr added, “It was such a thrill for me to have Graham in my All Starr Band in 2018, with his great songs and great bass playing and his very British personality! And look what happens – he goes home and writes a great song and then asks me to play drums on it! It was my honour because the track is fab and I want to congratulate him on such a good album too.”

Co-produced by Graham Gouldman and Graeme Pleeth, all of the songs on Modesty Forbids were recorded at The Pleeth Station Studios, except for ‘Waited All My Life For You’, which was recorded at Astral Drive London. Additional recording also took place at London’s Hoxa HQ to complete the track ‘That’s Love Right There’. The album was then mastered by Miles Showell at Abbey Road Studios. The album’s cover artwork was design by StormStudios, with illustrations by Dan Abbott.

The album’s eclectic mix of song styles includes swing (something Graham’s never tried before), the blues and gospel is something he hopes everybody enjoys as much as he did making the album.

Graham said, “I can’t begin to tell you what a pleasure it was making Modesty Forbids and to be able to work with so many fine musicians. When listening back to the album I realise that there are two recurring themes. One is about climate change awareness and the other is a call for ‘peace and love’. These two subjects may be clichés, but I don’t care – as long as we take action on the first and practice the second we’ll all be ok.”

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10CC Australia New Zealand Tour Dates 2020

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Connect with Graham:



For further information, Guest-Listing and Interview requests please contact:
Marshall@foghornrecords.net
0416 143 030

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News and Touring

Diana Anaid – The Leaving Town Tour

Diana Anaid’s Leaving Home tour, presented by TheMusic, is now underway and the remaining dates are:

Nov Fri 2nd Nimbin, Nimbin Bush Theatre, NSWw/ Hannah & Cash, 7pm-9pm $10 https://nimbinbushtheatre.com/events

Nov Sat 3rd Bellingen, #5 Church St, NSW 7.15-9pm $20 Tickets at the venue.

Nov Fri 9th-11th Airlie Beach, Airlie Beach Music Festival, QLD (Diana Anaid set 3pm Friday 9th) http://www.airliebeachfestivalofmusic.com.au/

Nov Thurs 15th Sydney, The Brass Monkey, Cronulla, NSW w/Maxine E Kay 7-10.40pm $15 http://www.brassmonkley.com.au/

Nov Fri 16th Canberra, Smiths Alternative, ACT w/ Heya Gosper, 10pm-12 $15 Tickets at the venue

Nov Sat 17th Healesville Music Festival, VIC 3pm Uniting Church Womens Concert(solo unplugged) and 7pm main stage Monda Muse(duo) $90 https://www.trybooking.com/book/event?eid=340366&

Dec Sat 8th, Brisbane, The Milk Factory, QLD w/Brendan the Bard and Candice Long  7.30-11pm Tickets at the venue

Diana Anaid

Her single, Leaving Town is the third track from the My Queen album and has a fantastic video to accompany it.

Click on the video link below to check it out at The Music website, or  you can also watch it at hellothematic.com.

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 Diana says, “The heartfelt music video by Northern Rivers artist Kerry Negus further highlights the emotive and courageous lyrical content of the album, focusing this time on climate change, the drought, corporate greed and personal inner peace. I am so humbled by the amazing creatives who have thrown their weight behind the new My Queen release, helping to make it one of my defining albums, emboldening and bolstering my personal and creative growth and inner strength.”

Leaving Town/My Queen Producer Steve James says,
“I’ve got a short list of 10 from the hundreds of records I have worked on, including The Screaming Jets, Monty Python, The Rutles, Toyah Wilcox, Weta, The Rumjacks and now My Queen has been added to that list. I would compare her to Alanis Morissette or Fiona Apple , more the attitude than the vocals.”

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The Leaving Town Single is OUT NOW on All Digital Platforms via MGM and features 3 intimate Acoustic Bonus Tracks “Better Girl”, “Into Your Heart”, “Leaving The Country” recorded earlier this year live in the studio for an Aussie Music Weekly Radio Special.

The Single is also available on CD as part of the current My Queen Full Length CD LP available at all good music stores.
Co-written with longtime guitarist Nathan Correy, produced and mixed by Aria Award-winning Steve James and mastered at Metropolis London, the album has earned high praise such as,
“Anaid’s luscious and rich vocals are tones for the soul. The excellent production and mastering makes this record stand out from the crowd.” (FVReviews August 2018)

“A gorgeous mixture of pop, indie rock, blues and folk…A timeless classic. My Queen possesses an intense array of color to it, proving Diana to be a master storyteller.” (Beach Sloth 2018)

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Fiona Joy - Story of Ghosts - Cover
News and Touring

Fiona Joy (Hawkins) – New Album – Story of Ghosts

Fiona Joy (Hawkins) – New Album – Story of Ghosts

Having won many awards for her two previous solo piano albums, Fiona is destined to do the same with Story of Ghosts.

Fiona’s third solo piano album takes her fans on her journey of the past year of her life as she deals with a harrowing year in 2017 and makes no attempts to sugarcoat the emotional’s. The year included many friends and family members getting seriously sick, dying or going insane.!!

She bares it all over the course of these mostly grey-toned melancholy and vulnerable pieces, that draw on her classical background and impressionistic modern yet melodic composition.
‘There is a little madness in the music I write, it only pops out of the calmness momentarily, but enough to know that there is uncertainty in everything we hear, feel and experience. It’s much more classical and very connected to my roots” says Fiona .

“There’s a lot of emotion in it, that part was challenging. But when I get feedback from my fans that I’m touching their lives, and in some way making a difference, that makes it worthwhile.”
She uses the piano to weave interconnected tales with similar motifs – She opens the album with the uplifting and just whimsical enough “Song for Dunnie,” which she wrote for the funeral of Annette (Dunnie) Crossley, one of her best friends and business partner in her company Little Hartley Music. The lushly flowing piece represents a life full of vibrant brightness, good humour and joy.
“Story of Angels” moody hypnosis that leads to attempts to dance and then sudden dream-dashing stops into “Story of Ghosts” the deepest tale is told by the third story song. The contemplative “Story of Insanity” which alternates shards of light and night in a romp of anger tempered by gentle understanding. “Contemplating (Solo) which find Fiona deep in thought, seeking answers in the high notes as tension builds. “Blue Dream” whose high and low dynamics indicate mood swings that shift on a dime during crises. “The White Light” perhaps a place between worlds where high and low notes battle it out for our mortal hearts.
Fiona ‘s  choice to work with producer Cookie Marenco reflects Fiona’s appreciation for high quality audio. “Even CD quality is unsatisfying when you’ve heard DSD or SACD, especially when played on a high-end system” says Fiona.
Fans of FLOW, the recently launched hit new age group featuring Fiona, Will Ackerman, Lawrence Blatt and Jeff Oster, will recognise the closing track “Before the Light” as the beautifully rendered foundation of “Arrival,” the opening track on FLOW’s self-titled debut. In the FLOW version, the darker edges of the piece get subsumed into a lighter hearted grooving vibe. Here it’s allowed to flourish in the shadows, exploring the heavy mysteries of life’s pain that occur before the healing – and wondering along the way if it will ever come.

Fiona recalls asking Ackerman once “What would happen if I ever got happy? Would the creativity dry up?” – since she’s built her artistry and fan base on her incredible musical embrace of sadness.
“No, Fiona, you will just start writing happier music.” He said, surprised at the answer “Maybe down the road, I’ll make a few happy songs”.

But for now, especially on Story of Ghosts we can enjoy the musical beauty and grace that she shares while working through the obstacles to make peace with the sorrow life has thrown her.

 

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News and Touring

Ivona Rose -New Album Review from Bernard Zuel

Ivona Rose

Update – 

Following her successful launch at Django bar in September Ivona now has a fine review from renown music journalist Bernard Zuel

Ivan is now planning some local shows on Sydney’s Central Coast – Stay Tuned.

About –

Raw, evocative, honest and uncompromisingly unique. Dreamy, eccentric melody marries poetic song writing and something brave is born. Hand carved like insignia on pavement, her tales of suburban life are as being lead through an enchanted garden, by a haunting hymn.

 Ivona  has just released her debut album “So Modern”.

The record has already garnered early Airplay on ABC Local and 2ser, and will be launched at Django bar September 13.

Produced with Brian Campeau at “The Plex” recording studio, it is a collection of 10 carefully selected and crafted songs. Featuring Zoe Hauptmann on Bass (Paul Kelly, Missy Higgins, King Curly), Evan Mannell on Drums (Sarah Belkner, The Alcohotlicks, Self Titled Artist), Emily Palethorpe on Cello (Sarah Blasko, Accent Strings), Casey Nicholson on Trumpet (Ngarukuruwala, The NEO, The Boom Band Krewe) and Brian Campeau on Guitars and Synth (Self Titled Artist, The Green Mohair Suits, Jimmy Swouse and the Angry Darts).  

Central Coast based Ivona Rose migrated to Australia, from Krakow Poland. Her passion for music arts was born at a primary school age.

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Whilst honing her craft as a singer songwriter, she has performed in Sydney, Melbourne & Regional NSW as part of Peats Ridge Music Festival, Tamworth Country Music Festival, Wharf 2 Loud at the Sydney Theatre Company and has performed at various venues, where there is a call for live acoustic music.

In 2006 she independently produced and released “SheHeIYouMeWe” her debut EP. It enjoyed strong CD  sales and air play on Sydney based, FBi Radio, 2SER, Bondi FM and local Melbourne radio stations.

In 2012 she won Songs on Stage Songwriters and Performers award, the prize money of which, helped her get back into studio and record the single “Hoopla”.  2013 she was finalist in Music Oz Awards Singer Songwriter category for the song and top 100 of the People’s Choice across all genre’s in the country. 

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QnA

Tell us about the moment you decided to become a singer? What did your family/friends have to say about it? 

For as long as I can remember I was writing poetry, singing and playing instruments. It was a natural progression that this nascent self expression would amount to a body of work that I am proud to share. My family and friends have aways been encouraging and supportive, saying I offer a very unique voice and musical quality, that is hard to pigeonhole.

What is the first record you bought and why?

It was Joni Mitchell “Hits and Misses” and it was a tape. Purchased to learn every word by heart. 

Favourite artists of all time?

I have to say Bjork. It’s a hard question to answer and it doesn’t necessarily mean that my music is in the same genre or that I am aiming for a pop sphere but the truth is own all her albums, admire her creativity and boldness and when I feel that I’m just a bit too weird for the word, I take solace in Bjork.

Fave food or drink and is there a story associated with that?

My favourite food is Pierogi because I am Polish but as I am gluten intolerant, so only allow the indulgence every now and then. 

You are backstage with Nick Cave what do you say?

 I say “My great ambition as a songwriter is to collaborate a duet with you. It would be an incredible murder story to sit alongside “Henry Lee” and “Where The Wild Roses Grow”. (I think I need to work on my approach here!) 

 “So Modern” the Title Track to the album

“If we live our lives as an avatar of ourselves, what are we giving up of our true self to uphold that image and where do we go from there as a society?” (Ivona Rose) So Modern questions the impact of technology, how we are using it and what we are losing as a society in the process. A dance between Autoharp, Guitar and Zoe Hauptmann’s expert Double Bass licks, take us to a time reminiscent of 60’s Go Go. “

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The Vegas Nerves
News and Touring

The Vegas Nerves – New Single – A List As Long As Your Arm

The Vegas Nerves

- New Single from forthcoming album -

A List As Long As Your Arm

The Vegas Nerves are a four-piece band boasting the Latin beats of Alejo Alvarez, the rhythmic bass of Cameron McWilliams, the steadfast guitar of Jürgen Joader and the solid words and voice of Stephen Greenacre. Playing their music around the less salubrious parts of Sydney town.

Did you ever make a wish that only brought you trouble? Did you tell a secret and find out everyone already knows? Well then The Vegas Nerves are the band for you because they know that feeling well. They can’t make too many promises but if you come out of your safe spaces you could learn something new. You might remember how to celebrate both the sublime and the ridiculous in the everyday and avoid listening to bores who are afraid and offended by their own shadows.

The Vegas Nerves are releasing their debut album An Act Of Faith  in August and are looking forward to getting as many people as humanly possible to hear it. Some fools may confuse telling the truth with pessimism, others know that only honesty can really set you free.

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Questions for the frontman Stephen Greenacre

Q. Tell us about the moment you decided to become a singer/writer/band? What did your family/friends have to say about it?

A. I can’t remember ever not wanting to do this but wouldn’t dream of telling my family or friends.

Q.Who are your early influences?

A.Cole Porter and Jilted John.

Q.What is the first record you bought and why?

A.”So” by Peter Gabriel. Why? Because I’m an idiot.

Q.What current/new Artists/Bands inspire you and why?

A.DMAs, Jen Cloher, Just A Number, John Grant, The Arctic Monkeys, Royal Blood.

Q.Tell us a little about your writing process, how does a song come along? What gets you going creatively?

A.I’m always writing in my head which makes travelling by public transport a problem as I’m always getting off in the wrong places. I fall in love about 16 times a day which is good for the creative juices but nothing else.

Checkout the video on the right hand pane

Connect with The Vegas Nerves:

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Rachel LaFond
News and Touring

Rachel LaFond – New Album – Encounters of the Beautiful Kind

Rachel LaFond – New Album – Encounters of the Beautiful Kind

 

Come along on a powerful musical journey inspired by Rachel LaFond’s experience, of being a stranger in a new country. New Zealand to be precise where she now calls home.

This beautiful solo Piano Album was recorded in high resolution audio at her home and mastered by the golden ears of Mike Bloemendahl.

The music explores universal human experiences: feelings of loneliness, worries about not being good enough, and the evolution we undergo as existing friendships change or fade while new connections spring to life.

This journey culminates in the realisation that as we bear each other up and connect with one another, we make the world a more beautiful place for all of us.

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About Rachel LaFond:

Rachel LaFond is an American composer and pianist now residing in New Zealand who has been steeped in musicality her entire life. Her appreciation of the piano began when she was a toddler as her mother (a piano teacher) played with a young Rachel on her lap. She began formal lessons at age five, and by the time Rachel was eleven, she began teaching lessons herself. She lived in Vienna and studied piano performance there as a teenager, then returned home to major in piano at the University of Washington. After university, she continued to teach and perform professionally, but for years Rachel didn’t realise she had a talent for writing music hidden inside herself until David.

David she had met just weeks ago. Rachel couldn’t stop thinking about him on one rainy autumn afternoon, everything changed. Gazing out the window of her teaching studio, Distraction transformed into inspiration, and by the end of that evening she had finished her first original piece, Loving in the Rain. This first piece stood alone for a while as Rachel got swept up in life’s adventures: Rachel and David got married, quit their jobs, and embarked on a year of long-term travel around the world.

Rachel’s music is inspired by, and engages with, the full depth of human experience. Whether she’s capturing the heady wooziness of falling in love or responding to the chest-cracking pain of Barcelonans who suffered in the terror attack of summer 2017, her pieces are unflinching and compel the listener to lean into the feeling of the song for just a moment more. Rachel’s drive to bring beauty, light, and kindness to dark places through her music lends a striking sense of purpose to her creative work. And she’s just getting started.

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All recorded in Auckland, New Zealand in Rachel’s home.

Mastering by Mike Bloemendahl

Connect with Rachel LaFond

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