Tag Archives: new album

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Daxton Releases New Album ‘Fahrenheit’

The new album from NSW Central Coast troubadour already garnering airplay and reviews around the world following from the Single ‘Kiss The Girls’ earlier this year.

Daxton’s new album ‘Fahrenheit’ features tracks inspired by personal experiences, relationships, and journeys, encapsulating a wide range of emotions from love and heartbreak to resilience and empowerment. The title track was inspired by a studio groove that embodied the intense emotional heat and passion that defined the production and recording of the songs. The album brings a fresh twist to the classic blues genre, infusing it with psychedelic elements and experimental sounds, creating a sonic landscape that is Daxton’s Psychedelic Blues Sound.

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Song Descriptions for 2 Key Tracks

Fahrenheit

The title track to Daxton’s new album features bass, drums, dobro, slide guitar, Hammond organ and his signature vocals. A chilled out blues rock with a mid-tempo feel, this would be a great song to sit back on the porch with a beer and admire the grass.

 Ocean Size

Great surf blues ‘a la’ Jack Johnson here. Slides and dobros, acoustics and electrics, sweet guitar and vocal tones throughout underpinned by drums and bass.

Out March 22 on Foghorn/MGM

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Extra Time Receives Extra Accolades in Europe

Extra Time Receives Extra Accolades in Europe with their Video Now in the Berlin Film Festival

The brand new release ‘Where Is The Light’ from Brendan McNamara’s project, Extra Time, is already scoring goals since its release on 22 January. The first single from the second album, ‘Songs With Long Titles’, is beautifully supported by an animated film clip created by renowned Sydney based Brazilian artist, Gabriel Gareso. The film clip has just been officially selected for the Berlin Lift Off Film Festival, screening in Berlin, Germany between 15 and 25 February.

‘Where Is The Light’ speaks of the Japanese ‘Hikikomori’ – a severe social withdrawal most prevalent in young adolescent males whereby they isolate themselves in their rooms for months on end. A highly relatable concept in today’s modern era and especially apt given Brendan’s day job as a video game creator and director.

The clip is the freelance 2D animator and illustrator’s first music video, so he has certainly made his mark being included in the international film festival.

“My goal was to delve into the emotional aspects of loneliness, highlighting that despite being more virtually connected than ever, loneliness and depression also seem stronger than ever. The main challenge of this project was to create an engaging visual interpretation of the song while keeping it within budget. 4 minutes of animation is a LOT. The band’s creative freedom was crucial, making the entire process exceptionally smooth.”

To date the video has amassed over 84,000 views! A unique opportunity to be part of the interactive release of Extra Time’s latest album is to look out for billboards featuring the album cover art created by German artist Lucas Zimmerman popping up worldwide. Extra Time invite you to take a selfie with one of the billboards and post it on social media tagging @extra_time_music in your post.

The vinyl release is available now for preorder – a beautiful gatefold presentation released globally on Foghorn Records, recorded and mixed at one of the industry’s leading spaces Damien Gerard Studios at West Gosford, featuring ex Los Angeles engineer Andrew Beck and mastered by Grammy Award Winner William Bowden.

WATCH THE FULL MUSIC VIDEO FOR ‘WHERE IS THE LIGHT’

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Extra Time Releases New Album ‘Songs With Long Titles’

So it has been four years since our last album. We have been winnowing down the stories that we would like to tell and twelve new tunes made the cut. Taking badly recorded demos and some wildly inaccurate charts to Damien Gerard Studios in Gosford, Australia, we spent four days recording and knocking together arrangements into some kind of shape. Many of the musicians who played on the first record kindly agreed to go around again and try and make sense of what we had.

We had a few base principles. No samples, no Click, no Grid and no Autotune. Everything on the album was performed live by a musician. Our drummer was our click track. The whole album was recorded to 2” tape and then digitized into Pro Tools. The whole process was a lot of fun and hopefully that comes across in the music and the performance and in the behind the scenes videos that we will be releasing. We were looking for a high fi, harmonically interesting sound that would live up to all of the great records made by our heroes. Its up to you to decide whether we succeeded.

‘Songs With Long Titles’, the second album for Extra Time is a journey through intriguing stories of life, death, delusion, joy, passion and dreams in classic rock album format along with just enough jazz and blues influences to keep it interesting. Think Steely Dan meets Supertramp if you like references.

Lyricist, composer and singer Brendan McNamara has been honing his craft over many years and for this record teamed up with ex Los Angeles co producer and engineer Andrew Beck at Damien Gerard Studios in West Gosford. A veritable A List of session musicians were called in through the 20 plus days of recording and mixing.

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The record was mixed at the same facility by Brendan and Andrew and Mastered by Grammy Winner William Bowden. Now released to the world in double gatefold vinyl – 3 songs per side for maximum quality, and digitally across all platforms on 22 January 2024.

About Extra Time
When you think of classic albums names like Sting, Pink Floyd, Steely Dan and Supertramp spring to mind.  You might be surprised to know there is a Sydney based band that has been toiling away for some years creating some truly classic sounds and songs with a similar aesthetic and instrumentation.

The guys met at school and hit it off as a young band and writing team, but ever since have been involved in other projects and built careers locally and internationally. Extra Time became a creative outlet to record and release music they love.

The first album came out pre-covid, scoring some decent streaming figures and TV sync activity.

MUSICIAN CREDITS

Tim Firth                  Drums
Brett Hirst                Bass
Aaron Blakey            Keyboards
Peter Koopman        Guitar
Amanda Easton        Vocals
Sarina Jennings        Vocals
Paul Murchison        Trumpet
Matthew Keegan      Trombone
Bridget Darby           French Horn
Luke Bartley             Tuba
Jane Stanley             Strings
Andrew Beck            Tubular Bells

Songs With Long Titles is OUT NOW 

MUSIC VIDEO FOR SINGLE ‘WHERE IS THE LIGHT’

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Foghorn Christmas Releases

Get Into The Christmas Spirit With Gareth Koch’s Instrumental Album & Daxton’s Homegrown Blues/Jazz Album

‘Exquisite & ancient music reimagined with a shimmer of jangle. An audiophile recording.’

Imagine timeless European Christmas music played instrumentally, as if upon a choir of lutes. Ancient & exquisite songs, deep within the human psyche, are now newly arranged by ARIA Award winning guitarist Gareth Koch. The interpretations reveal his signature blend of contemporary flair laced with medieval sensibilities.

The arrangements are both elegant & appealing, sidestepping any notion of commercialised Christmas clichés. Re-imagined as troubadour-like ballads or tender Austrian folk songs, each carol receives a unique treatment. The listener is invited into an array of soundworlds, ranging from the early medieval to English folk-revival.

The music of this album leads us away from the bustle of many modern realities. Instead, we are drawn into a gentler universe, filled with subtlety & nuance. In any year, at any time, this album presents a Christmas message we all need to hear.

Song Descriptions
Little Drummer Boy
This timeless mid-tempo classic Christmas carol is dealt with not just using multiple classical guitar parts but with hand percussion and rice shakers.

God Rest Ye Merry Gentlemen
A very old piece, dated to the 16th century and referred to in Charles Dickens ‘A Christmas Carol’. Gareth recreates the vocal melody perfectly and becomes a terrific hum along piece. Bass guitar rounds out the arrangement featuring multiple guitars: acoustic, nylon string and electric creating a lush sonic tapestry.

About Gareth Koch
Gareth Koch is an ARIA Award winning recording artist, guitar soloist, composer & songwriter. He has recorded a diverse repertory across multiple albums spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects & song writing.
Gareth is involved with many cross genre projects. Over recent years he has released two collaborative albums with ARIA Hall of Fame inductee Steve Kilbey (The Church).

All DSP’s and CD’s from official store below

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Daxton ‘On The Eve Of Christmas’

There is a good chance in any Christmas album you will hear the well known traditional songs about mistletoe, stockings and large jolly gentlemen in red suits. Many artists have been there but not all write their own songs. Daxton Monaghan has just released his own unique jazz style Xmas album for 2023.

After deciding last Christmas that there wasn’t an album of Christmas songs that suited him, Daxton has spent the past year slowly crafting a tasty array of melodic songs for his own special Christmas album.  Entitled ‘On The Eve Of Christmas’, the nine tracks include some well-known and Daxton family favourites: White Christmas, Little Drummer Boy and of course, Jingle Bells. The rest of the album is made up of Daxton’s own songs. These compositions have been inspired by Daxton’s family Christmas gatherings. Bouncy rhythms, heart warming lyrics, sing along harmonies, strings, brass and Daxton’s familiar vocals all feature.

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Let The Carols Sing
A classic sing along Xmas tune from bluesman Daxton. Some fine holiday vibes from the sax, beach boys style ‘ooh aah’ backing vocals and keys.

Little Drummer Boy
This timeless tune gets fine reworking by Daxton. Programmed drums and keys give the song a modern edge with Luke Gallen’s sax the icing on the cake.

About Daxton
Daxton has appeared at major festivals including the Sydney Blues & Roots and Tamworth Country Music Festival where he supported artists such as Kasey Chambers and Beccy Cole. He also has had one of his tracks ‘Moody Liz’ featured in the popular American TV series Doll House.

Based on the Central Coast, Daxton is best described as a blues/rock artist with a twist of pop and rock.  He plays slide guitar rock/blues songs with a fresh and innovative sound. His last album, ‘Electric Satellite’ was released in 2022 and featured his signature heavy and rustic blues rock sound.

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Halfway Homebuoy-New Self Titled Album

In the hallowed halls of Damien Gerard Studios, the band embarked on a three-year-long musical odyssey, painstakingly sculpting each note, lyric, and sonic texture that would eventually coalesce into their magnum opus. This album is more than a collection of songs; it is a testament to Homebuoy’s unyielding dedication to the craft of music production.Time was thier greatest ally throughout this creative journey. Over the span of three years, the band meticulously poured their hearts and souls into every track, allowing each one to evolve and breathe, unfettered by the constraints of hurried production. Damien Gerard Studios provided the ideal canvas for this sonic masterpiece, a space where creativity flowed unhindered, and every sonic nuance was perfected. The result is an album that is not just a collection of songs but a sonic landscape that invites listeners on a transformative and emotionally charged voyage

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It’s been a strange path for Halfway Homebuoy to finally end up as ‘based’ on the NSW Central Coast, an hour north of Sydney.  The band was formed almost 10 years ago on the ski slopes of Switzerland where all of the (then) members were working the season and playing shows at night.

With three Englishmen and one Aussie the band moved out here and were recommended to Foghorn Records where they quickly found a home.  As things happen after a few years the visa’s ran out, the Aussie moved back to Europe and the sole remaining member, principal writer and singer, Jack Davison, married an Aussie and stayed here.  Unfortunately, he was left without a band.

Not to be deterred, Jack found local musicians, new songs were written, live shows booked, a new album released, the band continued on.  Now based on the coast and with a new record almost finished the guys are ready to reboot post lockdown into 2022.

Checkout the new album OUT ON OCTOBER 27 (Foghorn MGM)

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Gareth Koch Releases New Album ‘Ghost Stories’

In ‘Ghost Stories’, Gareth Koch creates an ethereal sound world, blending the aesthetic nuances of medieval chant with rock psychedelia. The mood of the album is defined by chiming cathedral-like textures, as if the monks themselves are playing guitars, percussion & lyres.

This record could perhaps be described as prog-rock, yet it effortlessly manages to be much more than that. The listener will discover the album’s unique identity & subtle references to music past & present. This is a refreshingly new recording which deftly sidesteps easy characterisation.

‘Ghost Stories’ could be seen as an evolution of Gareth’s duo albums ‘Songs From Another Life’ with Steve Kilbey , and ‘Music in the Afterlife’ with Martin Kennedy. While the previous albums might serve to shed light on the preoccupations of this one, it is very much a standalone & distinctive creation.

The titles & ambience of ‘Ghost Stories’ guide us on an otherworldy journey. We are led variously through imagined states of being to experience Catacombs, Unblessed Spirits, Longing & Redemption via this shimmering & beautifully crafted recording.

Recorded in and inspired by the mystery and wilderness of Tasmania.

Song Descriptions
Redemption
The first track from the album is uptempo and has a fully formed rhythm section underpinning the many layered trademark guitars. By no means his usual classical/world offering, although some elements remain. This song has a more rock orientation featuring electric guitars and big drums.

Old Church
A melodic and hypnotising bass line underpins this modern instrumental rock track. The drums are powerful and help to drive the tune along, while layered guitars and keys keep the interest even without vocals. His lead guitars offer a crisis section to the song before resolving into a fine outro section.

Dance Of The Unblessed Spirits
Another short and sweet frenetic full band instrumental rock piece with plenty of breakdowns that remind the listener of his classical roots. A fascinating piece of music by a master of his craft at the top of his game.

Benedictine
The title evokes a monkish, monastic vibe and from the beginning you can hear this in the piece. It’s not rock, it’s not classical but it is certainly superb instrumental guitar. This tune is a break from the first few on the album, dispensing with drums and sticking with guitars.

About Gareth Koch
Gareth Koch is an ARIA Award winning multi-instrumentalist, recording artist, guitar soloist, composer & songwriter.  He has recorded a sizeable repertory across multiple genres spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects, rock & songwriting. He has appeared at major festivals within Australia, Europe, Asia and North America.

Born in Milan, Gareth began his musical studies on piano and clarinet, and at age 12 was accepted into the Mozarteum in Salzburg. He received his Bachelor of Music degree at the Sydney Conservatorium of Music before winning  scholarships for advanced guitar study at The Royal Madrid Conservatorium & the Vienna Academy of Music. He holds a PhD in Music & has lectured in music across Australian & European universities.

In 2002 Gareth formed the first guitar supergroup with Karin Schaupp & The Grigoryan Brothers, Slava & Leonard.  Saffire – The Australian Guitar Quartet soared to #1 on the Classical Music Charts and even featured on ARIA  pop charts. The quartet released a total of 3 best-selling albums & was Australia’s biggest selling classical act for several years.

Gareth is involved with many cross genre projects & has released a succession of collaborative albums with Martin Kennedy & with ARIA Hall of Fame inductee Steve Kilbey (The Church). His recent release ‘The Guitar Player’ received a coveted 5 star review from The Sydney Morning Herald. Gareth’s current output has a strong rock bias with classical overtones & his writing is increasingly focussed on the ethereal nature of music.

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Reviews for Jack Nolan’s Album ‘Jindabyne’

Jack Nolan Released and Launched his New Album ‘Jindabyne’ earlier this month and
now the Reviews are in – here are a selection of some standouts and the links.
Recorded to tape in Nashville and with players like this theres no wonder folks are raving about it.
Producer guitarist Justin Weaver (The Chicks/Wynonna Judd), drummer Jimmy Paxson (Lindsey Buckingham/The Chicks/Ben Harper) and bassist Chris Autry (Josh Turner/Lee Anne Womack).

“As I’m listening through Jindabyne, I’m taken aback. It’s such a solid, mature, full-bodied album of unflinchingly well-written songs. He’s not fucking around.”
Coyote Music

“Perhaps the delay worked in Jindabyne’s favor as it’s rare to hear such a coherent and complete collection. It’s Jack Nolan’s finest moment yet.”
Curious For Music

[About the last track ‘All The Ships In The Ocean’]
“This one is also reflective of the recent pandemic…At one point he asks the question, “What’s a nation?/Does anyone know?” When the world gets all weird, some of the questions that, at one time would have had easy answers, start to get overly complicated.”

Skype Magazine

  ““Jindabyne” has a quiet grandeur, with Jack Nolan’s robust and assured voice telling tales from lives lived most fully.”
Beach Sloth

“As a true purveyor of Americana, Jack stays true to the staples of roots music while also taking the genre to a fresher perspective with his Aussie twist. Named after the New South Wales town of the same name, “JINDABYNE” feels familiar, yet nostalgic, as it truly bridges two distant sides of the world, as if there was no ocean between them!”
Ghost Blog

The Album
Jack Nolan’s JINDABYNE, released August 4

The same band assembled again to record, with no backing tracks, all but live to tape – and why wouldn’t you

The album’s title is lifted from the ever so sweet ‘Solo Sailor’ that lets us in on a journey. Other highlights include, the up-tempo ‘She Knew’ where nothing’s perfect, but she knew he loved her, and her knowing that will have to do for now, and the timeless finger picker, ‘All The Ships In The Ocean’.

Two years of stolen liberties has only hardened Jack’s resolve, to remain forever suspicious of rule makers and even more dedicated to his ongoing contribution to art, to song writing. JINDABYNE is a record for this year, where we are all staggering on after two years of madness, and we have all arrived back to that place we had drifted too far from, the simple things, love and reality, family, and community.

Based in Sydney, Australia, singer songwriter Jack Nolan has been performing and releasing music and albums since the mid 1990’s. Along with a six-album solo catalogue Jack also fronted The Kelly Gang, with Rick Grossman, bassist for The Divinyls and Hoodoo Gurus along with Midnight Oil drummer Rob Hirst and guitar player Martin Rotsey. Their 2004 album Looking for the Sun is still considered a hidden gem, with an incredible line-up of musicians that delivered passionate and energetic live shows of the time.

Within Nolan’s music, mysterious and shimmering chords unite his sound. Once quaintly described as ‘Darlinghurst Country’ his sound unites elements of folk, country, rock ‘n’ roll and ambient atmospheres fusing Nolan’s passion for intensely charged electric guitar and finger-picked acoustic guitar.

Of recent years, the critically acclaimed 2018 album ‘Our Waverley Star’ was followed by the equally impressive 2020 outing ‘Gabriel’. It was these two outings that cemented Nolan’s love of recording in Nashville, with guitarist/producer Justin Weaver (Dixie Chicks/Wynonna Judd). What started with a one-off phone call, developed into an alliance that Nolan describes as “arriving in town, in the northern winter, when everyone’s off the road, with my swag of songs to greet all the boys again to collaborate”.

Performing in & around the traps Jack’s Australian band includes Travis New (Andrew Farris/Imogen Clark) on guitar, Tim Samson (Christine Anu/Andrew Farris) on bass and long time drummer & Hamish Stuart (Don Walker/Ian Moss et al).

Jindabyne album is OUT NOW
Quay Records

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Jack Nolan Releases Album ‘Jindabyne’

Following his successful Album launch at The Clovelly Bowlo last night (August 3) the long delayed(see below) full length LP is now Out Today(August 4)

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Jack Nolan’s JINDABYNE, was so frustratingly delayed by that virus. This is an album that waited in the wings while lockdowns and rules ran their course. “March 2020 the world was turned on its axis and we all went into lockdown –suddenly there were no certainties in life; this created a sense of urgency in me, so I made a conscious decision not to waste the time and went to work writing JINDABYNE. As soon as I could post lockdown, I was booked and took off back to the US.”

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The same band assembled again to record, with no backing tracks, all but live to tape – and why wouldn’t you with personnel like producer guitarist Justin Weaver (The Chicks/Wynonna Judd), drummer Jimmy Paxson (Lindsey Buckingham/The Chicks/Ben Harper) and bassist Chris Autry (Josh Turner/Lee Anne Womack).

The album’s title is lifted from the ever so sweet ‘Solo Sailor’ that lets us in on a journey. Other highlights include, the up-tempo ‘She Knew’ where nothing’s perfect, but she knew he loved her, and her knowing that will have to do for now, and the timeless finger picker, ‘All The Ships In The Ocean’.

Two years of stolen liberties has only hardened Jack’s resolve, to remain forever suspicious of rule makers and even more dedicated to his ongoing contribution to art, to song writing. JINDABYNE is a record for this year, where we are all staggering on after two years of madness, and we have all arrived back to that place we had drifted too far from, the simple things, love and reality, family, and community.

Based in Sydney, Australia, singer songwriter Jack Nolan has been performing and releasing music and albums since the mid 1990’s. Along with a six-album solo catalogue Jack also fronted The Kelly Gang, with Rick Grossman, bassist for The Divinyls and Hoodoo Gurus along with Midnight Oil drummer Rob Hirst and guitar player Martin Rotsey. Their 2004 album Looking for the Sun is still considered a hidden gem, with an incredible line-up of musicians that delivered passionate and energetic live shows of the time.

Within Nolan’s music, mysterious and shimmering chords unite his sound. Once quaintly described as ‘Darlinghurst Country’ his sound unites elements of folk, country, rock ‘n’ roll and ambient atmospheres fusing Nolan’s passion for intensely charged electric guitar and finger-picked acoustic guitar.

Of recent years, the critically acclaimed 2018 album ‘Our Waverley Star’ was followed by the equally impressive 2020 outing ‘Gabriel’. It was these two outings that cemented Nolan’s love of recording in Nashville, with guitarist/producer Justin Weaver (Dixie Chicks/Wynonna Judd). What started with a one-off phone call, developed into an alliance that Nolan describes as “arriving in town, in the northern winter, when everyone’s off the road, with my swag of songs to greet all the boys again to collaborate”.

Performing in & around the traps Jack’s Australian band includes Travis New (Andrew Farris/Imogen Clark) on guitar, Tim Samson (Christine Anu/Andrew Farris) on bass and long time drummer & Hamish Stuart (Don Walker/Ian Moss et al).

Jindabyne album is OUT NOW
Quay Records

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