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Sydney Morning Herald review of IVONA ROSE – So Modern album

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IVONA ROSE
So Modern (Foghorn)

FOLK POP

Reviewed by John Shand

The Sydney Morning Herald Spectrum

Pick of the week 17-11-18

You hear the assortment of musical influences remotely, as if they are in the next room. In the foreground is a voice as both a singer and songwriter that sounds like no one else. Perhaps partly it is Ivona? Rose’s Polish background adding a layer of sepia-tinted Euro nostalgia to the folk and pop elements. But, more than that, it is a sense of clarity about how to burrow down to the authenticity of her own songs, so nothing sounds forced, even when they have been quite elaborately arranged and produced (the production being by Rose and Brian Campeau?, with the latter also playing guitar and synthisizers?). The songs are certainly not uniformly strong, but the title track, for instance, grabs you by the throat on the first listening, and sinks into your marrow the more you hear it, the music carrying faint echoes of Kate Bush while the lyrics lament the impact of modern gadgetry on our humanity. The textures are unique, too, with Rose’s piano, autoharp or melodica and Campeau’s? contributions coloured here and there by cello or trumpet, and underpinned by the authoritative and groovy rhythm section of Zoe Hauptmann? and Evan Mannell. JOHN SHAND

Songs For The Species 1500

New Album – The Jimmy C – Songs For The Species

Songs For The Species 1500

Humourous, up-beat, catchy, power/pop/psychedelic/rock … the Melbourne one-man-band The Jimmy C opens a can of earworms that burrow deep and leave you smiling.

The Jimmy C is Jamie Coghill, a self-taught multi-instrumentalist who loves the music of the late 60’s and early 70’s.  Some know Jamie as the drummer from Luxedo, Fez Perez and The Devilrock Four, others know him from his own music as The Jimmy C. He records everything at home in his spare room.

Songs For The Species is a humorous collection of songs whose creator says is sonically influenced by  Super Furry Animals, The Kinks, Jellyfish, Supergrass, ELO, Pugwash, Beach Boys and The Beatles.

The album opener is Everybody Shits. “Imagine Jellyfish playing your favourite up-beat 70s sitcom theme,” Coghill enthuses. “[It’s] a bouncy pop song reminding us, “It doesn’t matter how cute you are, you still have an asshole.””

Another album highlight is the jangly Foot In My Mouth, “an ode to those of us who never fail to say the wrong thing every time we speak.” Coghill describes the song as, ” a slow plodding rocker with up-beat choruses and a chaotic split personality ending.”

Alt-country meets sunny pop in the harmony-filled “ASAPples”, which rides on some, “silly modern-life influenced lyrics” – the inspiration of texting, emojis and our technology-filled lives.

Born Without A Brain is where the drummer makes fun of drummers. “They’re my people!”, Coghill protests.  Power pop guitars, lush Beach Boys harmonies and upbeat vibes makes this track a catchy and enjoyable album standout.

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Songs For The Species is out now on Foghorn/MGM. 

Watch the video for “Baby Blue Sky” here:

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And see all SIX BRAND NEW VIDEOS from The Jimmy C here:
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John Kennedy’s Second Best reviewed by Bernard Zuel

In 2001, John Kennedy compiled the early vinyl singles and album selections from his bands JFK and the Cuban Crisis, Love Gone Wrong and the Honeymooners.

17 years later, its follow-up retrospective collection is out now in all good record stores. 

Leading music journalist and former Sydney Morning Herald writer Bernard Zuel has reviewed the set known as “Second Best: Greatest Bits Vol. 2″.

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“Well of course John Kennedy would call the second set of his career songs collections “second best”. If he’d called it something like “the other bits”, “warmed up leftovers” or “oh no, not me again”, none of us would have been surprised,” Zuel writes.  “This way he gets a play on words, a dig at himself, and a reminder he’s been around long enough to warrant at least two sets of favourite songs before we have stopped laughing: result.”

Kennedy and his band (with the current line-up of Love Gone Wrong drummer Peter Timmerman, ex-Wiggle Murray Cook on guitar and former Pop Mechanics’ leader Paul Scott on bass) blend pop, rock, folk and country, all topped with the uniqueness of Kennedy’s vocal and lyrics.

Zuel says, “Some of his lines have the double dose pleasure of being funny on first hearing and rather telling on second, an effect which is enhanced with a voice that sometimes just seems to be taking the piss. Even when it’s not. Speaking of his voice, yes, when he is not dropping down to a Johnny Cash-ish timbre he has always sounded a fair bit like Elvis Costello – which is what caught the ears of some of us way back when he first appeared as the presidential JFK & The Cuban Crisis.”

Read the entire review here at Bernard’s website: https://www.bernardzuel.net/single-post/2018/11/04/JOHN-KENNEDY-–-SECOND-BEST-REVIEW

OUT NOW on Foghorn Records through MGM.  

Available on CD and digital platforms. 

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Jessie May Kitchen – NEW SINGLE “Teen Love”

Hot on the heels of her sparkling debut, “Coffee Shop”, comes Jessie May Kitchen’s second single, “Teen Love.” A jangly guitar-driven pop song, it’s a sweet ode to all the uncertainties in the early days of teenage romance.

The 17 year old singer-songwriter says her new single, “goes through the emotions of our day by day, week by week, forbidden puppy love. It is written about the previous relationship I was in, when the person I was dating wasn’t sure about what they wanted or who they were yet, so it was very confusing for me.”

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Jessie May says she knew very early how much she wanted a life in music: “I wanted to become a singer/songwriter when I was 5 years old. I remember seeing people singing on TV and thinking, “Hey! That’s me!” My parents told me I could be anything I wanted as a young girl, but like most families panicked in my high school years telling me I, “should find a plan B” or go for something, you know, is, “easy, safe or guaranteed money,” So, for a while I was lost and didn’t write for years, until one day in 2016, I realized that I’m happiest in songwriting and singing; that this is who I’m supposed to be. So, I picked up a guitar and was me again. My parents are much more supportive of me now that I’m older.
And even if it’s not the ‘safest’ road to travel, it sure is the sunniest.”

A new video for “Teen Love” is in production right now and will be released soon.

In the meantime, check out her previous video “Coffee Shop”(which premiered on Scenstr earlier this year) as well as all the links and release details below! 

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The song has already been added to Mood Media and Soundslikecafe networks and it’s being picked up by community radio stations all around the country.

The new single release features 3 versions of the song – the main track,  an acoustic-only version just like Jessie performs it live and an instrumental.

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Jessie May Kitchen – Teen Love (Foghorn/MGM)
Released October 12 All Digital Platforms

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Gareth Koch and Peter Bonner Hit Note Of Success

With their debut release Don’t Tempt Me coming out last month on Planet/MGM, this new Tasmanian Duo have been pleasantly surprised to find a warm welcome for their collaborative effort.
Both Local and National interviews from the ABC to Commercial and Community Radio have been ongoing as well as a noteworthy piece in the local newspaper.

“From the opening verse of their title track, Don’t Tempt Me, the seamless mix of Koch’s classical guitar and Bonner’s pop-rock vocal delivery manages to give listeners a glimpse into a songwriting partnership that takes in hundreds of years worth of influences.”
The Launceston Examiner (full article)

Community Radio Syndicated Show Aussie Music Weekly  were quick to jump on the case interviewing the guys for a forthcoming broadcast and featuring the EP in their new release section.

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Hear the interview

The Don’t Tempt Me EP has also been sent out to over 1000 Aussie Cafes via cafe music network Soundslikecafe and found an immediate popular fit with enough cafes to achieve a number 1 on their featured album charts.

Not a bad start for what started out as a side project!

The Tasmanian-based songwriting team of Gareth Koch and Peter Bonner draws inspiration from medieval music to post-modern psychedelia, with every imaginable influence in between.? Bonner and Koch have a strong and immediately recognisable musical identity, a new sound and aesthetic that comes with a fluid movement across genres. The result is an array of catchy pop tunes, soulful ballads, blues grooves and rock songs.

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Gareth: “Mine is an unusual musical trajectory. I play in the Australian Guitar Trio and also in a hard rock band. So these two audiences are quite different. One is there to listen, the other is there to dance and sort of listen! The songwriting partnership with Pete Bonner is a separate project again. A great creative outlet for me, a chance to allow a flow of ideas to take form without the need to ‘tailor’ in a specific way.”

Peter: “I think a crowd can expect a diverse music experience with rock, blues, classical, folk and pop flavours. I love a wide range for genres from the heavy rock sounds of Jethro Tull, the jazz/funk of Steely Dan, the country ballads of James Taylor through to the country/rock influences of Bonnie Raitt.”

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GARETH KOCH + PETER BONNER – DON’T TEMPT ME was expertly mixed at Damien Gerard Studios Sydney and superbly mastered by Grammy Award winning Wiliam Bowden. It is out now on Planet/MGM.

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