Tag Archives: australian music

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Daxton Releases Music Video for Single ‘End of the Road’

Daxton’s latest music video is for his new single ‘End of the Road‘ lifted from his current ‘Electric Satellite‘ album.

With a green screen now part of his home garage studio and a tonne of spare cardboard boxes lying about it’s amazing to see what Dax has managed to create with nothing but his imagination and time on his hands.

End of the Road’ Official Music Video:

The video and song is reminiscent of Beck’s ‘Loser’ and is a bit of a nod to that era although the slide blues element (a signature of Daxton’s) gives it a timeless quality as well and could fit any era from right now to way back.

The album has also just started to garner warm reviews internationally, here are some of the most recent:

“Although it’s blues-based, Daxton plays these songs with an alternative rocker’s edge.” – Dan MacIntosh
https://www.curiousformusic.com/post/daxton-s-new-album-electric-satellite

“A wild, animalistic energy ties together “Electric Satellite” revealing Daxton’s uncanny ability to craft a truly timeless sound.”
https://beachsloth.tumblr.com/post/689331784743272448/daxton-electric-satellite

“Electric Satellite is another blast of electric and eclectic blues, taking in the grunt and groove of rock and the accessibility and melody of pop and using this to forge his own southern fried take on the genre.” – Dave Franklin
https://dancing-about-architecture.com/electric-satellite-daxton-reviewed-by-dave-franklin/

Daxton released his new album ‘Electric Satellite’ earlier this year, a twelve-track slide blues album with up-tempo spacious songs produced by Pat Dow and Marshall Cullen. Daxton has worked with Pat on many projects – someone who has a keen ear for Daxton’s rustic blues mixed with psychedelic pop/rock sounds.

The album is Daxton’s seventh following the release in 2018 of ‘In Verses’ which features songs covering his favourite themes: life and death, the yin and yang of life, love and loss, while still keeping his always positive and up-tempo vibe.

Producing and playing music since his early teens, Daxton’s passion has kept him continually creating new material both for his band and solo career. On stage, Daxton comes across like he was born to play, his unique guitar style blending perfectly with heart-warming vocals.

Daxton has appeared at major festivals including the Sydney Blues & Roots and Tamworth Country Music Festival where he supported artists such as Kasey Chambers and Beccy Cole. He also has had one of his tracks ‘Moody Liz’ featured in the popular American TV series Doll House.

Based in Sydney, Daxton is best described as a blues/rock artist with a twist of pop and rock. He plays slide guitar rock/blues songs with a fresh and innovative sound. His latest album ‘Electric Satellite is a heavy, rustic blues rock album with psychedelic pop/rock sounds.

‘End of the Road’ Official Music Video:

Listen to ‘End of the Road’ on Spotify:

Download or Stream the Album:

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PG Naylor Releases Latest Single ‘Move Like That’

“The song is based on my memories of my first visit to a strip club in Kings Cross in the mid 60s (the Pink Pussy cat – not Chinatown as mentioned in the song – Chinatown just seemed to work better musically).  There was a well known ‘dancer’ there who attracted much interest for her ‘moves’.  The verse about me being hauled onto the stage is entirely imaginary!!” – PG Naylor

A nod to the 60’s rocker with some modern brass and vocal touches make this mid-tempo song from PG Naylor instantly accessible.  Right from the get-go its hooky, rhythmic and very sing along.  There’s a cheeky element to the lyrics and vocals to set it all off too.

PG Naylor brings a new original visit to 60s classic rock music. All songs are written and performed by PG – who was there then in the 60s and is still here now! Although all the songs are new, they slot perfectly into a 60s rock playlist. PG has been playing in rock bands based in Sydney, Australia since the 60s, and after a life in the corporate world he has returned to his first love – 60s rock music. The title track to his album, Sanctuary, was announced as a semi finalist in the 2019 International Songwriting Competition, based in Nashville, USA; the tracks Sanctuary and Hollywood Road were both announced as semi finalists in the 2020 Voyager International Songwriting Competition based in Melbourne, Australia as well.
Demonstrating that there is still great interest in ‘old rockers’, since 2020 his songs have attracted over 80,00 listeners and just under 160,000 streams on Spotify (and still growing every day!)

Official Video:

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 Stream on Spotify:

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Luke Escombe Releases Single ‘Sacred River’

“Sacred River” is the pulsating second single from Luke Escombe’s forthcoming album “Whale Beach Road”. Starting with some very funky catchy bass (Tina Weymouth style), then once Luke’s vocals start this could be a Talking Heads song for sure. Up-tempo, hooky, and immediate, this one is a winner for radio. Written around the hypnotic bass and drum loop, played live on the recording by bassist Zoe Hauptmann and drummer Evan Mannell, the track builds a suspenseful narrative of a man on the edge.

Luke says: “The song was inspired by certain characters I would see on small flights up to Mackay, the FIFO workers leaving their young families for weeks on end to disappear into the company of other men, working in deserted places.”

Musically, “Sacred River” draws on one of Luke’s deepest musical influences: “One of my earliest memories is going to see Pink Floyd’s ‘The Wall’ live in concert at Earl’s Court in London when I was 4 years old. My Dad was working on the tour and showed me around the stage on the day of the show. I remember being really excited but then running out in terror as soon as the lights went down.”

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Luke plays the lead guitar part on the track, recorded in one take at Damien Gerard Studios in Gosford through an old Fender Bassman amp that was, as Luke recalls, “cranked so loud I thought it was going to explode. I was sitting right next to it trying to manipulate the sound so it didn’t incinerate me with feedback.  It was totally instinctive.”

Clayton Doley adds extra layers of swirling tension on the Hammond organ, and the epic choruses feature backing vocals by Sarah Belkner, Darren Percival, Alice Terry and Daniel Mifsud. It was recorded by Andrew Beck and Richie Belkner, mixed by Richie at Free Energy Device Studios in Newtown and mastered by Grammy-winning engineer William Bowden, who declared it his favourite track on the album: “hypnotic and awesome”.

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About Luke Escombe

“Luke Escombe is a rock-soul singer, raconteur, blistering blues guitarist, comedian and songwriter, and very good at them all” – Sydney Morning Herald

Luke Escombe is an ARIA-nominated singer-songwriter who combines his blues, rock and soul influences with subversive humour, poetic lyrics and heartfelt storytelling. He is the creator of the internationally acclaimed one-man show “Chronic” and the writer and front man of multi award-winning Aussie kids band The Vegetable Plot.

Luke has released numerous albums and EPs with his band Luke Escombe and the Corporation and one album solely under his own name, 2017’s Skeleton Blues. The album was recorded direct to tape in a three-hour session at Damien Gerard Studios, featuring his smoky-voiced cover of Bob Dylan’s “Man in the Long Black Coat” alongside distinctive originals like Punctuation Blues and The Lipsi. A new Luke Escombe studio album, Whale Beach Road, recorded in between lockdowns with some of Sydney’s most in-demand session players, is set for release in 2022.

Luke received his early musical education in London, where his father’s job in the rock and roll industry enabled him to see hundreds of legendary performances by artists like Freddie Mercury, Prince and Bruce Springsteen while he was just a boy. When he’s not channelling his childhood idols, Luke is an ambassador for a number of health charities, a member of the NSW Arts Advisory Panel, a teaching artist with the Sydney Opera House’s Creative Leadership in Learning Program. He is also a song writing mentor with the Sydney Children’s Hospital’s Chronic Illness Peer Support program [ChIPS] with whom he wrote and recorded the track “Wake up Call” in 2021. He believes strongly that music and storytelling can play a transformative role in health, education and society. Among his more obscure awards is the title of “Sydney’s Sexiest man voice”, which he won in a competition on a once-popular Sydney radio station.

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Throwing Shapes Releases Single ‘Into The Void’

The track begins slowly and builds with a fat bass line and fast beat. There is a duality between the slower chords and melodies, and the busy drums, that makes this track interesting and a little unique. This track is about meditation, diving deep ‘Into The Void’ of your own mind and soul.

Some slow piano begins this track with an almost ambient flavour, but wait. Full arpeggio keys, drums and bass hit hard creating a dance floor smash. There’s a breakdown back to the chilled vibe before stretching back into the frenetic uptempo vibe that is Throwing Shapes’ signature.

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About Throwing Shapes 

Throwing Shapes is Fox Shannon: a musician, DJ and producer from Perth, Western Australia.  Unique and forward thinking electronic music.  With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5. Pink Floyd and David Bowie.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilation and won growing interest from community radio, with air play around the country and some US stations.

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Throwing Shapes Releases Single ‘Mind Filter’

An up-tempo drum & bass track with an edge. A heavier rock vibe to this track with soaring synth lead lines and pumping rhythms – a fusion of rock and dance music. It’s about how we tell ourselves certain stories about our own lives, which aren’t always true. Sometimes they become an observation of life through a tinted glass or a ‘Filter’ for the ‘Mind’, distorting our view of the world and preventing us from seeing the truth of our own lives.

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About Throwing Shapes

Throwing Shapes is Fox Shannon: a musician, DJ and producer from Perth, Western Australia.  Unique and forward thinking electronic music.  With influences from Pendulum, Sub Focus and Shock One to Disclosure, Deadmau5. Pink Floyd and David Bowie.

Throwing Shapes have performed alongside other well established D’n’B artists such as Terrence & Phillip at local dance music festivals such as Reawakening and Back2Funk. Their energetic performances and catchy dance floor hooks have seen them feature on numerous compilation and won growing interest from community radio, with air play around the country and some US stations.

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