Tag Archives: new album

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Gareth Koch New Reviews

GARETH KOCH

ELIZABETHAN JANGLE

A CHRISTMAS ALBUM

Foghorn Records

 The past couple of years has seen the recorded output of classically trained guitarist Gareth Koch rise exponentially to match (almost) that of his most recent musical collaborator, Steve Kilbey, releasing two solo albums, an EP, Code Blue, and now a second EP, Elizabethan Jangle – really a mini-album, its seven pieces succinctly and elegantly arranged and performed – all instrumental, as well as two albums with Kilbey within the past 20 months. This time around, Koch has returned to familiar territory, the music for lute composed by John Dowland (1563-1626), some of whose catalogue he’s recorded for ABC Classical. This time around he’s “reimagined” some Dowland, as well as Henry VIII’s ‘Greensleeves’, and rearranged some pieces from the Elizabethan era for a contemporary audience, the solo lute replaced by flamenco, classical and steel-string guitars, occasionally accompanied by Hofner and Rickenbacker basses as well as the odd bit of bodhran (I think), the additional instrumentation, all played by Koch, never overwhelming the central melodies, which drift between feisty and celebratory and liltingly romantic. ‘Tis pity ‘tis so short a time one gets to share with this remarkable minstrel in this context. Another dozen pieces please! Ensuring some sort of continuity with his even more prolific collaborator, the pastel portrait of Koch gracing the CD’s cover is by Steve Kilbey. Just for good measure, Koch released a third solo album just before Christmas 2021, his take on a variety of Christmas music from medieval through traditional to ‘Little Drummer Boy’, again all beautifully arranged and performed, nothing saccharine, so keen readers might want to grab a copy of A Christmas Album to put away for Christmas 2022.

MICHAEL SMITH

Stream Elizabethan Jangle here:

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Gareth Koch Releases ‘A Christmas Album’

Imagine timeless European Christmas music played instrumentally, as if upon a choir of lutes. Ancient & exquisite songs, deep within the human psyche, are now newly arranged by ARIA Award winning guitarist Gareth Koch. The interpretations reveal his signature blend of contemporary flair laced with medieval sensibilities.

The arrangements are both elegant & appealing, sidestepping any notion of commercialised Christmas clichés. Re-imagined as troubadour-like ballads or tender Austrian folk songs, each carol receives a unique treatment. The listener is invited into an array of soundworlds, ranging from the early medieval to English folk-revival.

The music of this album leads us away from the bustle of many modern realities. Instead, we are drawn into a gentler universe, filled with subtlety & nuance. In any year, at any time, this album presents a Christmas message we all need to hear.

Song Description
Little Drummer Boy
This timeless mid-tempo classic Christmas carol is dealt with not just using multiple classical guitar parts but with hand percussion and rice shakers.

Ding Dong Merrily On High
An up-tempo and superbly played Christmas piece dating right back to the 1800’s. Even some 12 string electric features in Gareth’s new arrangement.

God Rest Ye Merry Gentlemen
A very old piece, dated to the 16th century and referred to in Charles Dickens ‘A Christmas Carol’. Gareth recreates the vocal melody perfectly and becomes a terrific hum along piece. Bass guitar rounds out the arrangement featuring multiple guitars: acoustic, nylon string and electric creating a lush sonic tapestry.

About Gareth Koch
Gareth Koch is an ARIA Award winning recording artist, guitar soloist, composer & songwriter. He has recorded a diverse repertory across multiple albums spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects & song writing. He has appeared at major festivals within Australia, Europe, Asia and North America.
Gareth is involved with many cross genre projects. Over the past two years he has released two collaborative albums with ARIA Hall of Fame inductee Steve Kilbey (The Church). Earlier this year a third collaboration with Steve saw the release of double album ‘The Hall of Counterfeits’ which was nominated in this years AMP Prize.

A Christmas Album is OUT NOW  November 26th – via MGM
Pre order CDs in shrink wrapped double gatefold package below

Order CD from the Official Store or stream/download below

CD’s Also available at good retail record stores across Australia

xmasfull

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Jack Nolan Gabriel album launch Live Show

‘The GABRIEL Album Launch

Book here – Tickets

Friday 12 November,
8pm
The Red Velvet Room
Upstairs at The Coogee Diggers
2 Byron Street Coogee

Support Australian music & musicians 

After all these crazy months, we’re finally live again.

Join me and the band at the Red Velvet Room – upstairs at the Coogee Diggers, 2 Byron Street, to release and celebrate the critically acclaimed LP ‘Gabriel’, released earlier this month.

Get your VINYL copy at the show.

Come and support Australian music and check out my great band.

Jack Nolan – Acoustic & electric Guitars

Travis New – Electric Guitars – Andrew Farris INXS, Mi-Sex, Imogen Clark

Andy Horvath  – Drums – Casey Donovan, Adam Brand, Boney M, O’Shea, Jack Vidgen, Cyrus, Vanessa Amorosi, Kate DeAraugo, to name a few.

Tim Sampson – Base – Andrew Farris /Christine Anu

Check Out Jack Nolan’s New Website

Gabriel is Jack Nolan’s fifth solo album, and the first album he’s yielded to someone he trusted enough to produce: This is an album that mines its own carefully sculpted acoustic world with a profoundly atmospheric sense of place, and a depth of self-knowledge that speaks of arrival after a lifetime of sometimes hard, sometimes tender experience.

The genesis, Gabriel came to Jack a few years ago, sat at his side on a long desert drive that he wasn’t sure he’d come back from. The title track, in its own unhurried and roundabout way, eventually found itself in Nashville, USA, on an album completed just before COVID-19 wrought its havoc on the world.

Atonement is upfront in titles like The Hopeless Son and Restitution Song. Others — Tomorrow Came, Faster Than the Speed of Change, A Fool Would Follow Me — are deeper stocktakes, songs from life’s rear view mirror. Ghosts of people and places and other, maybe darker things, receding for sure, but too close to ignore.

Produced by Justin Weaver and captured on two-inch tape in the aptly named ‘Welcome to 1979’ Studios by engineer Chris Mara, the assembled band included drummer Jimmy Paxson, bassist Chris Autry, keys player Phil Towns and pedal steel player David Spires who were joined by backup singers Terri Lynn Weaver & Siobhan Maher Kennedy. Justin himself applied the deeply textured lead and electric guitars.

Gabriel, is a record offering up evocative, ethereal stories, perhaps best signalled on the album’s title track, with Nolan singing “Endless lanes /endless cars // In the absence /of stars” reminding us of this new world, turned on its axis in 2020/21.

Video

Gabriel is OUT NOW Oct 8 Quay Records/MGM.
Vinyl LP, CD and Digital

Stream or Download:

Connect with Jack Nolan:

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The Insufferable Paul Scott – Reviews for Tea and Medals

Paul Scott unleashes his ‘Insufferable’ Persona on the airwaves once again this time with a long play album Tea and Medals created in and out of the 2  big Aussie lockdowns ….

Heres a bunch of  international reviews just in – read all about the album below-

http://www.beachsloth.com/the-insufferable-paul-scott-tea-and-medals.html
https://blog.kedarofficial.com/2021/11/tea-and-medals-by-paul-scott.html
https://www.theartistscentral.com/post/the-insufferable-paul-scott-is-back-with-stunning-new-album-tea-and-medals
https://dancing-about-architecture.com/tea-and-medals-the-insufferable-paul-scott-reviewed-by-dave-franklin/
https://thebandcampdiaries.com/post/667393870687059968/the-insufferable-paul-scott-is-back-with-a-new

https://www.dailymusicroll.com/entertainment/take-your-tea-party-to-a-higher-notch-with-the-insufferable-paul-scotts-latest-album-tea-and-medals.html
https://just-fame.com/the-insufferable-paul-scotts-new-album-tea-and-medals/
https://warlockasyluminternationalnews.com/2021/11/14/the-insufferable-paul-scott-tea-and-medals/
https://skopemag.com/2021/11/15/the-insufferable-paul-scott-present-tea-and-medals

http://excessmag.de/musik/rock/the-insufferable-paul-scott-tea-and-medals-ein-episches-erlebnis-audio-tipp-indie-rock-experimental-rock-avant-garde-rock/

When we asked the ‘Insufferable’ Paul Scott to send us an update to his bio below we got some straight to the point words such as: “Well it is simple really I am Inedible, Incorrigible , Indescribable , Incredible, Incoherent , Indigestible, Intellectual , Indistinguishable , Intractable.”

And when asked to comment on the new album he said – “you can take the album any way you like but to me it’s Inscrutable , Insoluble , International  , Incorruptible, Inspirational , Instructional,  Industrial ,Invaluable, Intangible and Individual”

Working with a host of collaborators/producers and mixers including: Steve Melville (The Tea Party, Paolo Nutini, Regurgitator), Tim Powles (The Church), a team based in Los Angeles and many others ‘Tea and Medals’ was born from a set of home demo’s written during lockdown in 2020.  With the brief hiatus between the two NSW lockdowns, studio time was booked at various facilities including Damien Gerard’s on the Central Coast where a specific Re Amp procedure was added to some of tracks prior to final mixing.  The overall finished album was then mastered by Grammy Winner William Bowden (Gotye, You Am I) at his hi-end luxury suite in Tasmania.

Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix.  Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.

Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville.  Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ.  A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’.  The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.

Scott has since plied bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House.  More recently Scott has released ‘Surrender to Robots’ also under his ‘Insufferable’ moniker which found wide response and positive reviews which led to the creation of the new album Tea and Medals.

The Insufferable Paul Scott – Tea and Medals is out NOW Oct 29
Foghorn/MGM
Video Premiere

PS-Belles ring vid grab

Download or stream:

teamedalsffm

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The Jimmy C – New Album – Ducking

Created during the longest lockdown in the world –
Melbourne’s irrepressible One Man Band records a full album

“From February to September of this year, with the pandemic still belligerently stomping through the living room like a toddler with a bucket on its head, I managed to use music as a way to “remain indoors” and focus on something that wasn’t terrible news in an attempt to preserve my sanity.

Ducking’ begins and ends with comic ‘bookends’ an almost Las Vegas lounge singer introduction and ‘Gateway Song’ that abruptly gives way to ‘Everything Is OK’ (something we all want to hear).  A positive and up-beat acoustic guitar and glockenspiel tune with cheerful whistling that reassuringly squeezes your shoulder and says everything will be ok. Aaaahhh yes … I do hope so.

It’s an eclectic mix of up-beat rock, down-beat moody rock, tongue-in-cheek segues, power pop (and whatever Paranoia Grande is), that moves quickly in spite of the rather long 47-minute total playing time.  Song durations range from 27 seconds to the cinematic and sprawling 5:07 of ‘Don’t Forget Me’ which is appropriate because it was actually written for a movie. “The Problem Y” was shot in California a few years ago and is yet to be released.  Written & directed by Joe Bizarro with whom I spent 5 years making music for The Brides Of Satan grindhouse indie slasher which is now available to stream and buy.

‘Ducking’ is a fun, light hearted and amusing album in places but gets serious and even a little scary in others – all part of the emotional rollercoaster of the pandemic era.  I feel the title sums it all up.   We all know what we meant to say when we tried to text ‘Ducking’ but autocorrect had other intentions … our frustration becomes humour and we find that we can still laugh at ourselves. ” –
Jamie Coghill September 23, 2021

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As a band I am called The Jimmy C.  As a human person I am called Jamie Coghill and am possibly known for (by people with very good memories specifically within the Melbourne pub rock scene) playing drums with The Devilrock Four, Fez Perez and Luxedo – going back more than 20 years now to the very late 90s so to be familiar with me is super niche and you would have to have very good taste!

Sometime around 2005 I decided to make an album of songs I’d recorded on a Tascam 4 track cassette recorder. I’d been experimenting with writing and recording since my teens but until then I hadn’t recorded anything I wanted people to hear.

Over the past 16 years I worked on my song writing, playing and recording techniques and released 7 albums, 4 soundtrack albums (2 for an American web series: The Adventures Of Superseven and The Sandra West Diaries, and one for an American indie grindhouse film: The Brides Of Satan), and a few EPs and singles.  I also made a sort of 10 year anniversary live album/video roping in a few friends to play and record my songs live, which lead to the formation of Lava Fangs, a garage power pop punk band with an EP, an album and some singles – we’re very good and you should check us out!

As a one-person band I have found the pandemic era to be quite productive, and a welcome distraction from almost two years of terrible news (I’m writing this the day after the Melbourne earthquake – who saw that coming?!?!).  From February 2021 to mid-September I worked on a new collection of songs as well as upgrading my recording setup – still with quite out of date gear but a huge step forward from the stuff I used to record my previous albums!

Comparisons Include
Super Furry Animals, Ween, Queens of the Stone Age, Sloan,

Ducking is out now on Foghorn/MGM. 

Videos from the album



Stream/Download

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Cody and the Blackouts – New Album – Living Asleep

Cody and The Blackouts(USA)
Living Asleep (12 Track Album)

Release Date:  October 20 (Chance Music) All Digital Platforms

Extrapolation, n:An educated guess or hypothesis. To extrapolate isto use observations about a current situation to make a prediction.

‘Extrapolation’ is not a word you’d expect to find in a modern pop song, but there it is in the title track of the thoughtful and heartfelt debut album by Los Angeles band Cody And The Blackouts:

Present finally caught up to my past / Surprised my house of cards had been built to last / Extrapolation gift and a curse / It helps connect the dots but can make things worse” (Living Asleep).

 

He’s the lead singer and keys player in the band, but Cody Hudock’s most striking asset is his songwriting. Notable LA music blog, Buzzbands.la, held up Hudock’s work to “any number of rock-Americana greats and piano-wielding popsmiths who can seize the moment with a single couplet … owing to Hudock’s often-cutting, always-earnest lyrics, the Blackouts come off as the band most likely to have put down their history textbooks long enough raise hell at the local bar.”

A dab hand with a lyric, Hudock often takes a song title and runs with it, as in “I’m gonna crack the code / it’s just a matter of time” (Matter of Time), or “All I’m asking for’s the last word” (The Last Word). Even the album’s closing track, tender piano ballad Love Song To You, pre-empts its own chorus as Hudock vows to “learn the vocab to say what I felt”.

There he goes, extrapolating again.

Cody Hudock was born into a family of songwriters. He learned the trade from his father and older brother, Jordan, who also plays keys on Living Asleep. After acquiring early performance experience playing keys in Jordan’s bands, Cody wrote and released 3 EPs between 2011 and 2015 under the moniker Cody The Band, and the ambitiously titled The Great American Album LP under his own name in 2016. The LP garnered some delirious word of mouth, with LA blog The 704 gushing, “If there were an award for ‘greatest living songwriter you’ve never heard of’, then Cody Hudock’s sterling solo effort would place him firmly in the running.”

Rounding out the Blackouts are guitarist Jimmy Holman, drummer Brent Stranathan and bassist Will Weissman, with Joanna Hudock on backing vocals. Joanna shines on the country-tinged I Confess, a duet with husband Cody, And contributes celestial harmonies to the choruses of several other songs on the album.

Recorded at Hollywood studio Elephant In The Room, produced by Ethan Kaufmann (Avril Lavigne, Wild Party) and Brent Stranathan, and mixed by veteran Capitol Records engineer Chandler Harrod (John Mayer, Neil Young), Living Asleep captures the unique studio chemistry of Cody And The Blackoutslike lightning in a bottle.

From the pop-cultural history lessons of opening track Time Stood Still (the band’s head-turning 2020 debut single), through the pendulum swing of Matter of Time, to the hook-laden pop bauble Sister Sister, Living Asleep extrapolates an uncommon range and versatility. As for predictions, heed the title of the album’s penultimate song: Somehow I’ll Make Good. Believe it.

Checkout the Album

Connect with Cody and The Blackouts




Living Asleep is Released In Australia by Chance Music

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Jack Nolan Releases Album Gabriel

Gabriel is Jack Nolan’s fifth solo album, and the first album he’s yielded to someone he trusted enough to produce: This is an album that mines its own carefully sculpted acoustic world with a profoundly atmospheric sense of place, and a depth of self-knowledge that speaks of arrival after a lifetime of sometimes hard, sometimes tender experience.

The genesis, Gabriel came to Jack a few years ago, sat at his side on a long desert drive that he wasn’t sure he’d come back from. The title track, in its own unhurried and roundabout way, eventually found itself in Nashville, USA, on an album completed just before COVID-19 wrought its havoc on the world.

Atonement is upfront in titles like The Hopeless Son and Restitution Song. Others — Tomorrow Came, Faster Than the Speed of Change, A Fool Would Follow Me — are deeper stocktakes, songs from life’s rear view mirror. Ghosts of people and places and other, maybe darker things, receding for sure, but too close to ignore.

Produced by Justin Weaver and captured on two-inch tape in the aptly named ‘Welcome to 1979’ Studios by engineer Chris Mara, the assembled band included drummer Jimmy Paxson, bassist Chris Autry, keys player Phil Towns and pedal steel player David Spires who were joined by backup singers Terri Lynn Weaver & Siobhan Maher Kennedy. Justin himself applied the deeply textured lead and electric guitars.

Gabriel, is a record offering up evocative, ethereal stories, perhaps best signalled on the album’s title track, with Nolan singing “Endless lanes /endless cars // In the absence /of stars” reminding us of this new world, turned on its axis in 2020/21.

In true analog fashion following on from the Tape Based Recording the album is available on LP Vinyl format as well as CD and Digital.

Jack Nolan is a singer songwriter based in Sydney, Australia, who’s been performing and releasing music and albums since the mid 90’s. Along with a five-album solo catalogue Jack also fronted The Kelly Gang, with Rick Grossman, bassist for The Divinyls and Hoodoo Gurus along with Midnight Oil drummer Rob Hirst and guitar player Martin Rotsey. Their 2004 album Looking for the Sun was critically adored along with their energetic live shows of the time.

Within Nolan’s music, mysterious and shimmering chords unite his sound with that of the Americana genre, once quaintly described as ‘Darlinghurst Country’, uniting elements of folk, country, rock ‘n’ roll and ambient atmospheres fusing Nolan’s passion for intensely charged electric guitar and finger-picked acoustic guitar.

And so it is, Jack’s latest album, Gabriel, releasing October 2021, keeps the wheels moving on the meaningful passion of this writer and performer.

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Recent Article on Gabriel:

https://beat.com.au/jack-nolans-gabriel-takes-you-from-la-to-death-valley-to-nashville/

Credits:
Written by Jack Nolan
Recorded at ‘Welcome to 1979’ in Nashville TN 2020
Produced by Justin Weaver
Engineered by Chris Mara
Mixed by Chris Mara & Justin Weaver
Mastered by Ryan Smith, Sterling Sound Nashville TN
Jack Nolan – Vocals & guitars
Justin Weaver – Electric Guitars, slide, banjo & backing vocals
Jimmy Paxson – Drums
Chris Autry – Bass

Title Track Video

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Gabriel is OUT NOW October 8 Quay Records/MGM. 

Stream or Download:

JAN_GAB ALB

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CJ Shaw releases new album All Sorts

 All Sorts is the latest album from ARIA nominated educator and musician CJ Shaw.

Since ‘ANZAC Biscuits’ gained over 30,000 views on social media in 2019, and an ARIA nomination for Music Teacher of the Year, CJ has been busily recording this album. The collection of ten songs affirms Shaw’s position as a creative and dynamic storytelling songwriter for children and adults.

Having spent over twenty years as a songwriter and performer, ‘All Sorts’ draws on the catalogue that Shaw has been performing at folk clubs and festivals. It is an album for the modern eclectic times, containing poignant storytelling, songs of fatherhood, hip-hop, satire and traditional folk. “I wanted an album that could connect people of different ages,” states CJ, “Everyone should be able to enjoy the music”.

Shaw collected some excellent players to help with the recording. The line-up includes: Allyson Newman who brings her emotive arrangement to the song ‘Lonely Road’ and features Canberra Symphony Orchestra players Steven Fitzgerald, Alex Voorhoeve and Timothy Wickham bringing depth and precision to the record.

A collection of the best songs in CJ Shaw’s repertoire, ‘All Sorts’ is brimming with life and vitality, drawing in audiences of all ages. Dubbed the ‘ultimate family album’ for a reason, ‘All Sorts’ is destined to be a family favourite on long car trips in the foreseeable future.

Armed with a guitar and a swag full of harmonicas, singer-songwriter CJ Shaw’s intricate finger-picking, word play and storytelling never fails to captivate his audiences.  CJ Shaw’s music is distinctly Australian in style, influenced by Paul Kelly and Slim Dusty. His lyrical storytelling and musicality lends itself to audiences of all ages.

In 2020, CJ Shaw was nominated for an ARIA Award for ‘Music Teacher of the Year’ with Jimmy Barnes as his official ambassador presenting him with the nomination.  This prestigious music industry acknowledgement recognised his dynamic and poignant songwriting for primary-aged children. These celebrated songs are woven through his performances and albums, played alongside satirical and storytelling Australiana folk songs.

With over a decade experience touring and performing at music festivals in Australia and Timor-Leste, CJ Shaw is an exciting Canberra musician at the top of his game.

CJ Shaw – All Sorts is out NOW September 17th through Foghorn/MGM

Download or stream: 

cj FULL SALES

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Gareth Koch Releases New Solo Album ‘Saladin’s Dream’

Gareth Koch is an ARIA Award winning recording artist, guitar soloist, composer & songwriter. He has recorded a diverse repertory across multiple albums spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects & song writing.  He has appeared at major festivals within Australia, Europe, Asia and North America.
Gareth is involved with many cross genre projects.  Over the past two years he has released two collaborative albums with ARIA Hall of Fame inductee Steve Kilbey (The Church).  Earlier this year a third collaboration with Steve saw the release of ‘The Hall of Counterfeits’.

On his new solo project, ‘Saladin’s Dream’, Gareth explores the fanciful notion of Saladin’s dreamworld – his unconscious desires and wishes.  Saladin (1137-1193) was a warrior/sultan & ruler of Egypt, best known for his war against Christian Crusaders and the capture of Jerusalem.
Dreams and their significance in waking life are an enduring source of mystery.  On this album Saladin is visited nightly by ancient gods, bringing with them their harps & music of the underworld.  He then spirals into the mayhem of dark assignations with a succubus before veering into the chaos of an Egyptian bazaar. In his free-flowing dreams Saladin embarks on a surreal journey into the future, encountering Macbeth’s witches and their cats.
The album meanders effortlessly through a landscape of goatherds, ancient cities and other worlds.  Saladin’s Dream can be seen as a synthesis of Gareth’s musical journeys, ranging from classical, flamenco, medieval, folk & rock, flowing seamlessly into the realm of free experimentation & creativity.

Tracklist

Song Descriptions
Bazaar
This soundscape like track takes you to the Middle Eastern Markets of The Silk Road in ancient times.  With oud’s, guitars, hand percussion, even some calls to prayer like wailing this truly evokes a time and place – think The Arabian Knights put to music.

Saladin’s Dream
The title track to this new album by Gareth Koch, exactly half down the track order it creates a neat bridge from some of the more eastern sounds into what we may term more classical ones.  Some beautiful guitar melodies layered onto backing that includes resonating vocal textures.

The Nefarious Goatherd
Belying the tongue in cheek title this song moves along at a good pace and includes some solid bass and low-end percussion that keeps up the pace nicely.  With similar instrumentation to the album – background vocal layers, stringed instruments over the bass and percussion elements.

Saladin’s Dream is OUT TODAY July 9th – via MGM

All DSP’s and CD’s from

sladins
 

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For further information, Files, CD and Interview Requests please contact:
Marshall Cullen at Foghorn Media
0416 143 030
marshall@foghornrecords.net