Tag Archives: New releases

John Kennedy Releases New Single ‘Discover Me’

February 9, 2023 Marshall Cullen

This song was one of the first written and recorded for the John Kennedy And The New Originals album. Even with the fractured process of recording between Covid lockdowns, it established a strong theme that many of the songs on the album explore: Identity.

“Take a look at this facade, you pass it everyday.

The doors are locked, the windows blind,

It’s got nothing left to say.

It’s got a lot of stories if you look inside.

They could be dreams or nightmares,

Shameless love and pride.”

Most people present a façade to the world. And the world can also project a façade onto people. And once a façade has been established, it seems to be accepted and nobody needs to look or investigate further. We think we know a person based on this façade. But there is, of course, in many cases, an untold story behind it. The song says, Discover Me. But it is in fact a song for anybody that has ever been overlooked.

The band delivers a powerful performance on this recording giving it a driving, swinging rhythm with a punchy arrangement. Space had been left towards the end of the song for a two part solo, one was to be guitar and the other bass. Peter Timmerman put in a quirky drum fill between the two parts. As Phil Hall developed his bass solo, he was inspired and told guitarist Murray Cook that he needed both parts to fit the bass solo he’d developed. Yes, A BASS SOLO. The result takes Kennedy’s Urban and Western sound into new territory. With this song they are now moving close to the edge of Prog and Western.

About John Kennedy

An enthusiastic young music journalist once described Sydney musician John Kennedy as a humble genius. Kennedy is neither a genius not particularly humble. He is the singer / songwriter of many classic Australian Indie songs that have found a place in the hearts of music lovers of a certain generation.

Kennedy started his music career in Brisbane with his first band JFK and the Cuban Crisis. A move to Sydney brought immediate independent success with his first release on Waterfront Records, the Careless Talk Costs Lives ep. It’s featured song ‘The Texan Thing’ became a JJJ radio hit. The band broke up in the mid-’80’s after the release of the prophetically titled ‘The End Of The Affair’ album and Kennedy went on to pursue a solo career with his band vehicle John Kennedy’s Love Gone Wrong. Numerous indie hits including ‘Miracle (in Marrickville)’, ‘King Street’ and ‘Big Country’ followed but commercial success remained elusive. In 1989, Kennedy chose to travel the world with his guitar living by the mantra: Have Songs, Will Travel.

After ten years of living, performing and recording in LA, Berlin, Hong Kong, Holland and London, Kennedy returned to Sydney in the 2000’s and formed John Kennedy’s 68 Comeback Special. With an ever-changing line up of musicians, he continued to release numerous albums before settling with a stable group of bandmates: original Love Gone Wrong drummer Peter Timmerman, ex-Red Wiggle Murray Cook on guitar and Phil Hall formerly of Sardine v, The Dropbears and The Lime Spiders on bass. With this new release, this line up has now morphed into John Kennedy And The New Originals.

The last five years have seen Kennedy busier than has he ever been with six album releases in six years. The release will be his last for the foreseeable future with Kennedy planning to leave Australia in June 2023 to live in Spain for an extended period.

Song Description

John Kennedy is back with a swinging and rocking new single ‘Discover Me’. Full of life, fire and passion, this up-tempo tune would give you no idea these guys have been recording since the 1990’s. Catchy backing vocals and guitar hooks and riffs – a power pop classic.

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Gareth Koch & Martin Kennedy Release Album ‘Music In The Afterlife’

February 3, 2023 Marshall Cullen

“Brian Eno meets Massive Attack and classical guitarist John Williams”

The idea of an afterlife has fired imaginations across cultures for millennia and is one of the earliest belief systems in recorded history. It is fascinating to consider that a type of identity or stream of consciousness might exist in the absence of the physical body.
In ‘Music In The Afterlife’, Gareth Koch & Martin Kennedy have created a sound world which seeks to convey a continued existence taking place in the spiritual realm, or otherworld. In mythology there are phases through which the consciousness passes before arriving at a reward in the afterlife. The Koch/Kennedy songs, or pieces, reflect imagined states in which the protagonist journeys through the stages of waiting, trance, drifting, resignation & Elysium.

In their debut collaboration Viennese-trained classical musician Gareth Koch & ambient music specialist Martin Kennedy have created a unique sound world. Their compositions weave acoustic & electronic realms into a seamless fabric in which medieval, folk & electronic influences are entwined. If this melange is beginning to sound like an unholy brew nothing could be further from the truth. The pieces are deft, intuitive & hypnotic, drawing the listener into a reflective & profound listening experience.

In what is termed classical music (perhaps more aptly described as western art music) the earliest notated plainchants of around CE930 were centred on spirituality & belief in the afterlife. From this point onwards classical music evolved with a connection to an otherworld or divine, often embracing various mythologies. Ambient music came of age in the twentieth century in the era of electronic synthesisers, but its origin’s date back to French classical music composer Erik Satie. Satie pioneered a genre of music which emphasised tone & atmosphere, providing the ideal sonic environment for contemplation & spiritual reflection.

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Jack Nolan Releases New Single ‘Oh My Darling’

January 12, 2023 Marshall Cullen

Oh My Darling is the third cut from Jack’s fifth solo album release ’23. A love so deep but a resignation, where you must stand by & watch the one you love work through a process where nothing you say can help, where all you can do is stand by & be there when it gets too much. Here’s yet another step, a story adding to Jack’s commitment of producing one album per annum because ultimately the best promotion is the hard work, the output, the live shows & the letting go of outcomes, the life.

Oh my darling

There’s nothing I can do

I will row the boat my darling

That I promise you

Oh my darling

There’s nothing I can say

I’ve played around with versus

Only words get in the way

Based in Sydney, Australia, singer songwriter Jack Nolan has been performing and releasing music since the mid 1990’s. Along with a five-album solo catalogue Jack also fronted The Kelly Gang, with Rick Grossman, bassist for The Divinyls and Hoodoo Gurus along with Midnight Oil drummer Rob Hirst and guitar player Martin Rotsey. Their 2004 album Looking for the Sun was critically adored along with their energetic live shows.

Once quaintly described as ‘Darlinghurst Country’, his sound unites elements of folk, country, rock ‘n’ roll and ambient atmospheres fusing Nolan’s passion for intensely charged electric guitar and finger-picked acoustic guitar.

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The Mezcaltones Release New Single ‘If I Could Make You See’

January 6, 2023 Marshall Cullen

In the lead up to the band’s no less than 10 live performances at this years Tamworth Country Music Festival here’s the first cut from the forthcoming album.

Key dates
Jan 13 ‘If I could make you see’ digital single release(all platforms)
Jan 14 – 21 CD Album Agave Soiree Pre release available exclusively at Tamworth Live shows
March 1 CD Official release available via MGM
March 17 Digital Release Album Agave Soiree

Lyrically, ‘If I Could Make You See’ is an old story told with a twenty first century bias. Instead of the typical “Man goes off working while woman pines away waiting for his return“, it’s the man left behind to pine and wonder if his love will ever come back. This track bounces comfortably along on the back of some tasty Mezcaltones style bluegrass riffory. While the rhythm section lays down some Buck Owens/Buckaroos vibes, the modal guitar solo gives a respectful nod to the late 60’s Byrds/Flying Burrito Brothers’ style.

Classic country Mezcaltones style on this first cut from the new album for 2023 specially released for the Tamworth Music Festival. A tight snappy rhythm track with plenty of hooky country twang guitar. Col’s signature vocals and some catchy backing vocals in the chorus – what more do you need!

WHAT IS IT WITH THE MEZCALTONES?
Four guys dressed as cowboys and two women dressed like Spanish Mexican Señoritas that you might find in a Quentin Tarantino movie – two guitarists, a bassist, a drummer, a crazy front man and a beautiful dancer/percussionist.
Whilst their original songs have an alt country rockin’ blues flavour, the guitar tones also reach into the realms of 60’s surf instrumentals. With the band’s slick look and sharp costumes, THE MEZCALTONES are there to entertain.

THE MEZCALTONES comprise 6 experienced musicians who came together through their love of cool country rockin’ blues, and get down and get dirty Tex Mex sounds.

Don Juan – Texan Time Keeper with a Smooth Tequila Feel
Col Padre – Raspy Lead Vocals dripping with Desert Soul
El Shango – Lead Guitar possessed with tangy, psychedelic blues, magic finger licks
Lucre – Mezcaltonic Groovin’ Bass Sounds
Mimi – Spicy Seductress who shakes it like a Rattle Snake
Neralita – Queen of Southern Rhythm Strummin’

The Mezcaltones have previously played six Tamworth Country Festivals; Groundwater CMF; Sydney Blues & Roots Festival; Dashville Skyline Festival. Their latest album Mexican Hillbilly Surf Music debuted Top 10 in the Australian Blues & Roots charts.

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Jack Nolan Releases New Single ‘Reading Minds’

December 9, 2022 Marshall Cullen

READING MINDS is the second cut from Jack’s next LP set for release March ’23. This is a farewell, a song that sees the flag at half-mast.

There’s a backstory, and in this one instance, I’ve decided to repeat it. We were two little boys with our families buying ice creams. I was more friendly with his younger brother in my schoolyear, but on this day, I recall a tap on the shoulder, to turn around & watch my soon to be friend reach into a cabinet to take a handful of cigarette lighters. It was right then, that very act of delinquency, where I thought “he’s going to be my friend”
We became best friends, and we were lucky to survive as long as we did.

Cut to 1994, we’d reached a nadir & I ended the ride, I wanted him to join me, and for a while he did, but jail cells and more catastrophe awaited him.
It’s been a while now, but yea, he’s been on my mind. Where is he? Maybe he’s in the Bardo. Is it addiction, is it mental illness, is it both? Who knows.
I know for the last five years or so he’d spent a lot of time in and out of a psychosis of some sort, things were said, we lost touch, but we both know what the truth is.

Nobody likes talking about suicide, but I’ve come to thinking that maybe he couldn’t help it, and that horrific act serves as the ultimate statement of the failures we’ve all created, where the only way out for some of us, is to end it.
There’s simply no way to try and make sense of it all but maybe a song will help. Reading Minds is a deep pulse, delivered by the brilliant Jimmy Paxon @jimmypaxon & Chris ‘Cowboy’ Auty @autbra11 that floats my eerie Gretsch finger picker around a masterful Justin Weaver @notnotweaver soundscape & production.

“Farewell friend
Sleep softly now
Sleep softly I will be
Lost in a dream myself
Yeah maybe it was me
That made my mind up like a fool
Call me that don’t call me cruel
It could be worse it could be me
You are reading minds”

Music was our first and lasting bond, I know he would have loved this track.

Basic Credits
By Jack Nolan
Produced by Justin Weaver
Recorded @ Welcome to 1979 Nashville, February, 2022
Engineered by Chris Mara
Mixed by Mitch Furr @ Early Bird Studio Nashville
Mastered by Bobbi Giel @ Welcome to 1979

Personnel Credits
Jack Nolan – Vocals & guitars
Justin Weaver – Electric & acoustic guitars
Jimmy Paxson – Drums & percussion
Chris Autry – Bass guitar

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Jack Nolan Releases Single ‘Dollar’

November 4, 2022 Marshall Cullen

When it was just you and me, broke, young, and free, that’s love. No houses, no fast cars, no responsibilities.

“And she loved me like no other / When I did not have one dollar / Not a dollar / On me”

They say when you’re on a good thing, stick to it – so why not go back to Nashville, it worked out perfectly pre-pandemic, why not post-pandemic? And what better way to add a bit of hope to 2022 than a 12 string guitar and a nod to the mighty Wilbury’s? Listen out for Justin Weaver’s jangling 12 string intro to herald the first track release from Jack’s upcoming 2023’s album Jindabyne.

Dollar is a story about hope and knowing things would work out just fine.

“See my reputation follow / When I did not have a dollar / Not a dollar / On me”

An up-tempo acoustic/band based track akin to Paul Kelly from Jack Nolan as the debut single from his forthcoming album. The tune moves along very smoothly with some sweet backing vocals, catchy guitar riffs and Jack’s story telling vocals. A hooky chorus sets the spot on vibe of this one.

The critically acclaimed 2018 album ‘Our Waverley Star’ was followed up by the equally impressive ‘Gabriel’. It was these two American outings that cemented Nolan’s love of Nashville and built from a connection with guitarist/producer Justin Weaver that started with a one-off phone call and developed into an alliance that Nolan describes as ‘Team America’. What’s now become a regular jaunt is an opportunity for Nolan to get away from all the distractions of home, and “arrive in town, in the northern winter, when everyone’s off the road, with my swag of songs to greet all the boys again to collaborate”.

Jack’s new album – JINDABYNE – is set for release in early 2023. This album has waited in the wings while lockdowns and rules meant the guitar took on a whole new meaning. “I arrived home from Nashville in early March 2020 with ‘Gabriel’ ready for mastering. One week later, the world turned on its axis and – lockdown. This created a sense of urgency in me, so I made a conscious decision not to waste the time and went to work writing JINDABYNE. As soon as the plane could fly I was booked and took off back to the US”.

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Halfway Homebuoy Release Single ‘1000 Others’

November 4, 2022 Marshall Cullen

This second single from the band’s forthcoming album, following on from the first single ‘Sheets’. This song was penned during lockdown by the Homebuoy writing team of Jack Davison (lead singer and rhythm guitarist) and Curtis leigh Murray (lead guitar).

It was recorded over a succession of sessions in and out of lockdown at Damien Gerard Studios on the NSW Central Coast which luckily is the band’s current home base. The studio’s in house producer/engineer Andrew Beck took the reins across those sessions and then the final recording was sent to long time Homebuoy ‘mix guy’ Russell Pilling now living in Tasmania who pulled it all together into the tight, cohesive and very rocking final tune. As Jack said: ‘Big Rusty knows us so well and always makes us sound like we know what we are doing’.

About

It’s been a strange path for Halfway Homebuoy to finally end up as ‘based’ on the NSW Central Coast, an hour north of Sydney. The band was formed almost 10 years ago on the ski slopes of Switzerland where all of the (then) members were working the season and playing shows at night.

With three Englishmen and one Aussie the band moved out here and were recommended to Foghorn Records where they quickly found a home. As things happen after a few years, the visas ran out, the Aussie moved back to Europe and the sole remaining member, principal writer and singer, Jack Davison, married an Aussie and stayed here. Unfortunately, he was left without a band.

Not to be deterred, Jack found local musicians, new songs were written, live shows booked, a new album released, the band continued on. Now based on the Coast and with a new record almost finished the guys are ready to reboot post lockdown into 2022.

Song Description

This sonically exciting single features striking and clear drum, bass, guitar and vocal parts. Jack’s brilliant vocals are offset by the multi layers of guitars supplied by Curtis, all highlighted by a great mix from Russell Pilling.

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Videos

Jessie-May K – Shootin Daisies(Official Video)

Video October 30, 2022 Marshall Cullen

Videos

Luke Escombe-Max and Melanie(Official Video)

Video October 30, 2022 Marshall Cullen

News and Touring

Steve Kilbey & Martin Kennedy Release Album ‘The Strange Life of Persephone Nimbus’

October 27, 2022 Marshall Cullen

Steve Kilbey & Martin Kennedy follow up their acclaimed album Jupiter 13 with the epic ‘The Strange Life of Persephone Nimbus’, a sprawling Pink Floyd-ish concept album that shimmers with darkly beautiful musical undercurrents, oblique lyrics and spooky spoken word pieces. It is the second chapter of an eventual trilogy and this one has already garnered strong reviews leading to release.

ALBUM REVIEWS
http://bigtakeover.com/recordings/KilbeyKennedyTheStrangeCaseofPersephoneNimbusFoghorn

https://www.backseatmafia.com/album-review-steve-kilbey-the-church-and-martin-kennedy-all-india-radio-are-kilbey-kennedy-and-they-combine-forces-again-to-weave-their-aesthetically-jaw-dropping-sci-fi-sonic-magic/

The album was recorded in Tasmania overlooking the ocean, peaceful and crystal calm one day, dark and stormy the next, a dynamic that inevitably worked its way into the music and lyrics.

Returning to the mixing desk is Simon Polinski (Paul Kelly, The Church, David Bridie, Stephen Cummings, Underground Lovers) who skilfully brings the story of Persephone Nimbus to life.

Steve Kilbey writes: ‘Persephone Nimbus was just an ordinary woman living an ordinary life, with a promising job at Eternity Incorporated. Until one day she was kidnapped by the Plutocracy.
There she reigned for 6 months of the year, a sad cold queen of the dark webbed world. But for 6 months of the year she was allowed to ascend to the Overworld with its marvellous technological illusions, and it’s towers that pierced the very sky. But on the first day of every autumn she must take the long staircase back down, down into the Plutocracy, with their frozen lakes and above them, a sky of iron.’

In 1981 a teenage Martin Kennedy stumbled upon Steve Kilbey and The Church at Tanelorn, an oddball old world meets new world music festival, and fell in love with their look and sound. He recorded their set on a walkman, and the songs helped spark the beginning of his music career. Just a year before, an equally fresh-faced Steve Kilbey formed The Church in Sydney, the very beginning of their public life as accidental hit makers.

Forty one years later Martin and Steve find themselves working together on their sixth studio album, the epic The Strange Life of Persephone Nimbus. As ever with these two, the deal is simple: Martin writes the music and Steve writes the words. No argument, no egos, just a matter of pressing the record button. The results are an effective balancing of Kennedy’s haunting and melodic tunes with Kilbey’s mysterious, witty and intelligent lyrics, melded together by his heavenly voice. Martin keeps his teenage love of The Church out of the equation in fear of it skewing his songwriting but it’s there if you listen closely.

“Sumptuous meeting of Australian soundscaper and the head Churchman…Apart from having a voice of characterful cool poise and an imaginative lyrical lexicon, Kilbey can make a strong melodic song out of simple elements.” (MOJO)

“Occasionally side projects can be something really spectacular. This isn’t an album where you pick favorite songs – you simply immerse yourself in the whole lush experience. The good news is they’re recording a follow up” (Reverb magazine 4.5/5).

Kilbey/Kennedy – The Strange Life of Persephone Nimbus(Fog/MGM)

Out Oct 28 CD and Digital

Vinyl LP release Early 2023

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