Tag Archives: New single

The Insufferable Paul Scott Releases Single ‘Extinct’

NEW REVIEW

“‘Extinct’ is a slice of pure indie pop with a sparkle… There is a melancholic fairground feel to the music as he repeats the line fail to adapt when extinct with a romantic twist to the lyrics – no-one can sparkle like you do.” – Arun Kendall

https://www.backseatmafia.com/track-its-not-over-for-the-insufferable-paul-scott-ex-pop-mechanix-as-he-releases-sparkling-new-single-extinct/

Scott’s recent release EXTINCT (2025), continues his tradition of combining sharp, introspective lyrics with innovative soundscapes. His music is characterised by its melodic structures, layered instrumentation, and a penchant for exploring themes of modernity and human experience.

Describing himself with a series of tongue-in-cheek adjectives—“Inedible, Incorrigible, Indescribable…”—Scott embraces his “Insufferable” moniker with humour and self-awareness. His work continues to resonate with audiences seeking music that is both thought-provoking and sonically rich.

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The Insufferable Paul Scott is a Sydney-based singer-songwriter and multi-instrumentalist known for his sharp wit, eclectic sound, and prolific output. Emerging from Australia’s indie scene, Scott has played bass and guitar for numerous acts, including The Likes of You, Montana, The Kingdom of Jones and Bad Machines, performing everywhere from community halls to the Sydney Opera House, from Australia and New Zealand to Europe and the USA.

In 2019, he launched his solo career with the debut album Surrender to Robots, a lo-fi, genre-blending collection that drew favourable comparisons to art rock acts such as Of Montreal and The Notwist. This was followed by a string of EPs and albums that showcased his evolving sound and lyrical prowess. Notable releases include Radio Station (2020), Tea and Medals (2021), and Dopamine Mining (2024).

Tea and Medals, recorded during the COVID-19 lockdowns, stands out as a 12-track album featuring collaborations with producers like Steve Melville (The Tea Party, Regurgitator) and Tim Powles (The Church). The album blends indie rock, synth-pop, and jangle pop, reflecting Scott’s diverse musical influences.

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CB Ghost Releases Single ‘High On Elm And Vine’

UPCOMING SHOW DATES!

Friday June 6th – Dickson Taphouse, Canberra

Saturday June 14th – Gracelands, Forresters Beach NSW

CB Ghost’s latest single, ‘High on Elm & Vine’, is a deeply personal and evocative track inspired by an unforgettable encounter in Los Angeles. A psychedelic like rock song with an almost unhinged drum beat, written in a sudden burst of inspiration, explores themes of displacement, mental health struggles, and personal reflection.

While spending time in Los Angeles with his girlfriend—before the devastating fires—CB Ghost was struck by the stark reality of homelessness and the lack of mental health care in the city.

The emotions that surfaced at that time poured out in the form of ‘High on Elm & Vine’, written in a near-mystical rush of creativity. The song came together in just 20 minutes, its lyrics and melody flowing almost effortlessly. He chose to preserve that spontaneous energy in the final recording, keeping the song as close to its original essence as possible.

The studio recording process brought the track to life with the full band. Garrick Blow’s progressive rock-inspired drumming adds an intense rhythmic drive, while Murray Dilger’s hypnotic bass groove anchors the song. Geoff Nicol contributes a psychedelic, trippy lead guitar that elevates the track’s mystical quality. The result is a song that is both unsettling and mesmerizing, pushing CB Ghost out of his comfort zone.

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CB Ghost, a songwriter with an honest simple folk-rock style that captures the essence of a complicated existence with singalong tunes and poetic lyrics and sometimes a banger beat.  CB Ghost has emerged from a close-nit coastal surfing village in Australia. His background provides him with a deep connection to toe tapping Celtic, country and straight-ahead heartfelt rock music mixed with salt water from the ocean.

A former pro surfer, CB Ghost is driven, bold and dedicated to his evolving sound and a deep love of blue-collar folk stories and sensibility – and most importantly playing live to crowds who love to drink, dance, sing and have fun.

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Gareth Koch and All India Radio Release ‘Song For Philip Glass’

Philip Glass looms large as a pioneer & exponent of the minimalist movement in 20th century music. In ‘Song for Philip Glass’ Gareth recorded a series of repeated sequences to emulate the Glass style, gradually adding layers of classical guitar, acoustic guitar & bass. Each of the sequences is preserved throughout the track & the layering of new motifs, or ‘riffs’, generates the evolution of the track. ‘Song for Philip Glass’ seeks to evoke the spirit of the composer’s work, while integrating pop, folk & ambient music styles.

Gareth Koch is an ARIA Award winning multi-instrumentalist, recording artist, guitar soloist, composer & songwriter. He has recorded a sizeable repertory across multiple genres spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects, rock & songwriting. He has appeared at major festivals within Australia, Europe, Asia and North America.

All India Radio have created shimmering aural edifices that cross genres across 30+ releases since the late 1990s. All India Radio albums have featured cameos from many of Kennedy’s favourites: Steve Kilbey (The Church), prog metal legend Devin Townsend, Ed Kuepper (The Saints), Graham Lee (The Triffids), and David Bridie (Not Drowning Waving).  Martin’s music has featured in CSI, One Tree Hill, The Lying Game, Emmerdale, Bondi Rescue and many more.

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The Mezcaltones Release Single ‘City Lights’

Don’t worry if you missed their sell out run at Tamworth Music Festival last month , you can catch The Mighty Mezcaltones at any of the following dates:

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The latest single ‘City Lights’ from The Mezcaltones’ fifth studio album is Chapter One of ‘The Trials of Don and Jenny’. This swampy tune about north coast surfers visiting the emerald city is a cautionary tale about moths and flames.

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Northern Beaches Band The Mezcaltones perform regularly at Sydney venues – The Orient (The Rocks), Marrickville Bowlo, Collaroy Beach Club, Brighton RSL to name a few. They have also performed at eight Tamworth Country Music Festivals; Groundwater CMF; Blues on Broadbeach; Sydney Blues & Roots Festival; Dashville Skyline Festival; and Greazefest.

Their last album ‘Agave Soirée’ entered the Australian Blues and Roots airplay charts at #7 before spending five months embedded in the Top 20. The band are putting the finishing touches to their fifth album ‘Big Hat No Cattle’, scheduled for release in March.

Their sound can be difficult to describe – mixing original songs with rare tracks you might find on Robert Rodriguez/Tarantino movies or B-Grade 60’s Sci-Fi Flicks the guitars are richly infused with surf tones and 60’s Twang served up with a healthy dose of Cowpunk brashness. One booker described them as “Mexican Hillbilly Surf Music”. One punter said “lf Johnny Cash surfed he’d have sounded like you guys”.

Their atics are captivating. The band is fronted by vocalist Col Padre (who engages in tongue in cheek choreography) and dancer/singer/percussionist Mimi. Mimi is renowned for her routines involving gymnastic ribbons used as whips, hula hoops, fans and whatever else she can lay her hands on. Big Daddy K from 2RRR’S Sydney Sounds show described the Mezcaltones as the best live band in Sydney.

 The costumes make for an outstanding visual – four guys dressed as party hire Cowboys and two girls dressed as Spanish gunslingers with several minor costume changes throughout the show involving masks, veils and mirror shades. Sounds corny… sure is.

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The Mezcaltones Release Single ‘Big Hat No Cattle’

Don’t worry if you missed their sell out run at Tamworth Music Festival last month , you can catch The Mighty Mezcaltones at any of the following dates:

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Big Hat No Cattle is a song about that boss that we all had/have. He (generally a he) is not the owner or the manager, maybe a supervisor, but probably not, just been there longer than you – so he’s your BOSS. Definitely a big hat and for sure – no cattle!

Northern Beaches Band The Mezcaltones perform regularly at Sydney venues – The Orient (The Rocks), Marrickville Bowlo, Collaroy Beach Club, Brighton RSL to name a few. They have also performed at eight Tamworth Country Music Festivals; Groundwater CMF; Blues on Broadbeach; Sydney Blues & Roots Festival; Dashville Skyline Festival; and Greazefest.

 Their last album ‘Agave Soirée’ entered the Australian Blues and Roots airplay charts at #7 before spending five months embedded in the Top 20. The band are putting the finishing touches to their fifth album ‘Big Hat No Cattle’, scheduled for release in March. The title track is the first single released on 17 January to coincide with their shows at this years Tamworth County Music Festival.

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 Their sound can be difficult to describe – mixing original songs with rare tracks you might find on Robert Rodriguez/Tarantino movies or B-Grade 60’s Sci-Fi Flicks. The guitars are richly infused with surf tones and 60’s Twang served up with a healthy dose of Cowpunk brashness. One booker described them as “Mexican Hillbilly Surf Music”. One punter said “If Johnny Cash surfed he’d have sounded like you guys”.

Their atics are captivating. The band is fronted by vocalist Col Padre (who engages in tongue in cheek choreography) and dancer/singer/percussionist Mimi. Mimi is renowned for her routines involving gymnastic ribbons used as whips, hula hoops, fans and whatever else she can lay her hands on. Big Daddy K from 2RRR’S Sydney Sounds show described the Mezcaltones as the best live band in Sydney.

The costumes make for an outstanding visual – four guys dressed as party hire Cowboys and two girls dressed as Spanish gunslingers with several minor costume changes throughout the show involving masks, veils and mirror shades. Sounds corny… sure is.

TOUR DATES

Date Venue Location
Saturday, 18 January 2025 West Diggers Club Tamworth
Friday, 19 January 2024 West Diggers Club Tamworth
Saturday, 20 January 2024 West Diggers Club Tamworth
Saturday, 18 January 2025 West Diggers Club Tamworth
Friday, 19 January 2024 West Diggers Club Tamworth
Saturday, 20 January 2024 West Diggers Club Tamworth
Saturday, 18 January 2025 West Diggers Club Tamworth
Friday, 19 January 2024 West Diggers Club Tamworth
Sunday, 16 February 2025 Orient Hotel The Rocks
Sunday, 9 March 2025 Marrickville Bowlo Marrickville
Saturday, 15 March 2025 Railway Hotel Hornsby
Sunday, 23 March 2025 Orient Hotel The Rocks

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Paul Scott Releases New Single ‘The Angry Boyz’

Musically the track is somewhere between pop, punk and disco, which I have never referred to as ‘posco’. Lyrically it went like this: I was witness to a statement purporting to be fact that was so egregious in it’s falsehood and so inept in it’s delivery, it made me laugh. A comic manifesto for the angry boys. That’s how it starts, not just the song, but also the trouble. ‘Garbage truckers’ is not a reference to the good people of our cities’ sanitation departments, it’s the gossip we drown in.

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Paul Scott began his career in music, writing and playing bass in angular NZ group Pop Mechanix. Despite court cases, a revolving cast of singers and multiple record labels, their single ‘Jumping Out A Window’ became a staple of New Zealand pop culture.

Relocating to Australia, Paul formed Montana with Ken Stewart (Mr Blonde), Michelle Margherita and Steve Melville. Their first release featured ‘Koolest Band’ which received national airplay and high rotation on JJJ. A brief tour of the USA and a performance at SXSW, led to ‘Koolest Band’ being included in the Hollywood movie ‘You Drive Me Crazy’. The subsequent album ‘Bubblegum Love’ was released in Australia, Spain, France and the USA.

Scott has since plied bass for various Australian acts, playing everywhere from community halls and malls in Sydney, Melbourne and Brisbane to the Sydney Opera House. Teaming up with Steve Melville (ex Mr Blonde and Montana) Paul and Steve have established a studio production relationship, playing on each other’s tracks (Stewart and Melville, The Likes of You) and coproducing The Insufferable Paul Scott’s well received 2021 album ‘Tea and Medals’ (which Melville also mixed).

Their most recent project is a closer collaboration with Melville adding drums, percussion and keyboards to Scott’s voice, guitar and bass, a line up very close in sound and feel to their youthful unit ‘Montana’. “I was looking for the kind of pop thrill I used to get from great Aussie indie bands such as The Falling Joys, Smudge, The Hummingbirds, pop thrills… you know?” says Scott.  An album has been completed and tracks will be released over the next few months on Foghorn, home to most of their releases to date.

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Big Merino Release Single ‘Long Time’

Composed in the aftermath of the rejection of the Voice Referendum, the song reflects on the dispossession of Australia’s indigenous people. The vote seems an attempt to deny the truth, the theft of land and resources. Alex “To me, the referendum was a gentle request for respect and inclusion. The fact that it failed demonstrates how far we have to travel as a nation and asks the question, how long will that process will take? Going on past experience, I would say it’s going to take a long time.”

Alex worked doing photos on APY lands some years ago. The cover image, taken during those sessions, is of a church in Indulkana. The hometown of the famous portraitist, Vincent Namatjira: Archibald Prize Winner and Gina Rinehart’s least favourite artist. In the recording the band tried to get a sense of space using acoustic instruments to reflect the feeling of the vastness of those places.

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About

Formed in 2017, Big Merino play original music that blurs the lines between country, blues, roots, rock and pop. Despite an obvious passion for what’s often called ‘Americana’ their songs somehow manage to be very personal and quintessentially Australian – the words and sound shaped by the landscape and their own stories.

Their live sound is a classic combination of acoustic and electric guitars, vocals, bass and drums. Their recordings are fleshed out with multiple guitar layers, gospel style harmonies, Hammond organ, piano, horns and percussion.

 In 2018 the band released their debut album ‘Suburban Wildlife’, made two cinematic film clips with director Alan Harca, and performed all around Sydney. The band has done numerous Interviews & live-to-air performances including ABC 702 & RN, 2SER Dirt Music, Radio Skid Row, Eastside Radio, Aussie Music Weekly and 2BBB. The single ‘Black Cockatoos’ was top 10 on AMRAP Metro and Regional playlists.

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Gareth Koch Releases Single ‘La Rumba Flamenca’

 The joyous flamenco rumba is an immensely popular style, stemming from Cuba by way of the port of Cadiz in Spain. There are many types of Rumba which often share the characteristic of incorporating popular musical themes within their structure.       In ‘La Rumba Flamenca’ the traditional melody Spanish Romance is integrated into the opening measures.

Set in the traditional format of three repeated sections, ‘La Rumba Flamenca’ can be described as an erotic, mischievous and salsified dance.  Rumba is closely related to the flamenco tango and is one of the most accessible flamenco styles, danceable and lighthearted.

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About Gareth

Gareth Koch is an ARIA Award winning multi-instrumentalist, recording artist, guitar soloist, composer & songwriter. He has recorded a sizeable repertory across multiple genres spanning works for classical guitar, flamenco, original compositions, arrangements, medieval projects, rock & songwriting. He has appeared at major festivals within Australia, Europe, Asia and North America.

Born in Milan, Gareth began his musical studies on piano and clarinet, and at age 12 was accepted into the Mozarteum in Salzburg. He received his Bachelor of Music degree at the Sydney Conservatorium of Music before winning  scholarships for advanced guitar study at The Royal Madrid Conservatorium & the Vienna Academy of Music. He holds a PhD in Music & has lectured in music across Australian & European universities.

 In 2002 Gareth formed the first guitar supergroup with Karin Schaupp & The Grigoryan Brothers, Slava & Leonard.  Saffire – The Australian Guitar Quartet soared to #1 on the Classical Music Charts and even featured on ARIA  pop charts. The quartet released a total of 3 best-selling albums & was Australia’s biggest selling classical act for several years.

Gareth is involved with many cross genre projects & has released a succession of collaborative albums with Martin Kennedy & with ARIA Hall of Fame inductee Steve Kilbey (The Church). His recent release ‘The Guitar Player’ received a coveted 5 star review from The Sydney Morning Herald. Gareth’s current output has a strong rock bias with classical overtones & his writing is increasingly focussed on the ethereal nature of music.

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